Max De Gaynesford

Putnam is one of the most influential philosophers of recent times, and his authority stretches far beyond the confines of the discipline. However, there is a considerable challenge in presenting his work both accurately and accessibly. This is due to the width and diversity of his published writings and to his frequent spells of radical re-thinking. But if we are to understand how and why philosophy is developing as it is, we need to attend to Putnam's whole career. He has had a dramatic influence on theories of meaning, semantic content, and the nature of mental phenomena, on interpretations of quantum mechanics, theory-change, logic and mathematics, and on what shape we should desire for future philosophy. By presenting the whole of his career within its historical context, de Gaynesford discovers a basic unity in his work, achieved through repeated engagements with a small set of hard problems. By foregrounding this integrity, the book offers an account of his philosophy that is both true to Putnam and helpful to readers of his work.

John McDowell has set the philosophical world alight with arevolutionary approach to the subject, illuminating old problemswith dazzling particularity. In this welcome introduction to hiswork, Maximilian de Gaynesford puts writing within comfortablereach of non-specialists. The guiding argument of the book is that the variety of McDowell'sinterests disguises a core concern with a single basic goal:'giving philosophy peace'. Since the dawn of the subject,philosophy has struggled with the question: can our experience ofthe world give rational support to what we think and say; and ifso, how? McDowell claims that philosophy has itself to blame ifthese questions seem problematic, and this book's animating purposeis to see what sense can be made of this notorious claim. InMcDowell's view, the illusion that our fundamental relations withthe world are truly problematic is traceable to false views aboutnature. We should give proper weight to a natural fact about theworld: that human beings are of a kind that is naturally placedwithin the natural order. De Gaynesford analyses McDowell's densely argued and meticulouswork in a lucid, balanced and engaging way, that will proveinvaluable for all students and scholars of McDowell andphilosophy.

Reflecting a recent flourishing of creative thinking in the field, _Agents and Their Actions_ presents seven newly commissioned essays by leading international philosophers that highlight the most recent debates in the philosophy of action Features seven internationally significant authors, including new work by two of philosophy's ‘super stars’, John McDowell and Joseph Raz Presents the first clear indication of how John McDowell is extending his path-breaking work on intentionality and perceptual experience towards an account of action and agency Covers all the major interconnections between action-agency and central areas of Philosophy: Metaphysics, Epistemology, History of Philosophy, Ethics, Logic, Philosophy of Language Provides a snapshot of current debate on the subject, which is fresh, enlightening, and fruitful.

This paper is about how action and perception are related in self–awareness. The main positive claim is that bodily awareness may consist in perceptual experiences that are sufficient to provide corporeal objects with introspective self–awareness. The short–term goal is to examine the grounds and motivations for strong versions of the claim that the self–awareness of corporeal objects is dependent on the exercise of their agency. As examples of ‘patient perceivers’ show, we should not underestimate the resources that perceptual experience alone offers to corporeal selves.

This paper draws attention to the fact that works of philosophy are often judged by aesthetic criteria. This raises the question of whether philosophical writings may properly be regarded as suitable objects of aesthetic judgement in a strong sense; namely, that judging their worth qua works of philosophy is an aesthetic endeavour. The paper argues in the affirmative with the aid of a Kantian account of aesthetic judgement. Judging a work of philosophy by the means chosen may be regarded as subjecting it to criticism by criteria established within a philosophical aesthetic.