Tom Baldwin

Maurice Merleau-Ponty's _Phenomenology of Perception_ is widely acknowledged to be one of the most important contributions to philosophy of the twentieth century. In this volume, leading philosophers from Europe and North America examine the nature and extent of Merleau-Ponty's achievement and consider its importance to contemporary philosophy. The chapters, most of which were specially commissioned for this volume, cover the central aspects of Merleau-Ponty's influential work. These include: Merleau-Ponty’s debt to Husserl Merleau-Ponty’s conception of philosophy perception, action and the role of the body consciousness and self-consciousness naturalism and language social rules and freedom. Contributors: David Smith, Sean Kelly, Komarine Romdenh-Romluc, Hubert Dreyfus, Mark Wrathall, Thomas Baldwin, Simon Glendinning, Naomi Eilan, Eran Dorfman, Francoise Dastur.

The Cambridge History of Philosophy 1870–1945 comprises over sixty specially commissioned essays by experts on the philosophy of this period and is designed to be accessible to non-specialists who have little previous familiarity with philosophy. As with the other volumes in the series, much of the emphasis of the essays is thematic, concentrating on developments during the period across a range of philosophical topics, from logic and metaphysics to political philosophy and philosophy of religion. Several chapters also discuss the changing relationship of philosophy to the natural and social sciences during this period. The result is an authoritative survey of this rich and varied period of philosophical activity, which will be of critical importance not only to teachers and students of philosophy but also to scholars in neighbouring disciplines such as the history of science, the history of ideas, theology and the social sciences.

This book describes the development of Proust's treatment of material objects from his earliest work Les Plaisirs et les jours to his mature novel À la recherche du temps perdu. It examines the literary influences on Proust's way with objects in the light of certain critical texts and reconsiders the significance of Ruskin. As the movement from unreflective and spontaneous representation to a meta-narrative of consciousness is traced, some questions as to the banality of the 'banal object' arise. The meta-narrative finds resonance in a peculiarly Proustian pictoriality which has been largely unnoticed. It resides in descriptions where objects appear simultaneously or at different times as things in paintings and in the real. By exploring connections between Proust's pictoriality and his reflections on 'matière' and 'surface', the author suggests a radical approach to the modernism of À la recherche du temps perdu.

In his Phenomenology of Perception Merleau-Ponty maintains that our own existence cannot be understood by the methods of natural science; furthermore, because fundamental aspects of the world such as space and time are dependent on our existence, these too cannot be accounted for within natural science. So there cannot be a fully scientific account of the world at all. The key thesis Merleau-Ponty advances in support of this position is that perception is not, as he puts it,. He argues that it has a fundamental intentionality which configures the perceived world as spatio-temporal in ways which are presupposed by natural science and which cannot therefore be explained by natural science.

Kant's claim that modality is a 'category' provides an approach to modality to be contrasted with Lewis's reductive analysis. Lewis's position is unsatisfactory, since it depends on an inherently modal conception of a world. This suggests that modality is 'primitive'; and the Kantian position is a prima facie plausible position of this kind, which is filled out by considering the relationship between modality and inference. This provides a context for comparing the Kantian position with Wright's non-cognitivist 'conventionalism'. Wright's position is vulnerable to the type of argument used against ethical non-cognitivism, and the Kantian position is further confirmed by Blackburn's acknowledgment that modality is 'antinaturalistic to its core'. The position is further elaborated to show that it can accommodate the famous Kripkean categories of the empirically necessary and the contingent a priori, and finally defended against the criticisms used by Quine against Carnap.