Matthew Sharpe

ABSTRACT This review essay responds critically to the English translation of Domenico Losurdo’s monumental Friedrich Nietzsche: Aristocratic Rebel. It sets out to clearly identify and examine Losurdo’s two tasks in Nietzsche: firstly, his reconstruction of Nietzsche’s intellectual itinerary, from his earliest works until his descent into madness, in the context of later nineteenth-century social, political, philosophical, and eugenic sources; and secondly, to “interpret the interpretations”, and understand how Nietzsche’s avowed “aristocratic radicalism” could have informed thinkers from across the political spectrum, at the same time as Losurdo contests the cogency of “progressive” readings of Nietzsche as based upon a selective “hermeneutics of innocence” which involves suppressing the recurrent, darker registers of his texts. The essay also unpacks Losurdo’s two hermeneutic strategies in this magnum opus. Firstly, we examine his “unifying” claim that Nietzsche, as a great thinker, had a coherent but evolving vision, from Birth of Tragedy through to his final works, unified by his metapolitical intention to overcome democratic, liberal and socialist modern egalitarianisms, by tracking them back to their roots in the Old Testament and classical antiquity. Secondly, we critique his contextualizing methodology which resituates the author of the “untimely meditations” within the debates of his day concerning modernity, slavery, liberalism, socialism, massification, Darwinism, and eugenics. To close, I proffer some brief comments concerning the significance of Losurdo’s work in the present moment, as the Far Right globally reasserts itself.

In an ironically Žižekian manner, this paper argues that Simon Critchley and Slavoj Žižek's apparent political disagreement (ludic reformist versus strident revolutionary) conceal a common set of preconditions and presuppositions. These presuppositions can be summed by the slogan “the forgetting of political philosophy”, which more specifically means the forgetting of the difference between philosophy and political life, and the reflective need to find mediations between the two. Critchley's turn to humour honours the notion that politics is about the realm of appearances, while Žižek's frank avowal of the “diabolical evil” of the subject of the death drive makes patently clear the dangers posed by a “politics of Truth”.

Is the Stoic sage a possible or desirable ideal for contemporary men and women, as we enter into difficult times? Is he, as Seneca presents him, the very best person for a crisis? In order to examine these questions, Part 1 begins from what Irene Liu calls the “standard” modern conceptions of the sage as either a kind of epistemically perfect, omniscient agent, or else someone in possession of a specific arsenal of theoretical knowledge, especially concerning the physical world. We contest this contentious conception of the sage for being inconsistent with the Stoic conceptions of wisdom, the technai and knowledge which can be gleaned from the doxographic sources. In Part 2, we suggest that the wisdom of the Stoic sage reflects the Stoics’ “dispositional” conception of knowledge, their substantive conception of reason, and their sense of philosophy as above all an “exercise” or askêsis of a craft or technê for living. It is embodied in an ongoing exercise of examining one’s impressions for consistency with what one already knows, looking back to the natural prolêpseis with which all people are equipped. In Part 3, we show how only this account of the wisdom of the sage, at the epistemic level, enables us to understand how, in the non-doxographic texts led by Seneca’s De Constantia Sapientiae, the sage is celebrated above all for his ethical characteristics, and his ability to bear up in a crisis. Concluding reflections return to our framing concern, as to whether philosophy as a way of life, and the ancient ideal of the sage, can speak to us today not only as scholars, but as individuals called upon to live in difficult times. We suggest that they can and should remain sources of orientation, contestation, and inspiration.

Albert Camus can be meaningfully read as an agent-focussed virtue ethicist, as David Sherman has suggested. Yet moving far beyond Sherman’s version of this claim, we show here how Camus accepts what are four definitive parameters of the classical authors’ conception of the virtues—the last of which takes him beyond today’s recognised “virtue ethicists.” Firstly, he understands the virtues as lasting, beneficent dispositions to think, feel, and act in certain ways. Secondly, he conceives the virtues as mastering the untethered passions: the sources of epistemic partiality and behavioural excess (démesure). Thirdly Camus conceives of the virtues (led by his versions of the four cardinals: courage, mesure, justice and a directive “lucidity”) as necessary accomplishments if people are to live fulfilled lives. Finally—and here bidding farewell to a solely theoretical approach—Camus appreciates that such self-mastery can only be achieved through education and habituation (an “ascesis” or “a difficult science of living”), and through the imitation of the kind of exemplars he holds up before us in his literary fiction.

This article challenges the recurrent critique that Pierre Hadot’s identification of ancient philosophy with the practice of spiritual exercises introduces a non- or irrational dimension into metaphilosophy. The occasion to do this is provided by Kerem Eksen’s recent reading of Descartes’s Meditations as consisting of solely intellectual, rather than spiritual, exercises—since the latter, Eksen claims, involve extrarational means and ends. Part 2 presents an alternative account of the role of cognition in the ancient meditatio at issue in understanding Descartes’s antecedents. This account is indebted to Michel Foucault’s characterization of ancient meditation as involving two cognitive mechanisms: an appropriation of thought, and an experiment in identification. Part 3 argues that attempts such as Eksen’s to depict spiritual exercises as wholly noncognitive themselves are the product of an “unexamined Cartesianism” that is fundamentally at odds with the monistic psychology of ancient Stoics like Marcus Aurelius as discussed in Hadot’s studies.

In this essay I argue that to understand Plato's philosophy, we must understand why Plato presented this philosophy as dialogues: namely, works of literature. Plato's writing of philosophy corresponds to his understanding of philosophy as a transformative way of life, which must nevertheless present itself politically, to different types of people. As a model, I examine Lacan's famous reading of Plato's Symposium in his seminar of transference love in psychoanalysis. Unlike many other readings, Lacan focuses on Alcibiades’ famous description of what caused his desire for Socrates: the supposition that beneath Socrates’ Silenus-like language and appearance, there were agalmata, treasures, hidden in his belly. I argue that this image of Socrates can also stand as an image for how we ought to read and to teach Plato's philosophy: as harbouring different levels of insight, couched in Plato's philosophy as literature.

Pierre Hadot is famous for his work on ancient philosophy, and the notion that ancient philosophia was conceived in the Greek schools as a way of life, including existential practices to reshape students’ beliefs, desires, and actions. Yet his last published book before his death in 2010 was the study N’Oublie Pas de Vivre, on the oeuvre of the modern German thinker and litterateur, Goethe. Hadot’s work throughout refuses to make a sharp distinction between ancients and moderns, interested rather, as in this last book on Goethe, on the way the notion of philosophy as a bios has been carried over into modern thought in figures like Nietzsche, Kierkegaard, Montaigne, and even Kant. The paper is a critical reflection on Hadot’s conception of philosophy, suggesting he was as much ‘modern’ as ‘ancient’. Hadot’s final work on Goethe, we will argue, revealingly recasts his larger work on the ancients, and the singularity of his interpretation of classical Hellenistic and Roman thought.

This paper examines Slavoj Zizek’s reading of Immanuel Kant. Its undergirding argument is that Zizek’s work as a whole- up to and including his politically radical statements, which have become more and more prominent since 1997- is conceivable as a project in the rereading of the Kantian ‘Copernican Revolution’ via Lacanian psychoanalysis. Critics now agree that Zizek’s orienting aim is to write a philosophy of politics, as more recent texts, like The Ticklish Subject make clear. (Kay, 2003; Sharpe, 2004; Dean 2006) If Zizek’s philosophy is ultimately a philosophy of politics, however, Zizek’s political philosophy is grounded in a wider post or ‘neo’-Kantian philosophy of subjectivity.
The essay has three major parts. Part I gives Zizek’s reading of Kant on the subject of apperception. Part II recounts Zizek’s pivotal reading of Kant on the sublime, which he ties closely to the problematics of the ‘Transcendental Dialectic’ of the first Critique. Part III then examines Zizek’s conception of subjectivity in terms of the faculties (and especially the faculty of imagination) that Kant argues are involved in the transcendental constitution of objects in the first half of The Critique of Pure Reason.
In the Conclusion, the force of the paper’s subtitle—‘Politicising the Transcendental Turn’—will become manifest. I lay out three principles of Zizek’s ‘neoKantian/Hegelian’ ontology. These also make clear how his philosophy of political agency is grounded in this apparently suprapolitical or solely philosophical reading of Kant.

This paper offers a critical response to the claims of Sivin and Lloyd and Mattice to the effect that Greek and Roman philosophy was characterised by a predominance of combat metaphors. Drawing on Plato and Plutarch, as well as contemporary studies led by Nussbaum, I argue that a host of different metaphors was demonstrably used in the Greek tradition to describe philosophy and its subjects, led by the therapeutic or medicinal metaphor of philosophy as ‘therapy of desire’ or of desiderative opinion. I propose that it was the sophists like Protagoras, at least as they are depicted by Plato, who sought to conceive of philosophising as a strategic, warlike activity. In conclusion, I reflect on the invisibility of the medicinal metaphor, outside of certain dedicated studies in the history of ideas, in contemporary thinking about Western philosophy and its past.

john c. briggs has commented that "The reading of Baconian texts resembles the Baconian reading of nature, for in both the interpreter must discover a clue to the labyrinth."1 This thought certainly applies to the Praerogatiuis Instantiarum and their precise role in Bacon's Novum Organum.2 These instances occupy thirty-one of the fifty-two sections of Novum Organum II, whereas only nine are devoted to the much better-known work of the tabulation of affirmative, negative and deviating instances, and one long section on the "first vintage" of eliminative induction. The sections on the prerogative instances fill some 131 of the 183 pages of Novum Organum II...

Preview: 2020, the year the coronavirus pandemic spread globally, marked the twenty-fifth year since the publication of Pierre Hadot’s work Philosophy as a Way of Life. In that time, what began as the research specialization of just a few scholars has become a growing area of philosophical and metaphilosophical inquiry, bringing together researchers from around the globe. Hadot’s key ideas of spiritual exercises, and the very idea of PWL, have been applied to a host of individual thinkers from across the history of philosophy: from the Hellenistic and Roman-era philosophers of direct concern to Hadot, through renaissance thinkers like Petrarch, Lipsius, Montaigne, Descartes, or Bacon, into nineteenth-century thinkers led by Schopenhauer, Kierkegaard, and Nietzsche.In more recent years, more global reflections on the “very idea” of PWL have begun to emerge, as well as dedicated journal editions. In these more recent PWL studies, some of the manifold research questions have begun to be explored, which were opened up by the studies of Pierre and Ilsetraut Hadot, as well as its reception in Michel Foucault’s later work. What implications, after all, does understanding the history of PWL, and the predominance of this metaphilosophical conception in the history of Western thought, have for how we understand the practice of philosophy today? Does recovering the alternative understandings of philosophy as a practice in history necessarily lead to a criticism of contemporary, solely academic or theoretical modes of philosophizing, or is the idea of PWL one which has only historiographical force?

It is possible to argue that the first world is presently living through a period of radical global reaction against the social democratic consensus of the twentieth century. In this context, the use of Slavoj Zizek's Lacnaian theory of ideology to critique the traditions of thought which inform this reaction becomes a vital task. In this paper, I use Zizek's Lacanian theory of ideology to critically analyse de Maistre's remarkable work: particularly his 'Considerations on France'. Zizek's emphasis on the role of the Real in ideology, it is argued, allows us unique purchase on de Maistre's ideological position. It allows us to show, furthermore, how reactionary conservatism does not 'conserve' the symbolic Other of the discourse of the master, since it is animated by fear and trembling that the symbolic can no longer hold in conditions of secularisation. In this context, the proximity of de Maistre with de Sade emerges as something that goes beyond superficially similar celebrations of the role of violence in human affairs. What is minimally at stake in reactionary thought per se, this paper argues, is the attempt to reground lost authority in the unmediated Real, a procedure in which the laying down of the law verges into the need to divide and sacifice others for the Jouissance of the Other. In this way, Lacan's comment that right-wing intelectuals are knaves who, if pushed, are willing to do whatever it takes to preserve power is vindicated and also elaborated. For De Maistre, the paper shows, was nothing if not a
collosally royal knave

ABSTRACTThis article claims that today’s reading of Francis Bacon’s Essayes as a solely literary text turns upon philosophers’ having largely lost access to the renaissance culture which Bacon inherited, and the renaissance debates about the role of rhetoric in philosophy in which Bacon participated. The article has two parts. Building upon Ronald Cranes’ seminal contribution on the place of the Essayes in Bacon’s ‘great instauration’, Part 1 examines how the subjects of Bacon’s Essayes need to be understood as Baconian contributions to ‘morrall philosophye’ and ‘civile knowledge’, rather than rhetorical or poetic exercises. In Part 2, contesting the interpretations of Crane, Fish, Ferrari and others, I will argue that the Essayes’ striking rhetorical form needs to be conceptualized in light of Bacon’s renaissance account of the ‘duty and office’ of rhetoric in any moral and civil philosophy that would look to actively cure mental afflictions and cultivate the virtuous or canny conduct it extols. Bacon’s Essayes, in this light, are best understood as a legatee and transformation of the popular early modern genre of books of apothegms and maxims designed to guide conduct.

The paper builds upon a growing body of critical research on the proliferating use of bibliometrics as a means to evaluate academic research, but brings to it a specifically Foucauldian, genealogical approach. The paper has three parts. Part 1 situates bibliometrics as a new technology of neoliberal, biopolitical governmentality, alongside the host of other ‘metrics’ that have emerged in the last two decades. Part 2 analyses bibliometrics’ antecedents in prior notational practices in the Western heritage, highlighting how forms of noting have almost always had political valences tied to projects of control or subversion. Part 3 then delineates the specific features of bibliometrics as a new form of notation, highlighting the latest forms of academic subjectivity bibliometrics suppose and increasingly are summoning into being.

Richard Shusterman, Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love (Cambridge: Cambridge University Press, 2021), 436 pages./ Like other contributors, I would like to begin by expressing my respect and admiration for the scale and scope of Richard Shusterman’s achievement in Ars Erotica. The Preface acknowledges “the vast amount of material” involved in this project of charting “the history of erotic theory in the world’s most influential premodern cultures,” with each chapter on a different cultural tradition potentially meriting its own monograph (AE, x, xi). As a scholar who has worked in depth on the work of Pierre Hadot, as well as Michel Foucault’s works on the practices of philosophy conceived as an art or craft (technê) of living in the Western tradition, my response will necessarily be more limited. It will address in detail just the first major chapter of the book – especially as I note with appreciation the piece in this symposium by Marta Faustino on the relations between the ars vivendi and ars erotica. I take some comfort in accepting these limitations from the statement of a particular debt that Shusterman proffers in his Preface to Foucault’s works in the finally-not-completed History of Sexuality series. The author notes both what he owes to Foucault on sexuality, particularly in his studies on the ancient Greeks and Romans, as well as his differences from Foucault’s work.