Christian Lotz

In this paper, I will perform a "step back" by showing how Derrida's analysis of forgiveness is rooted in Kantian moral philosophy and in Derrida's interpretation of Kierkegaard's concept of decision. This will require a discussion of the distinction that Kant draws in his Groundwork between price (the economic) and dignity (the incomparable), as well as a discussion of the underlying notion of singularity in Kant's text. In addition, Derrida universalizes Kierkegaard's concept of the agent so that, with this perspective in view, the interpretation of Kantian morality as something that must be described in a paradoxical way, becomes fully transparent. Whereas the interpretation of Kantian morality will provide us with a concept of morality that remains a "blind spot" for the agent, with the help of Derrida's Kierkegaard interpretation we can see that the concept of decision remains ultimately ambivalent. In conclusion, both (a) the deconstructed concept of morality and (b) the concept of decision will finally (c) let us understand Derrida's radical concept of forgiveness, which is both a non-economic act of morality in the sense explained and an unpredictable, uncontrollable decision and event.

Hubert L. Dreyfus has worked out a critique of what he calls “representationalism” and “cognitivism,” one proponent of which, according to Dreyfus, is Husserl. But I think that Dreyfus misunderstands the Husserlian conception of practical intentionality and that his characterization of Husserl as a “representationalist” or as a “cognitivist” is thereby wrongheaded. In this paper I examine Dreyfus’s interpretation by offering a Husserlian critique of Dreyfus’s objections to Husserl, and then by outlining Husserl’s account of practical intentionality and the practical lived Body. I sketch the critique and the approach of Dreyfus in three steps. First, I deal with his objections against Husserl’s theory by arguing that Dreyfus understands neither the role of the reduction nor the function of background-awareness in Husserl’s phenomenology. Second, I elucidate the central role that the “practical lived Body” plays in practical intentionality for Husserl, and, third, I highlight the consequences that follow from the analyses offered in the previous sections.

Die 4. Auflage bringt zunächst die Kommentierung der Präambel und der Art. 1 bis 19 auf den aktuellen Stand von Judikatur und Literatur. Die grundlegende Struktur des Kommentares wurde beibehalten und um neuere Entwicklungen wie die Implikationen der Europäisierung und Digitalisierung sowie der Corona-Pandemie ergänzt.Die Herausgeberschaft des Kommentares hat ab der 4. Auflage Frauke Brosius-Gersdorf übernommen. Auch im Autorenkreis sind personelle Veränderungen zu verzeichnen: Mit Ausnahme von Frauke Brosius-Gersdorf, Alexander Thiele und Ferdinand Wollenschläger, die bereits an der 3. Auflage mitgewirkt haben, liegen die Kommentierungen in den Händen neuer Autorinnen und Autoren.Der Kommentar erscheint in drei Bänden und wird nur geschlossen abgegeben.Der Grundgesetz-Kommentar ist Bestandteil des Moduls Verfassungsrecht PREMIUM, das bei beck-online.de erhältlich ist.

In this essay I critically examine David Graeber’s concept of “everyday communism.” Graeber claims that that all societies are ultimately based and founded upon what he calls the “communism of the senses.” This “two-level” version of social reality, as I intend to show in what follows from a Marxian standpoint, should be rejected, as it operates with a descriptive concept of society that posits as the center or “essence” of society its universal and ahistorical “human” base, on top of which hierarchical and economic relations are posited as “superstructures.” Graeber favors a theory that posits an ahistorical base underneath the historical. As a consequence, society disappears underneath an empty and abstract concept of the ethical. This image of society, I will argue with Marx and Engels, overlooks the categorical form of social relations, which cannot be reduced to an empty and abstract concept of sociality as “human” ethical relations. This is especially visible in the case of capitalist socialization.

In this essay, I offer thoughts on the constitution of images in art, especially as they are constituted in painting and in photography. Utilizing ideas from Gadamer, Derrida and Adorno, I shall argue that representation should be conceived as a performative concept and as an act of formation; i.e., as a process rather thanas something "fixed." My reflections will be carried out in connection with a careful analysis of Gerhard Richter's painting Reader, which is a painting of a photograph that depicts a female who is reading. I demonstrate how a close analysis of this fascinating painting leads us deeper into the problem of painted images, insofar as it enacts what it is about, namely, the constitution of itself as an innige by means of a complex and enigmatic relationship between seeing, reading, memory, inner, outer, gaze and blindness.

Scholarship in Heideggerian philosophy can be broadly differentiated into three groups, which evolved in the European and Anglo-American discourses after WWII, namely, first a transcendental (idealist Kantian) approach; second, an Aristotelian approach; and third, a Christian approach to Heidegger’s analytic of Dasein and his fundamental ontology. All of these basic positions are a result of Heidegger’s philosophy on his way to Being and Time (1927) which he developed both in his broad ranging and fascinating lecture courses in Freiburg, where he taught as Husserl’s assistant between 1917 and 1923, and in Marburg, where he taught between 1923 and 1927 (before he returned to Freiburg in 1928 as Husserl’s successor). Interestingly, the analytic reception of Heidegger focuses on Heidegger’s main work Being and Time, whereas the European and “Continental” discourse is oriented towards larger issues, which include philosophical anthropology, theology, hermeneutics, and the history of philosophy. McGrath’s study belongs to the theologically motivated studies on Heidegger’s phenomenology and ontology and thereby contributes to the recent renewed interest in Heidegger’s early philosophy, which arose after his early lecture courses were published in his Collected Works and after it became clear that Heidegger’s way to Being and Time (and his later thinking) not only was heavily influenced by Scholasticism, especially by Duns Scotus, but also by Augustine, Eckhart, and Luther, all of which took effect before Heidegger encountered Husserl’s phenomenology, Neo-Kantianism or Aristotle’s philosophy. The greatness of Being and Time is indeed a result of the ingenious transformation of all these sources into something new.

Christian Lotz shows in this book that Husserl's Phenomenology and its key concept--subjectivity--is based on a concrete anthropological structure, such as self-affection and the bodily experience of the other. The analysis of the sensual sphere and the lived Body forces Husserl to an ongoing correction of his strong methodological assumptions. Subjectivity turns out to be an ambivalent phenomenon, as the subject is unable to fully present itself to itself, and therefore is forced to allow for a fundamental non-transparency in itself