Peg Birmingham

The dominant narrative today of modern political power, inspired by Foucault, is one that traces the move from the spectacle of the scaffold to the disciplining of bodies whereby the modern political subject, animated by a fundamental fear and the will to live, is promised security in exchange for obedience and productivity. In this essay, I call into question this narrative, arguing that that the modern political imagination, rooted in Hobbes, is animated not by fear but instead by the desire for glory and immortality, a desire that is spectacularly displayed in the violence of the modern battlefield. I go on to argue that Hannah Arendt, writing in the ruins of the Second World War, rethinks the modern legacy of political glory. I claim that Arendt's reflections on violence and glory, which she rethinks from her earliest writings on violence in the 1940s to her later reflections on war in the 1960s, offer the possibility of a new political imagination wherein glory and the desire for immortality is now rooted in the responsibility of bearing an enduring world.

The title of this collection of essays contains a productive ambiguity that carries through the collection. The essays, by such notable thinkers as Alasdair MacIntyre, Robert Pippen, Paul Ricoeur, Stanley Rosen, Charles Taylor, and Gianni Vattimo, address both Gadamer’s own life and work that spanned just over a century and the philosophical century which he inhabited, most notably, the century in which philosophy itself grappled with the end of metaphysics and the concomitant loss of the absolute universal. It is a collection that takes up from varying philosophical standpoints the ensuing linguistic turn as well as the problem of reason in both its practical and theoretical forms. Still further, it is a collection of essays which together argue that the hermeneutical standpoint articulated by Gadamer in Truth and Method may be philosophy’s best methodological hope. What makes this collection of essays both unique and invaluable is its attempt to perform a Gadamerian “fusion of horizons”; it not only brings philosophy together with other disciplines such as religion, art, and poetry, it also brings together Continental and analytic responses to Gadamer’s hermeneutical project and to the issues confronting philosophy in Gadamer’s century, a century that paradoxically remains ours.