Jeff Malpas

Topography or topology is a mode of philosophical thinking that combines elements of transcendental and hermeneutic approaches. It is anti-reductionist and relationalist in its ontology, and draws heavily, if sometimes indirectly, on ideas of situation, locality, and place. Such a topography or topology is present in Heidegger and, though less explicitly, in Hegel. It is also evident in many other recent and contemporary post-Kantian thinkers in addition to Kant himself. A key idea within such a topography or topology is that of triangulation—an idea that appears explicitly in the work of Donald Davidson. Triangulation captures the idea of the topographical domain as constituted through the mutual relatedness of the elements within it, and as only to be understood through the mapping out of such relatedness—in the case of the topographical domain that is the world, through the relatedness of self, other, and thing.

Oars sweep against resisting calm, the arc of their pull marking out a disturbance that clusters round each bite of the blade, their swing marking a measured passage across the lake’s expanse. The oars’ rhythmic movement, their muffled thudding resounding in the wooden curve of the hull whose upturned vaulting duplicates the sky’s own arch, reverberates in two realms, under air and above water, connecting at the same time as it disrupts. The movement of the oar, and of the boat, is also the movement of the oarsman, the strength of arm and shoulder at one with the outstretched oar, reaching, grasping, pulling, releasing, and reaching again. A horn challenges the expectant quiet of the sky, a shotgun shatters it, the sounds repeating themselves in rolling waves, re-enacting a ritual long past, subsiding back into heavy stillness. The sound of the horn announces an arrival, declares an audience, proclaims an event – the gunshot commands it. In this place, in which the very light has the character of an immersive medium, in which the earth beckons toward its green embrace, one watches for the appearance, the imminent presence, of a hidden majesty, a concealed wonder, a secret – one that does not reside only in what is awaited, but in the place itself.

“In space”, declared the posters for the 1979 movie Alien, in a deliberately disconcerting juxtaposition, “no-one can hear you scream.” Yet even the space that lies beyond the earth is not utterly silent – stars and planets themselves produce sounds that radiate through the rarefied gases lying between them, although the wavelengths produced lie far beyond the range of human hearing. There are, then, not even in the spaces between the planets and the stars, any truly silent spaces, and merely to be present in a space, no matter the nature of the space in question, is already to disturb that space in multiple ways – such disturbance typically being manifest acoustically no less than visually. Yet often we tend to conceptualise space and spatial presence in terms that actually give priority to the visual over the acoustic, and even to neglect the spatial character of the acoustic altogether. A classic example of this is to be found in the work of the British philosopher Peter Strawson who famously proposed, as a kind of thought-experiment, the idea of what he called a ‘No-Space world’ that was constituted in purely auditory terms, and was for just this reason taken to be a non-spatial world. 1..

According to Quine the inscrutability of reference leads to ontological relativity, or, as Donald Davidson calls it, relativity of reference. Davidson accepts both inscrutability and the indeterminacy of translation which it grounds, but rejects any explicit relativity of reference or ontology. The reasons behind this rejection are set out and explained. Explicit relativization is shown to be at odds with indeterminacy. Some notion of the relativity of reference (or, more generally, interpretation) is nevertheless shown to be both possible and necessary. It is, however, a relativity which is compatible with commensurability — the idea of absolute incommeasurability is ruled out along with the realist ideal of universal commensuration — as well as with indeterminacy. The indeterminacy thesis itself undergoes some slight elaboration, particularly in respect of the notion of empirical equivalence. In general the resulting account is one which retains both the absolute character of truth and some sense of the relativity of ontology against the background of Davidsonian holism.

SummaryIn Davidson's Theory of radical interpretation the principle of charity plays a crucial role. However the principle is the subject of widespread misunderstanding. The author attempts to provide an overall account of the principle and in doing so details some aspects of the holism which characterises the Davidsonian approach to interpretation. Charity is shown as inseparable from that holism. Two aspects of the principle are distinguished and some objections to the principle are also considered

Hubert L. Dreyfus's engagement with other thinkers has always been driven by his desire to understand certain basic questions about ourselves and our world. The philosophers on whom his teaching and research have focused are those whose work seems to him to make a difference to the world. The essays in this volume reflect this desire to "make a difference"--not just in the world of academic philosophy, but in the broader world.Dreyfus has helped to create a culture of reflection--of questioning the deep premises that inform and shape work in artificial intelligence and cognitive science. He has also been the primary introducer and interpreter of Martin Heidegger's work to the world of information technology. The essays in this volume represent the fruitful application of deep philosophical analysis to the concerns of our modern technological world.The sections are Coping and Intentionality; Computers and Cognitive Science; and "Applied Heidegger." In addition to cognitive science and artificial intelligence, topics include everyday skills, religion, business practices, and medical care. The book concludes with Dreyfus's responses to the essays.Contributors : Daniel Andler, Patricia Benner, Albert Borgmann, Harry Collins, George Downing, Fernando Flores, Sean Kelly, Joseph Rouse, Theodore R. Schatzki, John Searle, Robert C. Solomon, Charles Spinosa, David Stern, Charles Taylor, Terry Winograd, Mark Wrathall

Recent philosophy has seen the idea of the transcendental, first introduced in its modern form in the work of Kant, take on a new prominence. Bringing together an international range of younger philosophers and established thinkers, this volume opens up the idea of the transcendental, examining it not merely as a mode of argument, but as naming a particular problematic and a philosophical style. With contributions engaging with both analytic and continental approaches, this book will be of essential interest to philosophers and philosophy students interested in the idea of the transcendental and the part that it plays in modern and contemporary philosophy.

To what extent is our being as social creatures dependent on our having a grasp of sociality? Is a purely solipsistic space, a space that can be grasped without any grasp of the existence of others, possible? These questions are examined and the possible connection between space and sociality explored. The central claim is that there is indeed an intimate relation between the concept of space and the idea of the social: that any creature that has a grasp of the concept of space must also be a creature that has a grasp of sociality in the sense of having a grasp of itself as one creature existing alongside a multiplicity of other creatures.

Both Kant and Davidson view the existence of mental states, and so the possibility of mental content, as dependent on the obtaining of a certain unity among such states. And the unity at issue seems also to be tied, in the case of both thinkers, to a form of self-reflexivity. No appeal to self-reflexivity, however, can be adequate to explain the unity of consciousness that is necessary for the possibility of content- it merely shifts the focus of the question from the unity of consciousness in general to the unity of self-reflexivity in particular. Through a comparison of the views of Kant and Davidson on these matters, the nature of the unity of consciousness is explored, in relation to both the idea of the unity of the self and the unity that would seem to be required for the possibility of content. These forms of unity are seen to be indeed connected, and to be grounded, in Davidson and perhaps also in Kant, in organized, oriented, embodied activity.

This chapter attempts to examine nostalgia as both a mood or disposition in general, and as a mood or disposition that is characteristic of philosophical reflection. Nostalgia is a combination of the Greek nostos, meaning home or the return home, with algos, meaning pain, so that its literal meaning is a pain associated with the return home. Part of this inquiry will involve a rethinking of the mood of nostalgia and what that mood encompasses. Rather than understand the nostalgic as characterized solely by the desire to return to a halcyon past, it is explored through the connotations suggested by its Greek etymology as precisely a longing for the return home—a return that cannot be achieved—a form of homesickness, and so as unsettling rather than comfortable, as bringing with it a sense of the essential questionability of our own being in the world.

The idea of philosophical topology, or topography as I call it outside of the Heideggerian context, has become increasingly central to my work over the last twenty years. While the idea is not indebted only to Heidegger’s thinking, it is probably Heidegger to whom I owe the most. Moreover, one of my claims, central to _Heidegger’s Topology_, is that Heidegger’s own work cannot adequately be understood except as topological in character, and so as centrally concerned with place – _topos, Ort, Ortschaft_ (which, I should emphasize, is not the same as a concern with space nor with time taken apart from one another, but I shall say more on this below). I do not regard myself as the only person to make this claim, or something like it. In the 1980s, both Joseph Fell and Reiner Schürmann, from very different perspectives, advanced topological readings of Heidegger, or elements of such readings. My own work aims to provide a definitive case for the topological reading of Heidegger’s thinking in its entirety, as well as to articulate an account of topology or topography as itself central to philosophical inquiry. On my account, the attempt to think place, and to think in accord with place, is at the heart of philosophy as such

Este artigo argumenta, começando pela justaposição de Heidegger ao lado dos geógrafos Ratzel e Vidal de la Blanche, e do etologista von Uexküll, realizada por Giorgio Agamben, em seu ensaio The Open, que a estética da morada , que encontramos no último Heidegger, tem que ser entendida em termos da centralidade para o pensamento de Heidegger de um conceito que também é central para o pensamento geográfico-cultural , nomeadamente, o conceito de lugar ou ‘espaço geográfico’. A centralidade dada ao ‘geográfico’ no pensamento de Heidegger é freqüentemente tomada como diretamente conectada, como ela é entendida por Agamben, com o problemático engajamento de Heidegger com os nazistas nos anos 1930; e Agamben apresenta a posição heideggeriana como paralela a de von Uexküll quanto a isso. Porém, não apenas a maneira pela qual Agamben faz essa conexão é altamente enganosa, mas ela também não atenta para qualquer real consideração para o que pode estar em questão na ênfase no ‘geográfico’ em Heidegger. Há, de fato, razão para pensar que o papel desempenhado pelos conceitos de lugar e espaço no pensamento de Heidegger vai de encontro às associações que Agamben e outros supõem. Este artigo é então uma exploração do ‘geográfico’ tal como ele aparece em Heidegger e das associações políticas que podem ser pensadas como acompanhando-o, bem como da relação de Heidegger com uma certa linha da tradição geográfica exemplificada por Ratzel e Vidal de la Blanche.Beginning with Giorgio Agamben’s juxtaposition, in his essay The Open, of Heidegger alongside the geographers Ratzel and Vidal de la Blanche, and the ethologist, von Uexküll, this paper argues that the aesthetics of dwelling that we find in later Heidegger has to be understood in terms of the centrality to Heidegger’s thinking of a concept that is also central to cultural-geographic thought , namely, the concept of place or ‘geographic space’. The centrality given to the ‘geographic’ in Heidegger’s thinking is often taken to be directly connected, as it is taken to be by Agamben, with Heidegger’s problematic engagement with Nazi in the 1930s, and Agamben presents Heidegger’s position as parallelling that of von Uexküll in this regard. Yet not only is the manner in which Agamben makes this connection highly misleading, but it also neglects any real consideration of what might be at issue in the emphasis on the ‘geographical’ in Heidegger. There is, indeed, reason to think that the role played by the concepts of place and space in Heidegger’s thought actually runs counter to the associations that Agamben and others assume. This paper is thus an exploration of the ‘geographical’ as it appears in Heidegger, and of the political associations that might be thought to accompany it, as well as of Heidegger’s relation to a certain strand within the geographical tradition exemplified by Ratzel and Vidal de la Blanche

For more than a quarter of a century, Hubert L. Dreyfus has been the leading voice in American philosophy for the continuing relevance of phenomenology, particularly as developed by Edmund Husserl, Martin Heidegger, and Maurice Merleau-Ponty. Dreyfus has influenced a generation of students and a wide range of colleagues, and these volumes are an excellent representation of the extent and depth of that influence.In keeping with Dreyfus's openness to others' ideas, many of the essays in this volume take the form of arguments with various of his positions. The essays focus on the dialogue with the continental philosophical tradition, in particular the work of Heidegger, that has played a foundational role in Dreyfus's thinking. The sections are Philosophy and Authenticity; Modernity, Self, and the World; and Heideggerian Encounters. The book concludes with Dreyfus's responses to the essays.Contributors : William D. Blattner, Taylor Carman, David R. Cerbone, Dagfinn Føllesdal, Charles Guignon, Michel Haar, Beatrice Han, Alastair Hannay, John Haugeland, Randall Havas, Jeff Malpas, Mark Okrent, Richard Rorty, Julian Young, Michael E. Zimmerman.