Paul Richard Blum

Syncretism is a challenge to modern philosophy, but it was the main characteristic of Giordano Bruno’s thought. This has been made clear by Frances A. Yates, who in interpreting Bruno and Renaissance Hermeticism was not afraid of connecting theories and cultural expressions which on the surface are alien to philosophy. In doing so Yates was congenial to her object of study, as syncretism of theory was no mere side effect of Hermeticism, but had a philosophical aim. This aim can be identified as the desire to connect the world and its general principle, as well as the powers of the human mind, into a philosophical narrative which strives at unifying oppositions and contradictions.

Nicholas of Cusa (1402-1464) explored the boundaries of human reason for the sake of making religious belief believable. Unwillingly, he became a milestone in the process of rationalizing Christian theology. Giordano Bruno (1548-1600) is a proof to this perspective by the way he makes use of Cusanus’s approach. In his ’Spaccio de la bestia trionfante’, Bruno discusses Cusanus’s attempts at the geometrical problem of squaring the circle. Bruno not only promotes his atomistic geometry, he also uses the metaphoric meaning of triangle for Trinity as an occasion to supplant ’faith’ with ’sincerity’. For Bruno faith is not anymore the true belief of religion, but rather ’good faith’ and fidelity, i.e., social and political virtues

Scientific and political developments of the early twentieth century led Michael Polanyi to study the role of the scientist in research and the interaction between the individual scholar and the surrounding conditions in community and society. In his concept of “personal knowledge” he gave the theory and history of science an anthropological turn. In many instances of the history of sciences, research is driven by a commitment to beliefs and values. Society plays the role of authority and communicative backdrop that presupposes individual liberty. As a system of beliefs science is rooted in community and also in history. However, as soon as fellow humans become the objects of research, their appeal transcends the researcher. Consequently, the history of human endeavor reveals a “firmament” of standards and obligations which represent an ontological reality, for which Polanyi invokes Teilhard de Chardin’s notion of noosphere.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.1 (2000) 59-74 [Access article in PDF] Francesco Patrizi in the "Time-Sack": History and Rhetorical Philosophy * Paul Richard Blum Contemporary theory of history is much concerned with the narrative structure of history, its nature, and its epistemic status. 1 The problem is not only that sources present events mostly wrapped in narrative language but also that temporality is an inherent feature both of the events told and of storytelling. 2 Narrativity and temporality touch upon basic metaphysical and anthropological questions, as Paul Ricoeur has pointed out, if narration is to be understood as self-explanation of a human being in whom "time" occurs as "being-in-time." 3 The following paper cannot claim to contribute to the current debate but presents Francesco Patrizi (1529-97) 4 as a Renaissance philosopher who addressed several of these problems. In discussing his conceptions of history and time, however, it is the aim of this paper only to locate these within his own philosophy. [End Page 59]One of the unresolved problems in the writings of Francesco Patrizi is the difference between his earlier contributions to the humanistic canon and his late philosophical main treatise, Nova de universis Philosophia. The earlier writings conform to the usual humanist literary topics: the political program of a città felice, the treatises on honor, the poetic fury, Petrarch (1553), and then his two dialogues on history (1560) and rhetoric (1562). The two works which followed, the Discussiones peripateticae (1571) and the Poetics (1586), show a characteristic development of humanist thinking, namely, the differentiation of purely philological from essentially philosophical literature.Patrizi's Discussiones peripateticae 5 is a polemic against Aristotle, written from a Platonic viewpoint, but his own philosophy is concealed under a mass of philological material. In an attempt that seeks to be virtually definitive, he cites passages from Aristotle and the Peripatetic tradition in order to point out mistakes and contradictions. It was on this account that Giordano Bruno heaped ridicule on him, calling him "sterco di pedanti." Simply put, he tells us, Patrizi demonstrates "how like he is to an ox or an ass." One cannot say that he has understood Aristotle either well or ill, but merely that he has read him and reread him, cut him up and stitched him together, compared him with a thousand other Greek writers, friends and foes alike, and altogether gone to an immense deal of trouble, not only to no purpose whatsoever but also to our infinite disappointment. Anyone who wishes to see into just what folly and self-regarding vanity pedantic drudgery can plunge and sink should read this book. 6This was one contemporary reaction to Patrizi's attempt to explore all the possibilities of a humanistic style of literary criticism, via the comparison between Plato and Aristotle. 7The Poetics 8 is essentially divided into two quite distinct halves: Della poetica la deca istoriale and Della poetica la deca disputata. The first is a lexicon of [End Page 60] the ancient authors, categories, styles, etc., and the second a series of dissertations on the theory of poetry but these, too, with abundant reference to both ancient and contemporary literature.Finally, and entirely different in style, there is his principal work, the Nova de universis Philosophia (1591). 9 Here the philosopher systematically departs from his accustomed field, ranging from a theory of light (Panaugia), via a discussion on theological principles (Panarchia) and a theory of the soul (Pampsychia) to the Pancosmia, a treatise on cosmology and physics. Even to this work he appends a number of documentary excerpts, and there is no lack of excursions into literary history, but the main part of the work is entirely axiomatic--"methodical"--in approach and argumentative in style.These works of Patrizi represent the development of philosophical humanism in the sixteenth century, a development away from a unified presentation of the problems of the human sciences by the explicit use of the tools of literary rhetoric, and towards the research of philological sources on the one hand and...

To explain the interaction of stillness and motion of thought, Nicholas Cusanus formulated his renowned comparison with a cosmographer, which through five gateways, corresponding to the five senses, receives information about the world in the form of messages. What follows therefrom is not directly an analysis of the world but of the Creator, whom the philosopher mirrors in himself as a creator of scientific symbols.Cusanus was repeatedly suspected of Pantheism. What is crucial, however, for the critique of reasonning is the parallelism, that God's omnipresence in his creation corresponds to a universal capacity of the human mind to perceive everything by means of a hypothetical otherness . Therefrom proceeds the general projection that everything can be seen in mathematical terms. Mathematical calculating, working with figures, reducing to units, leads Cusanus to God's creative power as much as to the functioning of the intellect.However, his renowned mental experiments on the minimum and maximum were purely in pursuit of the goal of describing the fluid frontiers of defined thought. This is also true of his cosmology. Cusanus argued mathematically in order to prove the non-mathematical and the non-realistic

The history of philosophy has to understand the problems to which past theories are intended as answers,rather than taking the latter as sets of doctrines, which may be correct or mistaken. Examples from theRenaissance are Nicholas of Cusa, Marsilio Ficino, Bernardino Telesio, Girolamo Cardano, and BenedictusPererius: they show that Renaissance thinkers sought for principles of nature in terms of active powers.Whoever denies the validity of such ideas has the burden of proof that alternative theories solve the sameproblems

Giordano Bruno was a philosopher in his own right. However, he was famous through the centuries due to his execution as a heretic. His pronouncements against teachings of the Catholic Church, his defence of the cosmology of Nicholas Copernicus, and his provocative personality, all this made him a paradigmatic figure of modernity. Bruno’s way of philosophizing is not looking for outright solutions but rather for the depth of the problems; he knows his predecessors and their strategies as well as their weaknesses, which he exposes satirically. This introduction helps to identify the original thought of Bruno who proudly said about himself: “Philosophy is my profession!” His major achievements concern the creativity of the human mind studied through the theory of memory, the infinity of the world, and the discovery of atomism for modernity. He never held a permanent office within or without the academic world. Therefore, the way of thinking of this “Knight Errant of Philosophy” will be presented along the stations of his journey through Western Europe.

Neuzeitliche Philosophie ist "Philosophenphilosophie", das ist die These dieses Buches, denn seit der Renaissance und besonders seit der Wende der Philosophie bei Descartes bezieht die Philosophie ihre Autoritat aus dem Philosophen selbst, der sie vertritt. Das fur das moderne philosophische Argumentieren selbstverstandliche "Selbstdenken" belastet den Philosophen mit Verantwortung fur die Wahrheit, was auch moralische Konsequenzen hat. Das Gegenmodell ist die Schulphilosophie, die parallel dazu eine fortgesetzte Tradition hat, ausgehend von den Lehrbuchern der Philosophie an katholischen (v.a. Jesuiten-) Universitaten bis hin zu den letzten Auslaufern der Neuscholastik. In Fallstudien wird die neuzeitliche Schulphilosophie vorgestellt und ihr Anspruch, Philosophie zu sein, auf den Begriff von Philosophie hin untersucht. Inhalt: Descartes und das scholastische Argumentieren - Scholastik und Humanismus im Bildungsprogramm der Jesuiten - Nikolaus Cusanus - Marsilio Ficino - Giordano Bruno - Studienordnung und Philosophiebegriff: die Ratio studiorum SJ - Der Standardkursus der katholischen Schulphilosophie - Aufklarung und Scholastik - Cusanus und Bruno neuscholastisch gelesen - Philosophenphilosophie und Schulphilosophie. (Franz Steiner 1998)

"Philosophieren in der Renaissance" - das Thema dieses Bandes ist zugleich bescheiden und voraussetzungsreich. Zwar kann der Autor bei weitem keine "Geschichte der Philosophie der Renaissance" versprechen, er beansprucht aber zeigen zu konnen, was in der Epoche der Renaissance zu philosophieren bedeutet hat. Dabei sollen zentrale Themen des Renaissance-Denkens zur Sprache kommen: Wurde des Menschen, Freiheit des Individuums, Mensch und Welt, Religionsfreiheit, Humanismus, Natur, Naturliche Theologie, Vernunft. Unter diesem Themenspektrum setzt sich Blum auch mit dem Problem der Aktualisierung sowie Instrumentalisierung historischen Denkens auseinander. Besonderes Augenmerk gilt der Philosophie der Zeit nach dem 16. Jahrhundert mit ihrer schon in der Renaissance entstandenen Schulphilosophie, werden doch hier die Bindeglieder zum Mittelalter und zur Neuzeit sichtbar.