Alejandro Vallega

The following article discusses a certain concrete ethical-historical sensibility that opens, in part, in the work of Hegel and serves as an introduction to two figures of spirit beyond Hegel’s onto-theological thought: namely, Frantz Fanon and Gabriel García Márquez. The discussion seeks to introduce a “thinking sensibility,” i.e., an opening toward the articulate understanding of history in and through its singularities. This figures a space for a way of thinking arising in the concrete unfolding of spirits out of singularities that overwhelm any single or universal call for unity. In terms of history, this concerns not a thinking that gives sense to history through concepts, but a thought that from its specificity and situation unfolds diverse articulations, and hence configurations of the senses of spirit or histories.

Giorgio Agamben’s thought arises out of thinking through the concrete negativity or ungroundedness figured by “life” as understood under the sovereign exception. His work is sustained by the continuous exposure of philosophical concepts to what remains excluded, silenced, and to an extent unsayable for philosophy: Thus, disfiguring, decentering, and violating the temporality of Western history and philosophy as well as the concepts that order it. This means that Agamben thinks out of the ungrounded occurrences of language and history, and that the transformative potency of his thought arises from sheer negativity and yet, in his engagement of thought’s concrete situation.

This article shows that the duality of work (entity/image) and title that for the most part constitutes our experiences of paintings today is sustained and occurs out of a performative event, a certain physicality and rhythm that mark the finitude of visible-intelligible presence. These enactments of finitude figure a certain concealment, and therefore a loss, operative in the presence of work and title. The discussion ultimately indicates physicality, finitude, and loss in painting and provides insight concerning the question of language by inviting a broader understanding of it in the light of these same issues.

_ Source: _Volume 46, Issue 3, pp 390 - 404 This article puts into play the ghostly horizon of “death” as it follows its semblances through Derrida’s reading of Heidegger in the French thinker’s last seminars as published in _The Beast and the Sovereign_ Vol. II. The moments I underscore are three, always marking the playing out or releasing of death’s ghost, its sovereignty over life, while the readings, drift off driven by other forces: 1. In Session IV, Derrida’s enjambment of Heidegger’s sense of _dasein_ and _Welt_ with Celan’s line from _Atemwende, “Die Welt ist fort, Ich muß dich tragen”_ ; 2. The mutual displacement of the question of the other and the question of death at the beginning of Session V ; and 3, the unfolding of Crusoe’s desire and fear of “living a living death” in Derrida’s discussion of _survivance_, also in session V. The discussion closes with the interpolation of Latin American thought through the introduction of the temporalizing movement of _différance_ read in light of the non-linear simultaneous asymmetric temporality one finds constitutive of Latin American consciousness. Thus, the reading moves from the deconstruction of various figures of death that permeate in an almost transcendental manner the organizing of the meaning of Derrida and Heidegger’s thought, to a thinking with the temporalizing movement of _survivance_ or living-dying, in which the binomial reasoning and teleological structures of temporality held by the figures of life and death are released to a thought beyond their supposed mutually exclusive timeline.

In 2010, Charles Scott gave a course at the Collegium Phaenomenologicum in Italy titled “Bordered Americans.” The course followed his concern with understanding philosophical thought given our concrete cultural dynamics today. The lectures addressed the question of the limits and delimitations of borders as dynamic transformative events, which occur in encroachments between distinct and ever moving and shifting cultural configurations and borders. Scott emphasized the possibilities of thinking in such spaces, and ultimately situated Continental American philosophy in such disclosure. This essay is the fruit of long conversations with Scott about these issues; in it I aim to add a Latin American voice to his incisive analysis