•  10
    Book reviews (review)
    British Journal of Aesthetics 29 (1): 90-92. 1989.
  •  16
    Who's afraid of Virginia Woolf?
    Ratio 5 (1): 94-97. 1992.
  •  3
    Arguing about Art (3rd ed.) (edited book)
    Routledge. 2007.
  •  24
    _Better Consciousness: Schopenhauer's Philosophy of Value_ reassesses Schopenhauer's aesthetics and ethics and their contemporary relevance. Features a collection of new essays from leading Schopenhauer scholars Explores a relatively neglected area of Schopenhauer's philosophy Offers a new perspective on a great thinker who crystallized the pessimism of the nineteenth century and has many points of contact with twenty-first century thought
  •  18
    Editorial
    European Journal of Philosophy 16 (2): 163-163. 2008.
    The short 'Editorial' introduces the published papers in 'Schopenhauer's Philosophy of Value', and explains their origin in a conference at the University of Southampton in July 2007.
  •  121
    Fear, fiction and make-believe
    Journal of Aesthetics and Art Criticism 49 (1): 47-56. 1991.
  •  52
    Art and emotion
    In Jerrold Levinson (ed.), The Oxford handbook of aesthetics, Oxford University Press. 2003.
  •  68
    A Paradox of the Heart: A Response to Alex Neill
    Philosophical Studies 65 (1/2). 1992.
  •  56
    Hume's ‘singular phenomenon‘
    British Journal of Aesthetics 39 (2): 112-125. 1999.
  •  56
    Emotional responses to fiction: Reply to Radford
    Journal of Aesthetics and Art Criticism 53 (1): 75-78. 1995.
  •  31
    Fear and belief
    Philosophy and Literature 19 (1): 94-101. 1995.
    In lieu of an abstract, here is a brief excerpt of the content:Fear And BeliefAlex NeillIn his recent article “Fear Without Belief,” 1 John Morreall argues that once we have an adequate understanding of fear—and in particular, once we understand that not all fears are based on or conceptually involve beliefs—Kendall Walton’s well-known “puzzle” concerning whether we can fear what we know to be fictional “dissolves.” 2 I would like here to point to some questions and difficulties raised by Morrea…Read more