Brian Bruya

In this article, I delineate seven aspects of the process of self-consciousness in order to demonstrate that when any of the aspects is compromised, self-consciousness goes away while consciousness persists. I then suggest that the psychological phenomenon of flow is characterized by a loss of self-consciousness. The seven aspects are: 1) implicit awareness that the person and the self are identical; 2) awareness of an event or circumstance in the world internal or external to the person; 3) awareness that this event or circumstance is not isolated, that something will result from it; 4) inference that a result of the circumstance or event may have an impact on one's person; 5) inference that the impact on one's person may have a normative valence with respect to one's person; 6) inference that the normative valence with respect one's person may be significant to one's person; 7) implicit awareness that any event eventuating in a normative valence that is significant with respect to one's person will also be significant to one's self.

In this full length review, I create a running parallel between Martin Kern's Text and Ritual in Early China and Mark Edward Lewis' Writing and Authority in Early China. Both books cover the nexus of texts and their sociopolitical milieu, with Kern's book acting as a sort of update to Lewis'. I group the articles in Kern's book under the following headings: Texts and Authority (Nylan, Falkenhausen, Brashier), Textual Emergence (Boltz, Kern), and Ritual in Literary Genres (Schaberg, Csikszentmihalyi, Gentz), summarizing the content of each article and relating it to Lewis' seminal work. Three further sections, under the heading of "Terminological Precision," are dedicated to issues raised by both books: the performative in ritual (gestures that presuppose a common set of cultural norms and that gain their efficacy from general community acceptance of such norms), the ritual (and performative) dimension of divination, and a functionalist perspective on ritual.

Can we conceive of disorder in a positive sense? We organize our desks, we discipline our children, we govern our polities--all with the aim of reducing disorder, of temporarily reversing the entropy that inevitably asserts itself in our lives. Going all the way back to Hesiod, we see chaos as a cosmogonic state of utter confusion inevitably reigned in by laws of regularity, in a transition from fearful unpredictability to calm stability. In contrast to a similar early Chinese notion of chaotic disorder (luan), early Daoists posit a type of chaos that is to be cultivated rather than feared. This chaos is a primal disorder, akin to Hesiod's, but rather than threatening disruption, it is replete with creative potential and through spontaneous action yields orderly processes that proceed from the concretion of things to their dissolution and back, in a complex web of relations. This processional activity, although taken in one sense as cosmogonic, in a more important sense is immanent at every moment of activity. This article identifies terms of chaos, such as dun dun 沌 沌, hundun 渾 沌, and xingming 涬 溟 in Laozi and Zhuangzi and examines the passages in which they occur. Analyzing these passages brings us to a better understanding of "chaos" in a Chinese sense and to a familiarity with related terms in its semantic field, such as xuan 玄 (dark, mysterious), miao 妙 (subtle/profound), wei 微 (minute/inchoate), xiao 小 (small/minute), and pu 樸 (uncarved block). We see that the Daoist ideal is to return to a chaotic inchoateness by melding with the cosmos and there finding a repository of creative potential. This notion of chaos as the inchoate is used a springboard into understanding the origins of Daoist spontaneity.

There is a view that Ruists never put much emphasis on qing and even saw it in a negative light. This is perhaps a misunderstanding, especially in regard to pre-Qin Ruism. In the Guodian Xing zi ming chu, the passage "dao begins in qing" (dao shi yu qing) plays an important role in our understanding of the pre-Qin notion of qing. This article concentrates on the "theory of qing" in both pre-Qin Ruism and Daoism and attempts a philosophical interpretation of "dao begins in qing," and in the process offers philosophical interpretations of a number of important notions

After being largely unknown to non-siniphone philosophers, Li Zehou's ideas are gradually being translated into English, but very little has been done on his aesthetics, which he says is the key to his oeuvre. In the first of three sections of this paper, I briefly introduce the reader to Kant's aesthetics through Li's eyes, in which he develops an implicit notion of aesthetic freedom as political vehicle through the notions of subjectivity, universalization, and the unity of the cognitive faculties. In the second section, I introduce Marx's notions of 'human nature as practice' and 'freedom as practice', as outlined in his early manuscripts. I conclude that Marx's politics take free practice as the highest expression of humanity, which is finally, ideally, self-legislating. In the final section, I present Li's interpretation of Marx as a remedy for Kant, introducing some of Li's specialized vocabulary and demonstrating his final synthesis of Kant and Marx in a notion of aesthetic freedom that presupposes political freedom.

: There is a view that Ruists never put much emphasis on qing and even saw it in a negative light. This is perhaps a misunderstanding, especially in regard to pre-Qin Ruism. In the Guodian Xing zi ming chu, the passage "dao begins in qing" plays an important role in our understanding of the pre-Qin notion of qing. This article concentrates on the "theory of qing" in both pre-Qin Ruism and Daoism and attempts a philosophical interpretation of "dao begins in qing," and in the process offers philosophical interpretations of a number of important notions