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55Dagmar Barnouw, Critical Realism: History, Photography, and The Work of Siegfried KracauerJournal of Aesthetics and Art Criticism 54 (4): 403-414. 1996.
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103Umberto Eco, with Richard Rorty, Jonathan Culler, and Christine Brooke-rose, interpretation and overinterpretation. Ed. Stefan ColliniJournal of Aesthetics and Art Criticism 51 (4): 632-633. 1993.
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105Marjorie Perloff and Charles Junkerman, Eds., John Cage: Composed in AmericaJournal of Aesthetics and Art Criticism 54 (2): 193-194. 1996.
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87Herbert M. Schueller, The Idea of Music: An Introduction to Musical Aesthetics in Antiquity and the Middle AgesJournal of Aesthetics and Art Criticism 47 (2): 188-190. 1989.
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56A Companion to Arthur C. Danto (edited book)Wiley-Blackwell. 2021."This outstanding student reference series offers a comprehensive and authoritative survey of philosophy as a whole. Written by today's leading philosophers, each volume provides lucid and engaging coverage of the key figures, terms, topics, and problems of the field. Taken together, the volumes provide the ideal basis for course use, representing an unparalleled work of reference for students and specialists alike"--
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43Chapter 6. “All Art Constantly Aspires to the Condition of Music”—Except the Art of Music: Reviewing the Contest of the Sister ArtsIn Paul A. Kottman (ed.), The Insistence of Art: Aesthetic Philosophy after Early Modernity, Fordham University Press. pp. 140-169. 2017.
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121The Aesthetic State: A Quest in Modern German ThoughtJournal of Aesthetics and Art Criticism 50 (3): 260-262. 1992.
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Bilder im Wartestand. Vorspiel zu einer kritischen Philosophie der Geschichte und der KunstIn Thomas Khurana, Dirk Quadflieg, Juliane Rebentisch, Dirk Setton & Francesca Raimondi (eds.), Negativität: Kunst - Recht - Politik, Suhrkamp. pp. 147-168. 2018.
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107The Mass Ornament: Weimar EssaysCritical Realism: History, Photography, and the Work of Siegfried KracauerJournal of Aesthetics and Art Criticism 54 (4): 397. 1996.
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77Music Education and the Art of Performance in the German BaroqueJournal of Aesthetic Education 29 (4): 110. 1995.
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113Writing Music HistoryHistory and Theory 31 (2): 182-199. 1992.Influenced by methodological trends in contemporary cultural history, recent writings in music history now share a common and very basic concern: to reconcile the desire to treat musical works as purely musical entities with value and significance of their own with the desire to account for the fact that such works are conditioned by the historical, social, and psychological contexts in which they are produced. This essay places these modern reconciliations within a broader discussion of the une…Read more
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83The Routledge Companion to Music and Visual CultureBritish Journal of Aesthetics 55 (1): 117-119. 2015.
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2Understanding the Engaged Philosopher: On Politics, Philosophy, and ArtIn Taylor Carman & Mark B. N. Hansen (eds.), The Cambridge Companion to Merleau-Ponty, Cambridge University Press. pp. 318--51. 2004.
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131The quest for voice: on music, politics, and the limits of philosophy: the 1997 Ernest Bloch lecturesOxford University Press. 1998.Concentrating on the music, politics, and philosophy of Richard Wagner, Lydia Goehr addresses some fundamental questions of German Romanticism: Is all music musical? Is music made less musical by the presence of words? What is musical autonomy? How do composers avoid censorship? How are composers affected by exile? Can music articulate a 'politics for the future'? What is the relation between music and philosophy?
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156The institutionalization of a discipline: A retrospective of the journal of aesthetics and art criticism and the american society for aesthetics, 1939-1992Journal of Aesthetics and Art Criticism 51 (2): 99-121. 1993.
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133Sporting Sounds: Relationships between Sport and Music edited by bateman, anthony and john baleJournal of Aesthetics and Art Criticism 69 (2): 233-235. 2011.
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32Three Blind Mice. Goodman, McLuhan und Adorno über die Kunst der Musik und des Hörens im Zeitalter der globalen TransmissionIn Christoph Wulf, Jacques Poulain & Fathi Triki (eds.), Die Künste im Dialog der Kulturen: Europa und seine muslimischen Nachbarn, Akademie Verlag. pp. 220-244. 2007.
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78Reflections on the Imitation of Greek Works in Painting and Sculpture (review)Teaching Philosophy 12 (3): 329-332. 1989.
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Schopenhauer and the musicians: an inquiry into the sounds of silence and the limits of philosophizing about musicIn Dale Jacquette (ed.), Schopenhauer, Philosophy and the Arts, Cambridge University Press. pp. 200--228. 1996.
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240Political music and the politics of musicJournal of Aesthetics and Art Criticism 52 (1): 99-112. 1994.
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Peter Kivy, Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text Reviewed byPhilosophy in Review 10 (1): 31-34. 1990.
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89On the Musically Beautiful: A Contribution Towards the Revision of the Aesthetics of Music (review)Teaching Philosophy 10 (3): 271-273. 1987.
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6Music has no meaning to speak of: on the politics of musical interpretationIn Michael Krausz (ed.), The Interpretation of music: philosophical essays, Oxford University Press. pp. 177--190. 1993.
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2From opera to music drama : nominal loss, titular gainsIn Andreas Haug & Andreas Dorschel (eds.), Vom Preis des Fortschritts: Gewinn und Verlust in der Musikgeschichte, Universal Edition. 2008.
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145How to Do More with Words. Two Views of (Musical) EkphrasisBritish Journal of Aesthetics 50 (4): 389-410. 2010.This essay is about ekphrasis and the possibility of musical ekphrasis in particular. It shows how ekphrasis came to be bound up with the contest of the arts. By juxtaposing an ancient, description-based view of ekphrasis with a modern work-to-work view, we are led to see the many productive ways in which ekphrasis has engaged the arts, including music, without assuming hard and fast distinctions of medium between the different arts.
