Joshua Gert

René Jagnow [2012] argues that David Rosenthal's theory of consciousness cannot account for certain experiences that involve colours so fine-grained that we do not and cannot have concepts of them. Jagnow claims that an appeal to comparative concepts such as being slightly darker than cannot help Rosenthal, since, in order to apply such concepts, we would already need to be conscious of two distinct fine-grained colours. The present paper contests this claim. It appeals to the Cornsweet illusion and some other visual phenomena, in order to argue that our visual systems can and do represent brutely comparative matters

Perceptual-role theories of mental qualities hold that we can discover the nature of a being’s mental qualities by investigating that being’s capacity to make perceptual discriminations. Many advocates of perceptual-role theories hold that the best explanation of these capacities is that mental quality spaces are homomorphic to the spaces of the physical properties that they help to discriminate. This paper disputes this thesis on largely empirical grounds, and offers an alternative. The alternative explains interesting patterns in our perception of color differences and similarities across edges, emphasizing the importance of visual discontinuities. Further, it provides a simple explanation of the intransitivity of indiscriminability. The homomorphism thesis can explain this intransitivity only with the addition of an independently unsupported empirical hypothesis. Also, in contrast to the homomorphism thesis, the alternative view is perfectly consistent with empirical data that suggest that the visual system uses the dynamic allocation of a limited range of responses in order to discriminate a wider range of physical stimuli and that we are much better at detecting changes in relative luminance than changes in absolute luminance. Moreover, it does all this while using a more efficient strategy for encoding sensory information.

This book presents an account of normative practical reasons and the way in which they contribute to the rationality of action. Rather than simply 'counting in favour of' actions, normative reasons play two logically distinct roles: requiring action and justifying action. The distinction between these two roles explains why some reasons do not seem relevant to the rational status of an action unless the agent cares about them, while other reasons retain all their force regardless of the agent's attitude. It also explains why the class of rationally permissible action is wide enough to contain not only all morally required action, but also much selfish and immoral action. The book will appeal to a range of readers interested in practical reason in particular, and moral theory more generally.

This paper offers a neo-pragmatist account of the representational character of the emotions, for those emotions that have such a character. Put most generally, neo-pragmatism is the view that language should not be conceived primarily in terms of a robust relation of reference to or representation of antecedently given objects and properties. Rather, we should view it as a social practice that lets us do various quite different sorts of things. One of those things might be called ‘assessing representational accuracy’, but this need not be thought of in terms of a metaphysically heavyweight relation. In applying neo-pragmatist techniques to the domain of the emotions, the result will be an alternative to currently popular accounts that individuate emotions partly in terms of what they represent. This alternative continues to allow us to use representational language in connection with some emotions. And it also helps to explain the awkwardness of representational talk in connection with other emotions: an awkwardness that was always a liability of monolithic representationalist views.

In “ A Light Theory of Color”, Walter Sinnott-Armstrong and David Sparrow argue that color is neither a primary quality of objects, nor a disposition that objects have, nor a property of our visual fields. Rather, according to the view they present, color is a property of light. The present paper aims to show, first, that the light theory is vulnerable to many of the very same objections that Sinnott-Armstrong and Sparrow raise against rival views. Second, the paper argues that the strategies that Sinnott-Armstrong and Sparrow use to avoid certain objections are also available to proponents of rival accounts. This might only seem to show that the light theory is in the same shaky boat as other theories: suffering from the same problems but having the same tools for solving them. The paper concludes with a suggestion as to why this is not the case, but why the existence of the light theory is nevertheless likely to bring increased clarity to the debate about color realism.