Dalia Nassar

The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, I offer a new assessment of the romantics and their understanding of the absolute, filling an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel.

The Origins of Schelling’s Naturphilosophie and its relation to his transcendental philosophy have for a long time intrigued historians of philosophy.1 When did Schelling’s interest in the philosophy of nature commence,2 and what inspired this apparent transition in his thought?3 How did his Naturphilosophie figure into his later departure from Fichte, and in what ways did his early commitments influence this departure?4 These have been the overarching questions of the debate, and they have been answered from varying angles. However, by emphasizing a transition or even a break between Schelling’s earlier views and his Naturphilosophie, this debate has been largely concerned with locating a moment in Schelling’s ..

One of the most significant moments in the development of German idealism is Schelling's break from his mentor Fichte. On account of its significance, there have been numerous studies examining the origin and meaning of this transition in Schelling's thought. Not one study, however, considers Goethe's influence on Schelling's development. This is surprising given the fact that in the fall of 1799 Goethe and Schelling meet every day for a week, to go through and edit what came to be Schelling's most path-breaking work. This paper considers Goethe's influence on the development of Schelling's thought, and argues that it was by appropriating Goethe's idea of metamorphosis that Schelling was able to put forth a conception of nature as independent from the mind