Paul Richard Blum

Paul Richard Blum Et nuper Plethon – Ficino's Praise of Georgios Gemistos ABSTRACT Most authors who refer to Marsilio Ficino's famous Prooemium to his translation of Plotinus, addressed to Lorenzo de'Medici, discuss the alleged foundation of the Platonic Academy in Florence, but rarely continue reading down the same page, where – for a second time – Georgios Gemistos Plethon is mentioned. The passage contains more than one surprising claim: 1. Pletho is a reliable interpreter of Aristotle. 2. Pletho and Pico are the most recent Aristotelians, more precisely, they are the latest candle bearers of true Aristotelian tradition. 3. Pletho, alongside with the other authors mentioned, is religiously orthodox. In this paper I show that these statements are contrafactual, and discuss the reasons for Ficino's attempt at making Plethon and Pico his allies. Ficino suggests that Pico and Pletho are representatives of such "philosophic religion" that eventually might convert the Aristotelians to the same piety that unites Pico, Plethon, and the Platonizing interpreters of Aristotle. Pletho's agenda was to restore ancient pagan wisdom in order not to supplant Christianity. Ficino's device to counter corrupt Aristetelianism is to create a counter-tradition, that parallels Platonism, namely the pious reading of Aristotle. He employed the figure of young Pico as having urged him to translate Plotinus. Pico serves as a step stone between the Council of Florence, when in 1439 Cosimo encountered Pletho, and the new translation of Plotinus. The divine inspiration, instilled by Pletho and forwarded from Cosimo via Pico to Ficino christianizes the project, which would sound dubitable, if related only to Pletho. Thus Pico was to help saving Ficino's reputation as a religious philosopher. For this purpose, Ficino had to parallel Pletho with the unsuspected Pico, to the effect that Pletho becomes so to say christened.

ISBN-13: 978-1934074480
Plot Summary from the book:
"An aristocratic young man, fed up with his studies, contemplates military service. His teacher is unable by any reasoning to call him back him from the path he has embarked upon. The young man enlists another youth who commits himself to the journey, dressed in military garb, and he happens upon two deserting soldiers, unsightly and ill-used both in their dress and in their hygiene. Both young men are so moved by the deserters’ remarks deploring and reviling their lot in life that they return to their studies. One of the deserters, however, hopes to be welcomed back by the wife and small children he had deserted and left penniless and bereft of friends. She gives him a nasty reception, with verbal and corporal abuse, and he barely manages to have his sin forgiven and to return to her good graces."
From the Table of Contents:
Introduction
How to Use this Book
Jacobus Pontanus: Biography
Jesuit Comedy – Seriously?
The Stratocles as a Spiritual Exercise
Just War and the Morality of Military Service
A Play about War and the Real Wars of Pontanus' Time
The Characters and Their Names
Pontanus’ Use of Classical Sources
The History of the Text of Stratocles
Performance
Stratocles or War
Endnotes
Appendices
Pontanus on Humanist Studies
Pontanus on Writing Comedy
Renaissance School Hazing, called “Deposition”
Anonymous: Instructions for Deposition
Dialogue on Hazing (Progymnasma 100)
.