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173Nelson Goodman's ‘languages of art’: A studyBritish Journal of Aesthetics 11 (1): 3-27. 1971.Reviews goodman's claims about representation, Expression and identity of works of art. Claims that the underlying nominalist logic effectively prohibits our understanding of these notions (pace goodman) and leaves everything which is of specific artistic and aesthetic interest out of account
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16Values of Beauty: Historical Essays in Aesthetics, by Paul Guyer, Cambridge: Cambridge University Press, 2005. pp. xx + 359. Paperback £ 15.99, hardback £40 (review)Kantian Review 12 (2): 189-194. 2007.
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3Imagination and Pictorial UnderstandingAristotelian Society Supplementary Volume 60 (1): 19-60. 1986.
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106SentimentalityIn Alex Neill & Aaron Ridley (eds.), Arguing About Art: Contemporary Philosophical Debates, Routledge. pp. 223--227. 2008.
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10Aesthetic Experience in ShaftesburyAristotelian Society Supplementary Volume 76 25-74. 2002.[Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in th…Read more
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30Progress and common sense: Two approaches to a problem in criticismBritish Journal of Aesthetics 17 (4): 305-319. 1977.
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"Desconocida raiz común: ": Felipe Martínez Marzoa (review)British Journal of Aesthetics 29 (2): 181. 1989.
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71The Concept of Expression: A Study in Philosophical Psychology and AestheticsPhilosophical Quarterly 22 (89): 378. 1972.
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René Descartes: Grandeur et MisèreCanadian Journal of Philosophy, Supplementary Volume 4 (n/a): 13. 1978.
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Kant, Truth, and AffinityIn Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses, Walter De Gruyter. 1974.
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118VIII—The Place of Intention in the Concept of ArtProceedings of the Aristotelian Society 69 (1): 101-124. 1969.Anthony Savile; VIII—The Place of Intention in the Concept of Art, Proceedings of the Aristotelian Society, Volume 69, Issue 1, 1 June 1969, Pages 101–124, http.
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64Spinoza, Medea, and Irrationality in ActionDialogue 42 (4): 767. 2003.Nous ecartons ici deux tentatives visant a rendre compte de l’irrationalite de l’action akratique au sein du systeme de Spinoza: celle contenue dans Spinoza meme et une seconde toute recente, due a della Rocca, qui pretend parler au nom de Spinoza. Nous tracons a larges traits une troisieme voie, laquelle n’est pas manifestement en porte-a-faux avec les principes de la psychologie morale de Spinoza. Cette tentative tourne autour d’une conception du conatus integrant un element normatif et subjec…Read more
London, United Kingdom of Great Britain and Northern Ireland
Areas of Interest
Aesthetics |
17th/18th Century Philosophy |