Beata Stawarska

In this essay I highlight the importance of the phenomenon of living speech and the communicative dimension of experience in phenomenological research. Specifically, I critically consider the charge of phonocentrism raised by Derrida to phenomenology which appears to have discredited any attempt to approach the phenomenon of vocality for fear of falling back into a metaphysics of presence and adopting the stance of atomistic subjectivity. It may be true that classical phenomenology of consciousness privileges the first person point of view and is guilty of a subjectivist bias but one finds rich resources within the dialogical tradition, notably Buber, as well as in the works of Humboldt and Plato's Dialogues, which highlight a fundamental duality of self and the other, which plays out between You and I within living speech, and to thus correct the invidualist position of classical phenomenology.

The major thesis developed in Sartre's L'imaginaire is that all imaginary acts can be subsumed under the heading of one "image family" and, therefore, that imagination as a whole can be theorized in terms of pictorial representation. Yet this theory fails to meet the objective of Sartre's study, to demonstrate that imaginary activity is not a derivative of perception but an attitude with a character and dignity of its own. The subsidiary account of imagination in terms of neutralization of belief has the advantage of not being constrained by the requirement that imaginary activity serve a purely reproductive function of bringing an absent "original" into a quasi presence and, thus, leaves room for free creativity and fiction. It also points to a concrete lived experience of alterity at the heart of subjective life where the subject stages its life as if it were the life of an other, putting pressure onto Sartre's contention that the cogito defines subjectivity.

Memory is a privileged context for inquiry into subjective life; no wonder that the way philosophers theorize memory is indicative of their conception of subjectivity as a whole. In this essay, I turn to Sartre and Husserl with the aim of unveiling how their accounts of recollection resolve the question of identity and difference within the temporality of one's life. Tracing Sartre's arguments against Husserl's, as well as Husserl's and Sartre's own presentations of recollection, I inquire into the reasons that incited them to bring either the aspect of sameness or otherness at the heart of subjective life into view.