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127L'éducation sentimentaleAustralasian Journal of Philosophy 73 (2). 1995.This Article does not have an abstract
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47Three theories of emotion—three routes for musical arousalIn Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control, Oxford University Press. pp. 155. 2013.
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18Emotion and the understanding of narrativeIn Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature, Wiley-blackwell. 2007.This chapter contains sections titled: How to Read a Story What is Emotional Involvement? Processing a Narrative Interpretation as Reflection on Emotional Responses to a Text Why Be Emotionally Involved? Objections.
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79Some remarks on Goodman's language theory of picturesBritish Journal of Aesthetics 19 (1): 63-75. 1979.
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44Gut Reactions: A Perceptual Theory of EmotionBritish Journal of Aesthetics 46 (2): 206-208. 2006.
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1GoodmanIn Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2000.
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41The emotions in artIn Peter Kivy (ed.), The Blackwell Guide to Aesthetics, Blackwell. pp. 174--192. 2004.This chapter contains sections titled: The Emotions in Art: A Thumbnail Sketch Emotion Emotional Expression in the Arts The Emotional Experience of the Arts Conclusion.
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136Do all musical emotions have the music itself as their intentional object?Behavioral and Brain Sciences 31 (5): 592-593. 2008.Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper
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237Style and significance in art history and art criticismJournal of Aesthetics and Art Criticism 40 (1): 5-14. 1981.
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Can Music Function as a Metaphor of Emotional Life?In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work, Oxford University Press Uk. pp. 149-177. 2007.
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11Ronald de Sousa, The Rationality of Emotion Reviewed byPhilosophy in Review 9 (6): 224-228. 1989.
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64The art of distancing: How formal devices manage our emotional responses to literatureJournal of Aesthetics and Art Criticism 62 (2). 2004.
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45Bob Solomon and William James: A RapprochementEmotion Review 2 (1): 53-60. 2010.Bob Solomon used to inveigh against William James’ theory of emotions, but he eventually arrived at a rapprochement with James and James’s recent successors. In particular, James suggested that emotions are initiated by the “automatic, instinctive” appraisals that register important information in the body and are recorded by body-mapping brain areas. In recent work Solomon describes the judgments he thinks constitute emotions as felt bodily appraisals in similar fashion
Cincinnati, Ohio, United States of America
Areas of Specialization
Philosophy of Mind |
Aesthetics |
Philosophy of Cognitive Science |
Areas of Interest
Philosophy of Mind |
Aesthetics |
Philosophy of Cognitive Science |