Dalia Nassar

This article appeared in a special issue of the Goethe Yearbook, on Goethe and German Idealism. In it, I consider Novalis' unparalleled admiration for Goethe's scientific writings in contrast to his rather lukewarm reception of Goethe's poetry. I argue that Novalis' ideal of a “romantic encyclopedia” in which all the arts and sciences are understood in their relations to one another (as opposed to in isolation, like Diderot and D'Alemberts' project) is inspired by Goethe's practice as a scientist. I develop Novalis' idea of an “empiricism that is nothing but genuine idealism,” illustrate its parallels with Goethe's “gentle empiricism,” and argue that Novalis’ conception of romantic science and his understanding of idealism as empiricism is directly inspired by Goethe’s practices as a poet and scientist. I consider the implications of this for our understanding of the meaning of “romantic” science.

Though Novalis was considered by both his contemporaries and his first critics to have made both an important philosophical as well as literary contribution, his place and significance in the history of philosophy has only rarely been clearly demarcated. It is only with the publication of the Novalis Schriften that an interest in Novalis’s philosophical contribution has arisen. Though the main discussion in the literature focuses on one of the central concepts in Novalis’s thought, that of presentation (Darstellung, Repräsentation), it fails to provide an adequate interpretation of it because it does not directly address a more fundamental concept in his thought, the absolute. After all, for Novalis, presentation is always presentation of the absolute, and the possibliity or impossibility of presentation is determined by the nature of the absolute. This paper attempts to correct the contemporary debate by emphasizing and clearly defining the absolute, examining it in relation to presentation.