Mark Glouberman

Matter, in Aristotle’s Metaphysics, plays a prototypical version of a rôle that recurs, refracted through the domestic preoccupations of each age, in metaphysical analyses of the constitution of the real. After identifying the rôle, I shall trace a developmental arc of philosophical treatment from Aristotle through the Cartesian period to Kant. The mature Kantian view of the rôle—the ‘critical’ view—is, I maintain, a reversion to the Aristotelian position. It is not however a simple reversion. It is reversion mediated through the Cartesian view. Arguably, the mediation is more than merely historical. Arguably, the Kantian treatment is conceptually or theoretically indebted to the Cartesian. This ‘dialectical’ indebtedness, if it can be established, has important, and as I see them negative, implications for the integrity of the Kantian stand.

The notion of a particular is what makes the Bible (the reference is to the Hebrew Scriptures) an original position in philosophy. (Particulars are self-contained spatio-temporal entities, and hence, though present in the system that is nature, are not essentially parts of it.) The early chapters of Genesis develop a comprehensive (anti-pagan) conceptualization of reality that gives particularity its due. Whether particularity can be secured without a fully extra-natural anchorage (i.e., without God) is a live issue. As the case may be, the philosophy of the Bible is not a footnote, not even a substantial footnote, to Plato. Plato’s metaphysical discourse cannot handle the particular. An irreducibly different, ontological, discourse is needed for that. Having conceived the new notion (the act of conception is dramatized in the theophany of Genesis 12), Abraham, the philosopher of the paper’s title, ‘called…on the name of the Lord’ (Genesis 21:33) to the men and women of the world. The particularity of God, I explain, not God’s numerical uniqueness, is the essence of monotheism

In lieu of an abstract, here is a brief excerpt of the content:32. HUME ON MODES As thorough a critic as Norman Kemp Smith states in his investigation of the Treatise that "Hume's treatment of... the complex ideas of modes... need not detain us." Whatever is interesting in this brief treatment, Smith suggests, rests on remarkable features of Humean doctrine, elsewhere expounded at length. This is true, I would agree, as a descriptive comment to the following degree. The category of modes is officially regarded by Hume as highly marginal, even dispensible. But it is not in fact the case that, intrasystematically, the work of modes can be duplicated in non-modal materials. In this discussion I will show that Hume mistakes the case, and attempts to diagnose the error's deep sources. To the naked eye, the mistake seems perhaps small and reparable. Placed under the microscope, we find an important philosophical conception is at stake. Our raw material comprises the explanations of modality provided by Locke and Hume. Modes, according to Locke, are complex ideas which, however compounded, contain not in them the supposition of subsisting by themselves, but are considered as dependences on, or affections of, substances; such are the ideas signified by the words, triangle, grati2 tude, murder, etc. (2.12.4). Hume's account is similar in appearance. The idea... of a mode... is nothing but a collection of simple ideas.... The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispers ' d in different subjects ; or if 33. they be all united together, the uniting principle is not regarded as the foundation of the complex idea. The idea of a dance is an instance of the first kind of modes; that of beauty of the second (I. I. VI). The appearance of harmony is capped by the uniformity in examples: Locke also mentions 'beauty' (2.12.5) as a modal term, and between his 'murder' and Hume's 'dance' there is nothing to choose. One small difference remains. The idea of dependence, prominent in Locke's sketch, is absent from the Treatise passage quoted. This disparity is eliminated by the following remark, temporarily withheld above: the difference betwixt [substances and modes] consists in this, that the particular qualities, which form a substance, are commonly referr'd to an unknown something, in which they are supposed to inhere (I. I. VI). Superficially then, both Locke and Hume might be thought to subscribe to the following theses. The designata of modal terms, but not of substantial terms, lack independence (I will call this 'the Modal Dependence Thesis' or 'MDT'). Modal terms designate complex ideas in the same way as do those substantial terms which designate complex ideas (this will be referred to as 'the Modal Complexity Thesis' or 1MCT'). But while Locke supports MDT, Hume rejects it, and whereas Hume advocates MCT, Locke — when pressed — will be found to disagree with it. Let us start with MDT. To establish that the category of modes is regarded, intrasystematically, as superfluous by Hume is to confirm the disagreement here between the two theorists. Hume categorically dismisses what Locke describes by the phrase 'a something I know not what' as contributing 34. to any particular idea of a substance. Accordingly, the designata of modal as well as substantial terms resolve identically under analysis, i.e. into combinations of simple ideas. Hume mentions a differentiating factor: the principle of union of simple ideas in the case of a substance scores higher in naturalness than in the case of a mode. The components of a substantial idea are "closely and inseparably connected by the relations of contiguity and causation" (I. I. VI), which are 'natural'. But Hume's own examples expose this as an ineffective device of differentiation, one to which Hume himself attaches little importance. Where is the unnaturalness in the case of the (modal) designata of 'beauty' and 'dance'? How — more pointedly — is the complexity involved in the (substantial) designata of 'dog' and 'table' more natural? Any difference here is one that Hume does well to play down and neutralise of all but sentimental significance. In adducing the idea of naturalness to explain the difference felt by the common...

In the book A Secular Age, Charles Taylor argues that: (1) modern secularism carries in it more than a trace residue of the explicitly religious way of thinking that it supersedes, and (2) the secular ensemble would not survive if the residue were filtered out. Modern secularism is not, in short, exclusively humanistic. Many who profess exclusive humanism, even perhaps the majority, are therefore—according to Taylor—exclusive humanists in name alone. My position is that Judeo-Christianity, in its teachings about men and women, is humanism. Humanism is what Western religion is all about at its core. This I defend by close examination of Taylor’s argument and by exposing some of the philosophical core of the Bible.

The recent scholarly promotion of Pierre Gassendi to a key position in the formative modern period raises doubts about the portrayal of Descartes as “the father” of the post-Scholastic philosophical conceptualization. I defend the Cartesio-centric account against Thomas M. Lennon’s elliptical alternative. The defense necessitates a reassessment of the root nature of Descartes’s contribution—specifically of the interplay between philosophy and science, the latter being the crucial extraphilosophical component of the new practico-cognitive ensemble. This raises questions about the “philosophically” of Descartes’s activity, and with that questions about the quality of modernity. By way of explaining Gassendis nonoriginative position, his attitude toward the post-Scholastic Humanist thought that Descartes simply repudiated is examined.

Did Descartes make a revolutionary contribution to philosophy? Given the widespread application to him of the title ‘father of modem philosophy,’ the standard affirmative proves surprisingly difficult to justify. ln this paper I locate Descartes’s epoch-making philosophical shift. Descartes contributed a very strong idea of realism, an idea modelled in his cogito-argument. To grasp the contribution aright, it is however necessary to de-emphasise what is usually identified as his key contribution---an epistemological one. AIso, the theoretical connection between Descartes’s core philosophical activity and the scientific revolution of his time has to be appreciated. ln the course of the discussion I explain, in a more philosophical vein, how the influence of Kant clouds the abiIity of post-Kantians to see what Descartes did. A route to an understanding of Descartes’s realism is an inconsistency in Kant’s modal views. The antirealism of Kant’s view---his transcendental idealism---yields up some of its mystery once the dialectical interplay with Cartesian realism is elicited.

SummaryLeft wing interpreters of Kant's transcendental idealism argue that the doctrine must be excised in order to disclose the viable philosophical content of the first Critique. For right wing interpreters, this leaves a Hamlet without the prince. I chart and defend a middle path. Transcendental idealism, while essential to Kant's position, renders that position philosophically indefensible. Constant misinterpretation of the doctrine results from a failure to appreciate the inter‐theoretic relations between Kant's conceptualisation of sense‐involving experience and the output of ‘Cartesian theory of error'

To what extent is conceptual analysis under strict semantic control? In an effort to show that conceptual structure transcends the linguistic dimension proper, the tensions within, and between, several current treatments of the concept red are revealed and explored. It is argued that certain extra-semantic factors — factors, broadly speaking, which concern the manner in which a concept applier interacts with the world as an extralinguistic agent - provide a backdrop against which conceptual analysis guided by language in a strict sense must be deepened and tested.