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78Ontology and alterity in Merleau-Ponty (edited book)Northwestern University Press. 1990.McAllestar (computer science, MIT) describes ONTIC, the interactive system for verifying represents a significant change of direction in the field of mechanical deduction, a key area in computer science and artificial intelligence. Fourteen interrelated essays comprise a multifaceted dialogue about intersubjectivity, reciprocity, and the nature of self and other, especially as these themes are developed in Merleau-Ponty's The Visible and the invisible. The question they explore is whether the re…Read more
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135Hartshorne's Arguments against Empirical Evidence for Necessary Existence: An EvaluationReligious Studies 13 (2). 1977.Is experiential evidence irrelevant to acceptance or rejection of belief in the existence of a Divine Being? Charles Hartshorne answers that it is indeed irrelevant, and this answer has an initial and, for me, continuing surprising ring to it. Specifically, Hartshorne makes two distinguishable claims: the traditional allegedly a posteriori arguments, the teleological and cosmological, are in fact incompatible with empiricist methodology and are disguised ontological arguments; the conception of …Read more
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63Child thought and contradictions: Understanding reyb and toPhilosophy of the Social Sciences 8 (3): 261-264. 1978.
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131The Problem of Origins: In the Timber Yard, Under the SeaChiasmi International 2 249-259. 2000.
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129Riassunto: Il bello e if sublime in Merleau-Ponty e LyotardChiasmi International 10 226-226. 2008.
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155Merleau-ponty's early aesthetics of historical being: The case of cezanneResearch in Phenomenology 17 (1): 211-225. 1987.
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Introduction: Alterity as a ReversibilityIn Galen A. Johnson & Michael Bradley Smith (eds.), Ontology and alterity in Merleau-Ponty, Northwestern University Press. 1990.
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143Forest and PhilosophyEnvironmental Philosophy 4 (1-2): 59-75. 2007.This paper initiates a phenomenological study of the aesthetics of forest and wood in three main phases. First, we consider the modalities of wood’s sensuousness and argue against the formalist tradition that restricts aesthetic appreciation to visual forms. Second, we examine the structural, eidetic features of hand-made wooden objects in the “second life” of trees. Third, we engage in reflections on the communities gathered by the first and second lives of trees. These themes outline an aesthe…Read more
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