Beth Lord

Recent museum practice has seen a return to ‘wonder’ as a governing principle for display and visitor engagement. Wonder has long been a contentious topic in aesthetics, literary studies, and philosophy of religion, but its adoption in the museum world has been predominantly uncritical. Here I will suggest that museums draw on a concept of wonder that is largely unchanged from seventeenth-century philosophy, yet without taking account of early modern doubts about wonder's efficacy for knowledge. In this paper I look at Descartes' and Spinoza's views about wonder and the uses and disadvantages of wonder as a learning tool. This examination is extended to consider Descartes' and Spinoza's likely views about ‘museums’, in the sense of spaces that link objects both to feeling and to knowing. Finally, I suggest that there are resources in Spinoza's philosophy for bringing knowledge-enhancing feelings into the museum without resorting to the problematic concept of wonder.

This chapter considers the relationship between philosophy and literature both as forms of writing and thinking, but also (which is a more original contribution) as historically specific instititutions of enquiry. The argument is that part of the historical and cultural situatedness of philosophy is as a written form of cultural production, but one located within institutions (Universities above all) that already have a different 'department' specialising in understanding written forms of cultural production. This suggests that there might be an overlooked reciprocal influence. In particular, what new challenges for its own thinking can philosophy discover in the contemporary practices of literary analysis? A case study is detailed concerning recent forms of ecological criticism.

Originally published as the Continuum Companion to Continental Philosophy, this book offers the definitive guide to contemporary Continental thought. It covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Twelve specially commissioned essays from an international team of experts reveal where important work continues to be done in the field and, valuably, how the various topics intersect. Featuring a series of indispensable research tools, including an A to Z of key terms and concepts, a chronology, and a guide to practical research in the field, this is the essential reference tool for anyone working in and studying Continental Philosophy.

10 engaging and original essays argue that Spinoza is the interdisciplinary thinker for our times.This book brings Spinoza outside the realm of academic philosophy, and presents him as a thinker who is relevant to contemporary problems and questions across a variety of disciplines.Discover how Spinoza's theory of bodies transforms our understanding of music, and how it grounds "collective subjectivity" in contemporary politics. Learn how Spinoza's idea of freedom was instrumental to the Haitian revolution of 1791, and how it inspired Samuel Taylor Coleridge's prose and GeorgeEliot's novels. Find out how early modern physics, contemporary architecture, and ecological activism can be rethought through Spinoza's theory of affectivity.

Spinoza recognizes that in a democracy, ideals of freedom and equality shape our thoughts about ourselves as human beings. This paper examines Spinoza’s concept of equality in the Theological-Political Treatise, and considers its complexi­ties and ambiguities in light of his theories of freedom and democracy there and in the Ethics. Because Spinoza takes human beings to have unequal power, he does not believe we are naturally or intrinsically equal. Nor does he think equality is good in itself. Equality is good to the extent that it promotes human flourishing. The kind of equality Spinoza endorses is economic equality, which encourages human beings to become more powerful, virtuous, and free. I demonstrate this with reference to Spinoza’s discussion of the state of nature, democracy, and the Hebrew state in the Theological-Political Treatise and his remarks on charity, economic exchange, and their associated affects in the Ethics.

Baruch Spinoza was born in Amsterdam during a period of unprecedented scientific, artistic, and intellectual discovery. Upon its release, Spinoza’s Ethics was banned; today it is the quintessential example of philosophical method. Although acknowledged as difficult, the book is widely taught in philosophy, literature, history, and politics. This introduction is designed to be read side by side with Spinoza's work. As a guide to the style, vocabulary, and arguments of the Ethics, it offers a range of interpretive possibilities to prepare students to become conversant with Spinoza's philosophical method and his challenge to conventional thinking.

This paper examines Spinoza's remarks on women in the Political Treatise in the context of his views in the Ethics about human community and similitude. Although these remarks appear to exclude women from democratic participation on the basis of essential incapacities, I aim to show that Spinoza intended these remarks not as true statements, but as prompts for critical consideration of the place of women in the progressive democratic polity. In common with other scholars, I argue that women, in Spinoza's system, are deprived of freedom and political participation not by their essential natures, but by their social and historical circumstances. I differ from other scholars, however, in basing this conclusion on the different critical functions of the Political Treatise and the Ethics. Following that critical comparison, I consider Spinoza's views on the `natural right' of women and their equal capacity for political participation in terms of his arguments for the compositional similarity of men and women. Finally, I argue that Spinoza offers an explanation for women's actual disempowerment through his account of economic dependence within marriage