Joshua Gert

In The Red and the Real, Jonathan Cohen defends a relationalist view of color: the view that colors are constituted by relations between objects, perceivers, and circumstances. Cohen’s defense of relationalism is often ingenious, but it also commits him to some extremely counterintuitive—one might say “crazy”—claims. The present paper argues that the phenomena that are captured by Cohen’s ingenious defense of his interesting view can be captured equally well by a more “boring” view. Such a view distinguishes between colors and the ways that those colors appear to various viewers, takes colors to be relatively vague, and claims that other species with color vision simply see other colors. Since the boring view stays closer to common sense on many points, it is to be preferred.

This paper offers one formal reason why it may often be inappropriate to hold, of two conflicting desires, that the first must be weaker than, stronger than, or of the same strength as the second. The explanation of this fact does not rely on vagueness or epistemological problems in determining the strengths of desires. Nor does it make use of the problematic notion of incommensurability. Rather, the suggestion is that the motivational capacities of many desires might best be characterized by two values, neither of which should be interpreted as strength.

Whether or not one endorses realism about colour, it is very tempting to regard realism about determinable colours such as green and yellow as standing or falling together with realism about determinate colours such as unique green or green31. Indeed some of the most prominent representatives of both sides of the colour realism debate explicitly endorse the idea that these two kinds of realism are so linked. Against such theorists, the present paper argues that one can be a realist about the determinable colours of objects, and thus hold that most of the colour ascriptions made by competent speakers are literally true, while denying that there are any positive facts of the matter as to the determinate colours of objects. The result is a realistic colour realism that can certify most of our everyday colour ascriptions as literally correct, while acknowledging the data regarding individual variation

The question “Why be moral?” is open to at least three extremely different interpretations. One way to distinguish these interpretations is by picturing the question as being asked by, respectively, Allan, who is going to act immorally unless he can be convinced to act otherwise, Beth, who is perfectly happy to do what is morally required on a certain occasion but who wants to know what is it about the act that makes it morally required, and Charles, who is trying to understand why rational people act morally. An answer to the question as understood by Allan is, for some, the holy grail of moral philosophy, and it is also perhaps the default understanding of the question. The question as asked by Beth is what David Copp, in his contribution to this volume, calls the “why-think-morality-requires-this” question. The question as asked by Charles can be called the “what-rationally-justifies-moral-behaviour” question. Charles’ question, importantly, is about rationalpermissibility,and it is most pointed when moral behaviour requires sacrifice.