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Jenefer Robinson

University of Cincinnati
  •  Home
  •  Publications
    77
    • Most Recent
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    • Topics
  •  Events
    5
  •  News and Updates
    32

 More details
  • University of Cincinnati
    Department of Philosophy
    Retired faculty
Cincinnati, Ohio, United States of America
Areas of Specialization
Philosophy of Mind
Aesthetics
Philosophy of Cognitive Science
Areas of Interest
Philosophy of Mind
Aesthetics
Philosophy of Cognitive Science
  • All publications (77)
  • Representation and Expression in the Arts: A Study of Some Recent Theories
    Dissertation, University of Toronto (Canada). 1975.
    Aesthetic Cognition
  •  319
    Startle
    Journal of Philosophy 92 (2): 53-74. 1995.
  •  27
    Problemas da estética
    Critica -. 2010.
  •  1
    Goodman
    In Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2013.
    AestheticsAesthetic Representation
  •  120
    The individuation of speech acts
    Philosophical Quarterly 24 (97): 316-336. 1974.
    Speech Acts
  •  4
    Catherine Z. Elgin, With Reference to Reference (review)
    Philosophy in Review 4 22-24. 1984.
    Reference
  •  285
    Syntax, meaning and context: A reply to Keenan
    Philosophical Quarterly 27 (107): 162-164. 1977.
    Syntax
  •  106
    Levinson on hope in the hebrides
    with Gregory Karl
    Journal of Aesthetics and Art Criticism 53 (2): 195-199. 1995.
    AestheticsMoral States and Processes
  •  147
    Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion (review)
    Notre Dame Philosophical Reviews 2009 (3). 2009.
    Music and EmotionMusical Understanding
  •  58
    Music and Meaning
    Journal of Aesthetics and Art Criticism 56 (3): 314-316. 1998.
    AestheticsAesthetics and Emotions
  •  155
    Emotion, judgement, and desire
    Journal of Philosophy 80 (11): 731-740. 1983.
    Emotions
  •  292
    The expression and arousal of emotion in music
    Journal of Aesthetics and Art Criticism 52 (1): 13-22. 1994.
    Aesthetics and EmotionsMusic and Emotion
  •  1
    A Sentimental Education
    Clarendon Press. 2005.
    Ethics
  •  277
    Style and personality in the literary work
    Philosophical Review 94 (2): 227-247. 1985.
    Literary Interpretation
  •  179
    Bob Solomon’s Legacy: Introduction
    with Nico H. Frijda
    Emotion Review 2 (1): 3-4. 2010.
    Bob Solomon used to inveigh against William James’ theory of emotions, but he eventually arrived at a rapprochement with James and James’s recent successors. In particular, James suggested that emotions are initiated by the “automatic, instinctive” appraisals that register important information in the body and are recorded by body-mapping brain areas. In recent work Solomon describes the judgments he thinks constitute emotions as felt bodily appraisals in similar fashion.
    EmotionsTheories of Emotion
  •  302
    Personal identity and survival
    Journal of Philosophy 85 (June): 319-28. 1988.
    Psychological Theories of Personal IdentityWhat Matters in Survival
  •  163
    General and individual style in literature
    Journal of Aesthetics and Art Criticism 43 (2): 147-158. 1984.
    Philosophy of Literature, Misc
  •  73
    Three theories of emotion—three routes for musical arousal
    In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control, Oxford University Press. pp. 155. 2013.
    Emotions
  •  226
    Do all musical emotions have the music itself as their intentional object?
    Behavioral and Brain Sciences 31 (5): 592-593. 2008.
    Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper
    Aesthetics and EmotionsObjects and Contents of EmotionsMusic and Emotion
  •  158
    Some remarks on Goodman's language theory of pictures
    British Journal of Aesthetics 19 (1): 63-75. 1979.
    Depiction
  •  184
    Shostakovich's tenth symphony and the musical expression of cognitively complex emotions
    with Gregory Karl
    Journal of Aesthetics and Art Criticism 53 (4): 401-415. 1995.
    Musical ExpressionAesthetics and Emotions
  • Review of Honor by Frank H. Stewart (review)
    Mind 106 798-800. 1997.
  •  287
    Music & meaning (edited book)
    Cornell University Press. 1997.
    In order to promote new ways of thinking about musical meaning, this volume brings together scholars in music theory, musicology, and the philosophy of music,..
    Philosophy of Music
  •  4
    Emotional Responses to Music: What are they? How do they work? And are they relevant to aesthetic appreciation?
    In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion, Oxford University Press. 2009.
    Aesthetics and Emotions
  •  107
    The emotions in art
    In Peter Kivy (ed.), The Blackwell Guide to Aesthetics, Wiley-blackwell. pp. 174--192. 2008.
    This chapter contains sections titled: The Emotions in Art: A Thumbnail Sketch Emotion Emotional Expression in the Arts The Emotional Experience of the Arts Conclusion.
    Aesthetics and Emotions
  •  71
    Basic Issues in Aesthetics (review)
    Teaching Philosophy 12 (1): 95-97. 1989.
    AestheticsPhilosophy of EducationHistory of Aesthetics
  •  363
    Style and significance in art history and art criticism
    Journal of Aesthetics and Art Criticism 40 (1): 5-14. 1981.
    Aesthetics
  •  113
    Representation in Music and Painting
    Philosophy 56 (217). 1981.
    Painting and Drawing
  •  4
    Patricia S. Greenspan, Emotions and Reasons (review)
    Philosophy in Review 11 (2): 101-104. 1991.
    EmotionsAspects of Emotion
  •  346
    Languages of art at the turn of the century
    Journal of Aesthetics and Art Criticism 58 (3): 213-218. 2000.
    Aesthetics
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