Gordon Graham

This paper argues that a recurrent mistake is made about Scottish moral philosophy in the 18th century with respect to its account of the relation between morality and feeling. This mistake arises because Hume is taken to be the main, as opposed to the best known, exponent of a version of moral sense theory. In fact, far from occupying common ground, the other main philosophers of the period—Hutcheson, Reid, Beattie—understood themselves to be engaged in refuting Hume. Despite striking surface similarities, closer examination reveals a deep difference between Hume's and Reid's conception of ‘the science mind’ which marked the philosophy of the period. Properly understood, this difference shows that mainstream Scottish moral philosophy, far from subscribing to Hume's dictum about morality being ‘more properly felt than judged of’, held that morality is ‘more properly judged than felt of’

This paper aims to show how philosophical debates about the nature of music as an art can throw light on one of the problems raised by Plato’s Euthryphro—how can human beings serve the gods?—and applies this to the use of music in worship. The paper gives a broad overview of expressivist, representationalist and formalist philosophies of music. Drawing in part on Hanslick, Nietzsche and Schleiermacher, it argues that formalism as a philosophy of sacred music can generate an answer to Plato’s problem

Can human history as a whole be interpreted in any meaningful way? Has there been real progress between stone age and space age? Does history repeat itself? Is there evidence of divine providence? Questions such as these have fascinated thinkers, and some of the greatest philosophers, notably Kant and Hegel, have turned their minds to philosophical history. As a branch of philosophy, however, it has received little attention in the analytical tradition. This pioneering work aims to bring the methods of analytical philosophy to the critical examination of some of these questions. The ideas of historical progress, cultural cycles, historical rupture, and God in history are all subjected to careful analysis. Gordon Graham argues that, although unfashionable, the claim that history is the story of progress under the guidance of providence is one of the most plausible accounts of the shape of the past.