Sally J. Scholz

Simone de Beauvoir offers one of the most interesting philosophical accounts of childhood, and, as numerous scholars have argued, it is one of the most important contributions that she made to existentialism. Beauvoir stressed the importance of childhood on one's ability to assume one's freedom. This radically changed how freedom was construed for existentialism. Rather than positing an adult subjectivity that tries to flee freedom through bad faith, Beauvoir's account forces a recognition of a situated freedom that itself is also developmentally achieved. In this article, I explore the influence of Jean-Jacques Rousseau on Beauvoir's discussion of childhood. By reading Beauvoir through Rousseau — who was one of her favorite authors — we see not just one but two accounts of childhood in Beauvoir's philosophical work. On the one hand is the idealistic childhood wherein the child is an apprentice to freedom. On the other is the constrained childhood whose product is apprenticed to the serious. I begin with a brief summary of Rousseau's Emile. Next, I offer some justification for reading Beauvoir alongside Rousseau before offering an account of Beauvoir's discussion of childhood. I end by exploring some of the implications of my reading for freedom

: We criticize a view of maternity that equates the natural with the genetic and biological and show how such a practice overdetermines the maternal body and the maternal experience for women who are mothers through adoption and ART (Assisted Reproductive Technologies). As an alternative, we propose a new framework designed to rethink maternal bodies through the lens of feminist embodiment. Feminist embodied maternity, as we call it, stresses the particularity of experience through subjective embodiment. A feminist embodied maternity emphasizes the physical relations of the subjective lived-body rather than the genetic or biological connections. Instead of universalizing claims about the maternal body, embodied maternity looks to communicable experiences and empathetic understanding.

The unity with others in collective action to achieve a particular goal, known as political solidarity, transforms the individual. I examine the dual nature of that personal transformation — the motivational transformation and the normative transformation — and offer a study of the relation between political solidarity and empathy. While empathy may be part of the normative transformation, I argue that it is not a necessary element of the motivational transformation. I conclude with a discussion of epistemic empathy.

The pairing of “whiskey” and “women” may at times be seen as an instance of what I call conspiratorial vices. Conspiratorial vices, I argue, are phenomena that, when working together, inform each other in a way that sets their content. Taken individually, the elements of the conspiracy are, at best, ambiguous with regard to their moral status. The conjoining of the concepts yields the status as “vice” and points to something deemed a threat to the social fabric. Through the use of two cases, I examine possible ways that this instance of conspiratorial vice might be seen as a multifaceted political tool that both contributes to oppression and creates a site for resistance

In this tribute to Jean Harvey, I take up a project that she left unfinished: the articulation of an account of engaged respect. Building on her discussion of facets of the moral community—namely self-respect, the irreducibly individual nature of oppression and interactional justice, education and empathetic understanding, and moral solidarity—I suggest we can discern a Harveyian conception of engaged respect. Harvey acknowledges the fallibility of human beings, including well-meaning moral actors responding to their moral obligation to ameliorate relations of oppression. This, together with her accounts of “involvement and accountability” and gratitude, guides the development of a concept of engaged respect that captures the attentiveness and support she envisioned for the moral community.

Social criticism can take on many forms ranging from theoretical exposition to non-violent protests. This paper considers literary art as a form of social criticism and uses Morrison's novel Paradise as the exemplary case to show that the confrontation of unjust ideas through social criticism is essential in building non-oppressive relations open to diversity. In this sense, social criticism is a paradigm of communication that, although often entailing conflict, ultimately aims at reconciliation. I begin with a discussion of social criticism followed by a short synopsis of the novel. I then examine the novel as social criticism focusing on a process I call "twinning." The paper ends with a critical evaluation of the power and possibilities of literary art as social criticism.