John Manoussakis

This essay gives a close reading of Sophocles' Oedipus Rex in light of Schelling's discussion of theodicy as teleology. The article raises the question of the connection between ethics and time, and it argues that ethical categories are really temporal ones, so much so that it would make little sense to posit a choice between good and evil as if there were two simultaneous options. Instead, the story of Oedipus shows us how Thebes is always to precede if one is to reach Colonus, that evil precedes and enables the good

This essay is an attempt towards a phenomenology of God. The leading question in our analysis will be whether God could be given to consciousness as a phenomenon. First, we go back to Husserl and to his formulation of the possibility of phenomenality. Then, the discussion proceeds to the innovative reappropriation of Husserlian phenomenology by Jean-Luc Marion and his notion of the saturated phenomenon. Finally, I propose that God can “appear” only through an “inverted intentionality,” such as it is exemplified in certain divine manifestations recorded in Scripture, in the techniques of depicting the divine in icons, and finally, in the human person.

John Panteleimon Manoussakis - Heidegger's Topology: Being, Place, World - Journal of the History of Philosophy 45:4 Journal of the History of Philosophy 45.4 674-675 Muse Search Journals This Journal Contents Reviewed by John Panteleimon Manoussakis Boston College Jeff Malpas. Heidegger's Topology: Being, Place, World. Cambridge-London: Massachusetts Institute of Technology Press. 2006. Pp. x + 413. Cloth, $38.00. The exclusive focus on the who-question has often made philosophy forget the correlate where-question. All the answers given to the first question describe a man who is essentially nowhere. Place is never taken into account as part of one's identity and this implies nothing less than the exclusion of the body, for belongingness..

In recent years, Richard Kearney has emerged as a leading figure in the field of continental philosophy, widely recognized for his work in the areas of philosophical and religious hermeneutics, theory and practice of the imagination, and political thought. This much-anticipated--and long overdue--study is the first to reflect the full range and impact of Kearney's extensive contributions to contemporary philosophy. The book opens with Kearney's own "prelude" in which he traces his intellectual itinerary as it traverses the three imaginaries explored in the volume: the dialogical, the political, and the narrative. The interviews that follow the first section allow readers to listen in on conversations between Kearney and some of the most interesting and respected thinkers of our time--Noam Chomsky, Charles Taylor, Jacques Derrida, Paul Ricouer, and Martha Nussbaum--as they reveal new and unexpected aspects of their thought on stories and mourning, ethics and narrative, terror and religion, intellectuals and ideology. The next section, on the political imaginary, looks at Kearney's distinctive contribution to the political situation in Ireland and in Europe more generally; and in the last, on narrative, writers including David Wood, Terry Eagleton, and Mark Dooley focus on Kearney's novels as instances of narrative theory put into literary practice. Concluding with Kearney's postscript, an essay on "Traversals and Epiphanies in Joyce and Proust," the volume comes full circle, encompassing the full extent of Richard Kearney's engagement and offerings as a philosopher

While philosophy believes it is impossible to have an experience of God without the senses, theology claims that such an experience is possible, though potentially idolatrous. In this engagingly creative book, John Panteleimon Manoussakis ends the impasse by proposing an aesthetic allowing for a sensuous experience of God that is not subordinated to imposed categories or concepts. Manoussakis draws upon the theological traditions of the Eastern Church, including patristic and liturgical resources, to build a theological aesthetic founded on the inverted gaze of icons, the augmented language of hymns, and the reciprocity of touch. Manoussakis explores how a relational interpretation of being develops a fuller and more meaningful view of the phenomenology of religious experience beyond metaphysics and onto-theology