Carrie Jenkins

Elizabeth Barnes and Robert Williams have developed a theory of metaphysical indeterminacy, via which they defend the theoretical legitimacy of vague objects. In this paper, we argue that while the Barnes–Williams theory supplies a viable account of genuine metaphysical vagueness, it cannot underwrite an account of genuinely vague objects. First we clarify the distinction between these two key theses. Then we argue that the Barnes–Williams theory of metaphysical vagueness not only fails to deliver genuinely vague objects, it in fact provides grounds for rejecting them

This book unpicks the conceptual, ideological, and metaphysical tangles that get in the way of understanding romantic love. Written for a general audience, What Love Is And What It Could Be explores different disciplinary perspectives on love, in search of the bigger picture. It presents a "dual-nature" theory: romantic love is simultaneously both a biological phenomenon and a social construct. The key philosophical insight comes in explaining why this a coherent—and indeed a necessary—position to take. The deep motivation behind this work is that we have a collective responsibility to figure out romantic love. It is a formidable and potentially dangerous force, its power underwritten by its twin footholds in our biological natures and in our most treasured social practices. Often we pretend that it is incomprehensible and out of control, but this is a way of abdicating our responsibility to understand love and fix it when it's broken. What Love Is And What It Could Be explains that romantic love is currently broken in multiple interlocking ways, but also that we can change this status quo. Once we understand what love is, we will be able to take control of what it could be.

I argue that Fitch’s ‘paradox of knowability’ presents no special problem for the epistemic anti-realist who believes that reality is epistemically accessible to us. For the claim which is the target of the argument (If p then it is possible to know p) is not a commitment of anti-realism. The epistemic anti-realist’s commitment is (or should be) to the recognizability of the states of affairs which render true propositions true, not to the knowability of the propositions themselves. A formal apparatus for discussing the recognizability of states of affairs is offered, and other prima facie similar approaches to the paradox argument are reviewed.

Friends of Wright-entitlement cannot appeal to direct epistemic consequentialism (believe or accept what maximizes expected epistemic value) in order to account for the epistemic rationality of accepting Wright-entitled propositions. The tenability of direct consequentialism is undermined by the “Truth Fairy”: a powerful being who offers you great epistemic reward (in terms of true beliefs) if you accept a proposition p for which you have evidence neither for nor against. However, this chapter argues that a form of indirect epistemic consequentialism seems promising as a way to deal with the Truth Fairy problem. The relevant form of indirect consequentialism accommodates evidentialism but allows for exceptions in the case of anti-sceptical hypotheses. Since these are the kind of propositions to which Wright-entitlement is supposed to apply—i.e. cornerstone propositions—indirect consequentialism is entitlement-friendly.

Earp et al. offer a very interesting summary of, and ethical commentary on, recent multidisciplinary research suggesting that at least some cases of what we call ‘romantic love’ involve phenomena that physically and/or psychologically resemble cases of what we call ‘addiction.’ They draw a conceptual distinction between what they call ‘narrow’ and ‘broad’ concepts of addiction. On the narrow conception, only extreme, harmful, or abnormal cases of love would count as addiction. On the broad conception, even ordinary or normal cases of love could qualify.After distinguishing the two conceptions over the course of the first half of their paper, the authors argue that for labelling and treatment purposes it does...

Love is most often associated with happiness, satisfaction and pleasure. But it has a darker side we ignore at our peril. Love is often an uncomfortable and difficult feeling. The people we love can let us down badly. And the ways we love are often quite different to the romantic ideals society foists upon us. Since we are inevitably disappointed by love, wouldn't we be better off without it? No, says Carrie Jenkins. Instead, we need a new philosophy of love, one that recognizes that the pain and suffering love causes are a natural, even a good part of what makes love worthwhile. What Jenkins calls "sad love" offers no bogus "happy ever afters." Rather, it tries to find a way properly to integrate heartbreak and disappointment into the lived experience of love"--Page 4 of cover.

This chapter attempts to put structure on some of the different philosophical uses of ‘intuition’. It argues that ‘intuition’-hood is associated with four bundles of symptoms: a commonsensicality bundle; an a prioricity and immediacy bundle, and a metaphilosophical bundle. Tentatively suggesting that the word ‘intuition’ as used by philosophers is best regarded as ambiguous, the chapter offers a much simpler view concerning the meaning of ‘intuition’ in philosophy. With some of the attacks on ‘intuition’ as an epistemic source explored, the chapter concludes that one significant kind of philosophical ‘intuition’, related to a prioricity and conceptual truth, can be defended against a range of typical epistemological challenges.

Plato's Symposium depicts a group of men giving a series of speeches about the nature of love, with themes ranging from religion and metaphysics to medicine and pregnancy. The lone woman in the room, a "flute girl," is sent away as the discussion turns to serious matters; at the same time, the wisest of the men attributes his theories to a woman, the possibly fictional Diotima. Despite their absence from this important intellectual exchange, women are part of Symposium. What can contemporary feminist readers do with this troubling yet immeasurably influential work? In Uninvited historian Carla Nappi and philosopher Carrie Jenkins talk back to Plato in poetry, inspired by the voices of women characters who were not previously permitted to speak. Images and ideas from Symposium are refracted through multiple lenses to reveal a tumult of mystical, intellectual, pedagogical, and sexual ideologies. Sometimes beautiful, sometimes horrific, these poems dance within and between the lines of Symposium, carving space for new kinds of conversations about love, with themes ranging from gender and voice to power and violence. Designed to be read with or without prior knowledge of Plato, this book invites the uninvited to join a strange, amorphous, and unending conversation on the nature of love and desire - and on the possibilities intellectual and creative activity can offer.

Epistemological naturalism has often been taken to be inimical to a priori knowledge, armchair knowledge, and epistemic normativity. This chapter argues that the relationship between epistemological naturalism and these other commitments is in fact considerably subtler than it is widely assumed to be. The chapter begins with a brief classificatory sketch of different kinds of naturalism, then focuses on forms of naturalism that have been especially significant in epistemology. Finally, one form of epistemological naturalism (labeled “lightweight epistemological naturalism”) is singled out for further examination, and found to be consistent with robust (nondeflated, noninstrumental) epistemic normativity, consistent with a priori knowledge, and noncommittal with respect to the prospects of negative experimental philosophy's critique of armchair knowledge.