Sally J. Scholz

Iris Marion Young took a strong stance against humanitarian intervention and other so-called legitimate instances of what she calls ‘official violence’. Nevertheless, she was also aware that there may be some situations for which military humanitarian intervention should at least be considered. Young was concerned that some states will use their obligation to defend against human rights violations as a mechanism in securing or maintaining global dominance. In addition, she recognized that what counts as a violation of human rights is not uncontroversial; human rights norms and conventions are interpreted, negotiated, and otherwise contested. In this article, I build on Young’s arguments for a social connection model of responsibility by applying it to a situation where a forceful response to violence might be justified. I juxtapose Young’s position with the emerging international standard called ‘the responsibility to protect’ in order to suggest an account of intervention for global governance relations.

This paper looks at some prominent discussions of rape in war as a violation of human rights within Radical Feminism. I begin with a brief overview of United Nations declarations and actions on the subject of rape in war. I then look at some radical feminist accounts of rape in war as a violation of human rights with particular emphasis on the discussions of Susan Brownmiller and Catharine MacKinnon. I conclude the paper with a critical analysis of these radical feminist accounts and show how our human rights talk must distinguish between types of rape in war situations or risk silencing the individual victims.

In this dissertation I argue that the dichotomy of the public and the private legitimates the marginalization and/or exclusion of individuals identified as members of oppressed social groups from active participation in the public sphere. I begin by delineating the conditions of systemic oppression and the role of the dichotomy of the public and the private in that particular form of oppression. Next, I critique a traditional usage of the dichotomy based on the systemic exclusion of women in the social contract theory of John Locke. The next two chapters discuss the efficacy of two different feminist reconceptualizations of the dichotomy. The first is Jean Bethke Elshtain's communitarianism which attempts to preserve the dichotomy by revaluing the private sphere. The second is the reconceptualization of the dichotomy by Frances Olsen who suggests transcending the split and recreating our lives to enforce an ideology free from a public/private distinction. Finally, in the last chapter I use the dialogic community and work-place democracy of Iris Marion Young to argue that in order to eradicate systemic oppression, social theory, in expanding the notion of the public, must be guided by the concerns of oppressed and differently situated groups

Recent decades have witnessed rape and sexual violence used on such a massive scale and often in a widespread and systematic program that the international community has had to recognize that rape and sexual violence are not just war crimes but might be crimes against humanity or even genocide. I suggest that just war theory, while limited in its applicability to mass rape, might nevertheless offer some framework for making the determination of when sexual violence and rape constitute war crimes, crimes against humanity, or genocide. In addition, just war theory can provide the normative justification individual soldiers need to resist orders and actions that demonstrate egregious moral breakdown as found in instances of mass rape and systematic use of sexual violence, and just war criteria demonstrate that the use of rape and sexual violence in war time can never be legitimated, especially in the case of prisoner interrogation.

Simone de Beauvoir offers one of the most interesting philosophical accounts of childhood, and, as numerous scholars have argued, it is one of the most important contributions that she made to existentialism. Beauvoir stressed the importance of childhood on one's ability to assume one's freedom. This radically changed how freedom was construed for existentialism. Rather than positing an adult subjectivity that tries to flee freedom through bad faith, Beauvoir's account forces a recognition of a situated freedom that itself is also developmentally achieved. In this article, I explore the influence of Jean-Jacques Rousseau on Beauvoir's discussion of childhood. By reading Beauvoir through Rousseau — who was one of her favorite authors — we see not just one but two accounts of childhood in Beauvoir's philosophical work. On the one hand is the idealistic childhood wherein the child is an apprentice to freedom. On the other is the constrained childhood whose product is apprenticed to the serious. I begin with a brief summary of Rousseau's Emile. Next, I offer some justification for reading Beauvoir alongside Rousseau before offering an account of Beauvoir's discussion of childhood. I end by exploring some of the implications of my reading for freedom

: We criticize a view of maternity that equates the natural with the genetic and biological and show how such a practice overdetermines the maternal body and the maternal experience for women who are mothers through adoption and ART (Assisted Reproductive Technologies). As an alternative, we propose a new framework designed to rethink maternal bodies through the lens of feminist embodiment. Feminist embodied maternity, as we call it, stresses the particularity of experience through subjective embodiment. A feminist embodied maternity emphasizes the physical relations of the subjective lived-body rather than the genetic or biological connections. Instead of universalizing claims about the maternal body, embodied maternity looks to communicable experiences and empathetic understanding.

The unity with others in collective action to achieve a particular goal, known as political solidarity, transforms the individual. I examine the dual nature of that personal transformation — the motivational transformation and the normative transformation — and offer a study of the relation between political solidarity and empathy. While empathy may be part of the normative transformation, I argue that it is not a necessary element of the motivational transformation. I conclude with a discussion of epistemic empathy.

The pairing of “whiskey” and “women” may at times be seen as an instance of what I call conspiratorial vices. Conspiratorial vices, I argue, are phenomena that, when working together, inform each other in a way that sets their content. Taken individually, the elements of the conspiracy are, at best, ambiguous with regard to their moral status. The conjoining of the concepts yields the status as “vice” and points to something deemed a threat to the social fabric. Through the use of two cases, I examine possible ways that this instance of conspiratorial vice might be seen as a multifaceted political tool that both contributes to oppression and creates a site for resistance

In this tribute to Jean Harvey, I take up a project that she left unfinished: the articulation of an account of engaged respect. Building on her discussion of facets of the moral community—namely self-respect, the irreducibly individual nature of oppression and interactional justice, education and empathetic understanding, and moral solidarity—I suggest we can discern a Harveyian conception of engaged respect. Harvey acknowledges the fallibility of human beings, including well-meaning moral actors responding to their moral obligation to ameliorate relations of oppression. This, together with her accounts of “involvement and accountability” and gratitude, guides the development of a concept of engaged respect that captures the attentiveness and support she envisioned for the moral community.

Social criticism can take on many forms ranging from theoretical exposition to non-violent protests. This paper considers literary art as a form of social criticism and uses Morrison's novel Paradise as the exemplary case to show that the confrontation of unjust ideas through social criticism is essential in building non-oppressive relations open to diversity. In this sense, social criticism is a paradigm of communication that, although often entailing conflict, ultimately aims at reconciliation. I begin with a discussion of social criticism followed by a short synopsis of the novel. I then examine the novel as social criticism focusing on a process I call "twinning." The paper ends with a critical evaluation of the power and possibilities of literary art as social criticism.