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1GoodmanIn Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2013.
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147Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion (review)Notre Dame Philosophical Reviews 2009 (3). 2009.
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292The expression and arousal of emotion in musicJournal of Aesthetics and Art Criticism 52 (1): 13-22. 1994.
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179Bob Solomon’s Legacy: IntroductionEmotion Review 2 (1): 3-4. 2010.Bob Solomon used to inveigh against William James’ theory of emotions, but he eventually arrived at a rapprochement with James and James’s recent successors. In particular, James suggested that emotions are initiated by the “automatic, instinctive” appraisals that register important information in the body and are recorded by body-mapping brain areas. In recent work Solomon describes the judgments he thinks constitute emotions as felt bodily appraisals in similar fashion.
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163General and individual style in literatureJournal of Aesthetics and Art Criticism 43 (2): 147-158. 1984.
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73Three theories of emotion—three routes for musical arousalIn Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control, Oxford University Press. pp. 155. 2013.
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226Do all musical emotions have the music itself as their intentional object?Behavioral and Brain Sciences 31 (5): 592-593. 2008.Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper
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158Some remarks on Goodman's language theory of picturesBritish Journal of Aesthetics 19 (1): 63-75. 1979.
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184Shostakovich's tenth symphony and the musical expression of cognitively complex emotionsJournal of Aesthetics and Art Criticism 53 (4): 401-415. 1995.
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287Music & meaning (edited book)Cornell University Press. 1997.In order to promote new ways of thinking about musical meaning, this volume brings together scholars in music theory, musicology, and the philosophy of music,..
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4Emotional Responses to Music: What are they? How do they work? And are they relevant to aesthetic appreciation?In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion, Oxford University Press. 2009.
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107The emotions in artIn Peter Kivy (ed.), The Blackwell Guide to Aesthetics, Wiley-blackwell. pp. 174--192. 2008.This chapter contains sections titled: The Emotions in Art: A Thumbnail Sketch Emotion Emotional Expression in the Arts The Emotional Experience of the Arts Conclusion.
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363Style and significance in art history and art criticismJournal of Aesthetics and Art Criticism 40 (1): 5-14. 1981.
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346Languages of art at the turn of the centuryJournal of Aesthetics and Art Criticism 58 (3): 213-218. 2000.
Cincinnati, Ohio, United States of America
Areas of Specialization
| Philosophy of Mind |
| Aesthetics |
| Philosophy of Cognitive Science |
Areas of Interest
| Philosophy of Mind |
| Aesthetics |
| Philosophy of Cognitive Science |