Alfredo Ferrarin

The author shows that Hegel's philosophy entails a radical criticism of an ordinary conception of thinking. Breaking with the habitual presuppositions of modern philosophy and common sense, the author explains that thought, negation, truth, reflection, and dialectic for Hegel are not properties of an I and cannot be reduced to the subjective activity of a self-conscious subject. Rather, he elucidates, thought is objective for Hegel in different senses. Reality as a whole is animated by a movement of thought and un unconscious logic as a spontaneity that reifies itself in determinate forms. The author concludes the book with a comprehensive comparison of Hegel's and Kant's concepts of reason."-- Back cover.

In this paper I discuss the notions of practice, institution and radical imaginary in Castoriadis. In section 1 I clarify the premises of my essay by contrasting Castoriadis with contemporary social ontology and an Aristotelian concept of practice. In section 2 I approach the problem of institution by distinguishing between production and creation and highlighting the crucial problem of the new ontology of magma with its distinctive temporality as opposed to the traditional identity logic and ontology of determinacy. In section 3 I deal with autonomy and the psyche, by focusing especially on Freud and the monad. In section 4 I try to identify the heart of the novelty of Castoriadis’s treatment of imagination in its relation with the symbolic. I conclude in section 5 with a discussion of the meaning of representation and its internal difficulties.

The Critique of Pure Reason—Kant’s First Critique—is one of the most studied texts in intellectual history, but as Alfredo Ferrarin points out in this radically original book, most of that study has focused only on very select parts. Likewise, Kant’s oeuvre as a whole has been compartmentalized, the three Critiques held in rigid isolation from one another. Working against the standard reading of Kant that such compartmentalization has produced, The Powers of Pure Reason explores forgotten parts of the First Critique in order to find an exciting, new, and ultimately central set of concerns by which to read all of Kant’s works. Ferrarin blows the dust off of two egregiously overlooked sections of the First Critique—the Transcendental Dialectic and the Doctrine of Method. There he discovers what he argues is the Critique’s greatest achievement: a conception of the unity of reason and an exploration of the powers it has to reach beyond itself and legislate over the world. With this in mind, Ferrarin dismantles the common vision of Kant as a philosopher writing separately on epistemology, ethics, and aesthetics and natural teleology, showing that the three Critiques are united by this underlying theme: the autonomy and teleology of reason, its power and ends. The result is a refreshing new view of Kant, and of reason itself.

For Kant as for Hegel method is not a structure or procedure imported into philosophy from without, as, e.g. a mathematical demonstration in modern physics or in the proof-structure of philosophies such as Spinoza’s or Wolff’s. For both Hegel and Kant method is the arrangement that reason gives its contents and cognitions; for both, that is, method and object do not fall asunder, unlike in all disciplines other than philosophy. For Kant method is the design and plan of the whole, the scientific form that guides the organization of cognitions (KrV A 707/B 736, Ak 24, 780). Likewise, Hegel writes that method is the consciousness of the form of its inner movement (WL 1, 49, SL 53, W 3 47, PhS 28). Unfortunately, Hegel never considers Kant an example or a precursor or a positive role model. It is important to ask why Hegel never takes seriously Kant’s Doctrine of Method. Why, if he shares so many central points with the Architectonic of the first Critique, does he never acknowledge Kant as a possible ally? Why does he misunderstand Kant on analysis and synthesis as he does? These are some of the questions I plan to discuss in this paper.

Hegel is, arguably, the most difficult of all philosophers. To find a way into his thought interpreters have usually approached him as though he were developing Kantian and Fichtean themes. This book demonstrates in a systematic way that it makes much more sense to view Hegel's idealism in relation to the metaphysical and epistemological tradition stemming from Aristotle. The book offers an account of Hegel's idealism in light of his interpretation, discussion, assimilation and critique of Aristotle's philosophy. There are explorations of Hegelian and Aristotelian views of system and history; being, metaphysics, logic, and truth; nature and subjectivity; spirit, knowledge, and self-knowledge; ethics and politics. No serious student of Hegel can afford to ignore this major interpretation. It will also be of interest in such fields as political science and the history of ideas.

In my review-essay I focus on some questions left open in Ferraris’ book Documentalità. Its limits are the same as those of a descriptive metaphysics of the social world that does not investigate, but rather assumes as its starting points, problematic basic relations such as those between individual and intelligibility, the givenness of essences and our access to them, the difference between objects and objectification. Finally, Ferraris’ conflation of production and practice brings me eventually to the link conspicuously missing in Ferraris’ analysis: the subjects who produce and hand down the documents we decided to turn our exclusive attention to.

Husserl on the Ego and its Eidos (Cartesian Meditations, IV) ALFREDO FERRARIN THE THEORY OF the intentionality of consciousness is essential for Husserl's philosophy, and in particular for his mature theory of the ego. But it runs into serious difficulties when it has to account for consciousness's transcendental constitution of its own reflective experience and its relation to immanent time. This intricate knot, the inseparability of time and constitution, is most visibly displayed in Husserl's writings from the 192os up to the notion of the eidos ego in the fourth Cartesian Meditation. In this paper I want to dwell on the most problematic aspects of this theory. After a few preliminary remarks about the intentionality of consciousness (sec- tion 1), I try to place the theory of the substrate of habitualities in the context of Husserl's evolution on the issue of the reflection of the ego on itself (section ~). I briefly follow the threads of Husserl's shifting position from the Logical Investi- gat/ons and Ideas I to Ideas II, the Cartesian Meditations and the Cr/s/s. I indicate Husserl's works are quoted with the following abbreviations: CM = Cartesiani.~he Meditationen, Husserliana Bd. I, hrsg. v. S. Strasser (Den Haag, 195o); Carte- s/an M~, trans. D. Cairns (Dordrecht, 196o ) SW = Husserl, Shorter Works, ed. P. McCormick and F. Elliston (Notre Dame, 198a) IZ = Zur Phttnomenologie des inneren Zeilheun~tseim (z 893-z 917), Husserliana Bd. X, hrsg. v. R. Boehm (Den Haag, 1966 ) Ideen I = ldeen zu einer reinen Ph~nomenologie und ph~nomenologischen Philosophic, Husserliana Bd. III, hrsg. v. W. Biemel (Den Haag, t95o); Ideas I, trans. F. Kersten (The Hague, Boston, Lancaster, s983) ldeen// = ld., Hussefliana Bd. IV, hrsg. v. M. Biemel (Den Haag, 1952); Ideas I1, trans. R. Rojcewicz and A. Schuwer (Dordrecht, Boston, London, x 989) FTL = Forma/e und transzendenta~ Log/k, Husserliana Bd. XVII, hrsg. v. P. Janssen (Den Haag, t974) Kr/sh = Kr/s/s der europ~/schen W/ssen~haften, Husserliana Bd. VI, hrsg. v. W. Biemel (Den Haag, 1954) I wish to express my gratitude to Pierre Kerszberg and Alessandra Fussi for their helpful com- ments on an earlier draft of the paper, and to Graham Harman for checking the final version of my English text. [645] 646 JOURNAL OF THE HISTORY OF PHILOSOPHY 32:4 OCTOBER 1994 some historical antecedents, in particular Aristotle, of Husserl's theory of abid- ing properties which, as far as I can see, have not been pointed out before. Husserl's Entwicklungsgeschichte on the topic of the pure ego has already been the object of important scholarly works, of which Kern's 1964 Husserl und Kant seems to me the best example. But what the secondary literature does not do is develop thematically the ambiguities of Husserl's definitions of consciousness and temporality in a unitary and comprehensive way. While I follow the lead of Berger, Broekman, Kern, Marbach,' and others, I find that their work does not sufficiently stress the difficulties at the core ofintentionality and reflective time- consciousness. Therefore, although section 2 is a necessary presupposition for drawing some critical conclusions in the final two sections, it does not exhaust my theme. After clarifying the peculiarity of the notions of essence, intuition, tran- scendental and apriori, as well as their irl:educibility to a Kantian meaning, I turn to the "de facto transcendental ego" resulting from eidetic variation (section 3) in order to introduce an examination of temporality. The difficul- ties in the twofold requirement, namely, that consciousness be the identical subject of its Erlebnisse and be synthetically unified in time, concern the unity, primacy, and mutual relation of time and consciousness in the constitution of our experience. They have been heady pointed out by Ricoeur in his commen- tary on the Cartesian Meditations. But what I want to argue in section 4, going beyond Ricoeur's text, is that the tension between temporally constituted and constitutive consciousness in the ego's reflection on its own retentions and protensions does not simply make the question of time ambiguous, but has crucial and problematic bearings on the very definition of consciousness as intentionality. In this respect...

My aim in this article is to understand the role of imagination and practical judgment in Kant's moral philosophy. After a comparison of Kant with Rousseau, I explore Kant's moral philosophy itself — unlike Hannah Arendt, who finds in the enlarged mentality of the third Critique the ground for the activity of imagination in a shared world. Instead, I place the concept of moral legislation in its background, the reflection on particulars relevant to deliberation, and discuss the mutual relation of reflection and determination. Not only reflection and determination work together; imagination and judgment imply one another essentially, as interpretation of what is relevant, and as a principle of orientation in the choice of the maxim against the backdrop of a uniform and ordered world. The concepts of analogy and symbolic exhibition turn out to be crucial for how reason represents to itself the reality of ideas in the world.

The notion of productive imagination is not only of crucial importance for Kant’s idea of pure reason, and for the unity of our theoretical experience, it is also stunningly seminal for post-Kantian philosophy: think, for instance, of Fichte, Schelling, the German Romantics, and of Hegel’s Glauben und Wissen. For the historian of philosophy, in particular, it is a very intriguing notion. Yet, however fundamental the notion of productive imagination is, it is not easy to determine its precise role in the Critique of Pure Reason; the question of its historical genealogy is even more obscure.

Whether or not we think that Marshall McLuhan’s prophecy regarding the end of the Gutenberg galaxy and the advent of the civilization of the image has come true in the era of sophisticated computer-enhanced imagery, it seems indisputable that images play a central role in our existence. We are constantly bombarded and inescapably surrounded by images. Publicly accessible and reproducible images are a singularly effective way to find and exemplify a visual representative for what they picture, or to convey a message. Their main virtue is simplification: they not only select significant aspects in the representation of something concrete and individual, while at the same time isolating it from its particularity, but also they idealize and make what they represent general enough that virtually anyone can recognize and relate to it. Only thus can we explain their often spellbinding effect and their popular appeal.