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Jenefer Robinson

University of Cincinnati
  •  Home
  •  Publications
    77
    • Most Recent
    • Most Downloaded
    • Topics
  •  Events
    5
  •  News and Updates
    32

 More details
  • University of Cincinnati
    Department of Philosophy
    Retired faculty
Cincinnati, Ohio, United States of America
Areas of Specialization
Philosophy of Mind
Aesthetics
Philosophy of Cognitive Science
Areas of Interest
Philosophy of Mind
Aesthetics
Philosophy of Cognitive Science
  • All publications (77)
  •  4
    Catherine Z. Elgin, With Reference to Reference (review)
    Philosophy in Review 4 22-24. 1984.
    Reference
  •  120
    The individuation of speech acts
    Philosophical Quarterly 24 (97): 316-336. 1974.
    Speech Acts
  •  106
    Levinson on hope in the hebrides
    with Gregory Karl
    Journal of Aesthetics and Art Criticism 53 (2): 195-199. 1995.
    AestheticsMoral States and Processes
  •  285
    Syntax, meaning and context: A reply to Keenan
    Philosophical Quarterly 27 (107): 162-164. 1977.
    Syntax
  •  147
    Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion (review)
    Notre Dame Philosophical Reviews 2009 (3). 2009.
    Music and EmotionMusical Understanding
  •  58
    Music and Meaning
    Journal of Aesthetics and Art Criticism 56 (3): 314-316. 1998.
    AestheticsAesthetics and Emotions
  •  155
    Emotion, judgement, and desire
    Journal of Philosophy 80 (11): 731-740. 1983.
    Emotions
  •  1
    A Sentimental Education
    Clarendon Press. 2005.
    Ethics
  •  291
    The expression and arousal of emotion in music
    Journal of Aesthetics and Art Criticism 52 (1): 13-22. 1994.
    Aesthetics and EmotionsMusic and Emotion
  •  179
    Bob Solomon’s Legacy: Introduction
    with Nico H. Frijda
    Emotion Review 2 (1): 3-4. 2010.
    Bob Solomon used to inveigh against William James’ theory of emotions, but he eventually arrived at a rapprochement with James and James’s recent successors. In particular, James suggested that emotions are initiated by the “automatic, instinctive” appraisals that register important information in the body and are recorded by body-mapping brain areas. In recent work Solomon describes the judgments he thinks constitute emotions as felt bodily appraisals in similar fashion.
    EmotionsTheories of Emotion
  •  277
    Style and personality in the literary work
    Philosophical Review 94 (2): 227-247. 1985.
    Literary Interpretation
  •  302
    Personal identity and survival
    Journal of Philosophy 85 (June): 319-28. 1988.
    Psychological Theories of Personal IdentityWhat Matters in Survival
  •  163
    General and individual style in literature
    Journal of Aesthetics and Art Criticism 43 (2): 147-158. 1984.
    Philosophy of Literature, Misc
  •  226
    Do all musical emotions have the music itself as their intentional object?
    Behavioral and Brain Sciences 31 (5): 592-593. 2008.
    Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper
    Aesthetics and EmotionsObjects and Contents of EmotionsMusic and Emotion
  •  73
    Three theories of emotion—three routes for musical arousal
    In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control, Oxford University Press. pp. 155. 2013.
    Emotions
  •  184
    Shostakovich's tenth symphony and the musical expression of cognitively complex emotions
    with Gregory Karl
    Journal of Aesthetics and Art Criticism 53 (4): 401-415. 1995.
    Musical ExpressionAesthetics and Emotions
  •  158
    Some remarks on Goodman's language theory of pictures
    British Journal of Aesthetics 19 (1): 63-75. 1979.
    Depiction
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