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"Desconocida raiz común: ": Felipe Martínez Marzoa (review)British Journal of Aesthetics 29 (2): 181. 1989.
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71The Concept of Expression: A Study in Philosophical Psychology and AestheticsPhilosophical Quarterly 22 (89): 378. 1972.
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René Descartes: Grandeur et MisèreCanadian Journal of Philosophy, Supplementary Volume 4 (n/a): 13. 1978.
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Kant, Truth, and AffinityIn Gerhard Funke (ed.), Akten des 4. Internationalen Kant-Kongresses, Walter De Gruyter. 1974.
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118VIII—The Place of Intention in the Concept of ArtProceedings of the Aristotelian Society 69 (1): 101-124. 1969.Anthony Savile; VIII—The Place of Intention in the Concept of Art, Proceedings of the Aristotelian Society, Volume 69, Issue 1, 1 June 1969, Pages 101–124, http.
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64Spinoza, Medea, and Irrationality in ActionDialogue 42 (4): 767. 2003.Nous ecartons ici deux tentatives visant a rendre compte de l’irrationalite de l’action akratique au sein du systeme de Spinoza: celle contenue dans Spinoza meme et une seconde toute recente, due a della Rocca, qui pretend parler au nom de Spinoza. Nous tracons a larges traits une troisieme voie, laquelle n’est pas manifestement en porte-a-faux avec les principes de la psychologie morale de Spinoza. Cette tentative tourne autour d’une conception du conatus integrant un element normatif et subjec…Read more
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15Philosophy and the Arts. Royal Institute of Philosophy Lectures Vol. VI, 1971-72Philosophical Quarterly 24 (96): 284. 1974.
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44Is there still life in Still Life?Royal Institute of Philosophy Supplement 71 67-84. 2012.In his literary autobiography, Le vent Paraclet , Michel Tournier records how during his time at the Lycée Pasteur in Neuilly he and his fellow classmates found a source of great hilarity in their favourite bêtisier , a volume called Pensées de Pascal , in which one learns that painting is a frivolous exercise that consists in imperfectly reproducing objects that are themselves quite worthless. Fairness to Pascal – far from Tournier's mind in those early days – demands that that offending pensée…Read more
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79Imagination and aesthetic valueBritish Journal of Aesthetics 46 (3): 248-258. 2006.One issue for theory is to account convincingly for the value of art and the significance of its specifically aesthetic character. Appeal to imagination, understood along Kantian lines as functioning to construct ‘a second nature from the material supplied by actual nature’, generates suggestive answers to both aspects of the task. The second nature that the artist inventively constructs in fine representation is one in which themes central to the inner life are revealed in ways as unestranging …Read more
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6The Heart of HistoryProceedings of the Aristotelian Society 96 (1). 1996.Anthony Savile; VIII*—The Heart of History, Proceedings of the Aristotelian Society, Volume 96, Issue 1, 1 June 1996, Pages 197–214, https://doi.org/10.1093/ari.
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18René Descartes: Grandeur et MisèreCanadian Journal of Philosophy 8 (sup1): 13-36. 1978.Recent approaches to scepticism have followed a pattern which Descartes was the first modern to outline with anything approaching clarity. He is not often given credit for the best of his insights here largely because they are obscured by misleading theological assumptions, yet once these assumptions are removed we should be impressed by the subtle ring of the underlying account of rational belief. To demonstrate these claims the first section of this essay discusses the irrelevance of Descartes…Read more
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77Aesthetic experience in shaftesbury: Anthony SavileAristotelian Society Supplementary Volume 76 (1). 2002.[Richard Glauser] Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in th…Read more
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112Objectivity in aesthetic judgement: Eva Schaper on KantBritish Journal of Aesthetics 21 (4): 363-369. 1981.
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27What is a Judgment of Taste?Proceedings of the Sixth International Kant Congress 2 (2): 383-395. 1989.
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24The Sirens' serenadeRoyal Institute of Philosophy Supplement 47 237-254. 2000.How are the beautiful and the good related? A popular answer to this ancient question takes it that to call something beautiful is just to bring it under the most general term of favourable aesthetic assessment and that since the good is in general what we reflectively want then, crudely put, the beautiful is the good's aesthetic dimension. Following this train of thought, we avoid the suggestion that there is any intimate connection between the beautiful and some more narrowly conceived moral o…Read more
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46
London, United Kingdom of Great Britain and Northern Ireland
Areas of Interest
Aesthetics |
17th/18th Century Philosophy |