Gregory Morgan Swer

This paper explores philosophical themes present in the film Shock Treatment (1981), a musical comedy written by Jim Sharman and Richard O’Brien. The film, which serves as a partial sequel to the better known Rocky Horror Picture Show (1975), was a critical and commercial failure at the time and has been largely overlooked subsequently. This paper offers a philosophical reconsideration of Shock Treatment. It argues that there are a number of themes developed within the film’s narrative that correspond closely to the central concerns of the Frankfurt School, particularly those developed by Herbert Marcuse. It further argues that the film provides a way to explicate and critically reflect upon those themes in relation to contemporary online civilisation, with particular regard to the commodification and subversion of Eros within the capitalist system. As a result the film holds considerable potential as a teaching resource for courses on Frankfurt School critical theory.

The early Frankfurt School’s Studies in Authority sought to understand modern society’s susceptibility to authoritarian leadership. This research project resulted in two major works in 1936, Fromm’s Studies on Authority and Family and Horkheimer’s Egoism and Freedom Movements, and produced the concept of the Authoritarian Character. After 1939 the project was abandoned, Fromm and the Frankfurt School went their separate ways, and the Frankfurt School’s research focus turned in a new direction. This paper argues that, appearances notwithstanding, research on the Authoritarian Character did not end in 1939 and that Fromm’s later work on necrophilia and biophilia in the 1960s-70s should be reconsidered as his attempt to complete the Frankfurt School’s research project on the Authoritarian Character.

This paper interprets Ortega y Gasset’s Meditations on Hunting (1972) through the concept of cognitive scaffolding in order to analyse the relationship between hunter and hunting dog as a form of inter-species distributed cognitive system. In recreational hunting, the hunter and the dog engage in a reciprocal process of mutual cognitive scaffolding that transforms both their capacities. It is further argued that this scaffolding also serves as a means of affective regulation, and that it is the affective rather than the cognitive features of the system that point to the function of the scaffolding. Namely, the production of an affective state in the hunter. We detail the ways in which the cognitive and affective features of the scaffold operate and interrelate. We then explore the role of the game-animal in the affective functioning of the scaffold and consider that the hunter-dog system might represent a harmful form of scaffolding.

From Karl Marx to the early Frankfurt School theorists, into other critical traditions through the twentieth and into the twenty-first century, critical social theorising has both implicitly and explicitly concerned itself with matters pertaining to nature as part of differing critiques of the destructive unfolding of late-industrial capitalism (and beyond). Horkheimer himself notes, in a defining essay that gave shape to Frankfurt School Critical Theory, Traditional and Critical Theory (1937), that “[the subject of critical thinking] is rather a definite individual in his real relation to other individuals and groups, in his conflict with a particular class,and, fi nally, in the resultant web of relationships with the social totality and with nature” (Horkheimer 1937 [1972]: 211) [emphasis added]. What, one may ask, is meant by this concept of ‘nature’? In Western philosophical thought, there are countless definitions and conceptions of the term, from the Greek and Roman philosophers, through different Christian theologies, the scientific turn of philosophical thought, the reaction by the Romanticists, into the more secular context of modern and postmodern philosophy and related paradigms. Nature is often placed into tension with culture, with nature referring to the separation of human from non-human (ecological environments, animals, plants, minerals, bacteria, weather patterns, etc.). However, more recent writings in the social sciences have questioned this duality as obfuscating their crucial interconnections.

This paper revisits the conceptual history of the early Frankfurt School’s investigations into the authoritarian character, the set of sadomasochistic character traits that dispose an individual or group to seek their own domination. This research project, which produced Fromm’s Studies on Authority and Family and Horkheimer’s Egoism and Freedom Movements in 1936 and ended in 1939 with Fromm’s expulsion from the Frankfurt School, is generally held to have been a theoretically-unproductive and abortive endeavour. We dispute such a reading by reconstructing the key concepts and methods of this research project, and demonstrating its breadth and coherence. In so doing we illustrate the centrality of Fromm’s contribution to the Frankfurt School early work on authority and indicate that the proper point of origin for those seeking to grasp the Frankfurt School’s research on the authoritarian character is 1930, the year in which Fromm joined the Frankfurt School.

Digital networking technologies facilitated connection between lecturers and students during the physical isolation (global lockdowns) of the COVID-19 pandemic (2020–2023). However, we argue that the sudden pivot to online modes of education brought significant questions regarding online intersubjectivity and resultant alienation to the forefront. This form of intersubjectivity involves the virtual as an integral feature. We argue that Merleau-Ponty’s account of intersubjectivity (as a founding corporeity) and its related concept of ‘the flesh’ provides an essential theoretical framework for the conceptual analysis of these issues since the body-subject and digital technology artefact are co-implicit in the generation of the virtual. Furthermore, the tendency to treat the virtual as concrete from the basis of our embodiment results in virtual reification, and this in turn results in an alienated form of networked subjectivity. The current chapter investigates how reification constitutes the virtual, pointing us back to the nature of alienation (which, following Marx, we view as an intersubjective social relation). The virtual on this account involves not isolation and individual atomization, but rather a deficient mode of intersubjectivity in which the individual functions in a deficient and distorted intersubjective network (particularly in terms of teaching and learning).

In The Decline of the West Spengler argues that world-history consists of the rise and fall of culture-organisms which, in the course of their existence, pass inexorably through the same developmental stages. From his model of the lifecycles of cultures Spengler claims that the end of western culture is imminent. Although Spengler identifies between 8 and 9 different cultures, his analysis of world-history in The Decline only really discusses Graeco-Roman culture. Classical Antiquity, particularly Greek thought, plays a central role in Spengler’s philosophical analysis, operating as both an exemplar of a living culture and a cautionary tale of civilizational decline. Spengler’s focus on the Greeks is rendered problematic by his cultural isolation theory, which holds that each culture is opaque to the members of any other culture and thus no meaningful transmission of information can occur between them. Spengler’s cyclical model of world-history is founded, by his own account, on the comparative analysis of cultures. And yet, if the cultural isolation theory is true, then his analysis of Greek culture is impossible, as is his use of this analysis to predict the fate of western culture. On these grounds, Spengler’s historical model is often dismissed as self-contradictory. I suggest an alternative reading of Spengler’s philosophy. Rather than being a positivist project to uncover the laws of world-history, I argue that Spengler’s aim in The Decline was to construct a deliberate historical fiction that would compel his contemporaries to address the problems of their own age. Spengler’s account of the Greeks is likewise fictional, and serves as an imaginary counterpole to western technological civilisation. The centrality of the Greeks in The Decline is not because Spengler believes that we can learn from the Greeks, but because he wishes to demonstrate the impossibility of learning from the Greeks.

Technological determinism, as a position on the nature and effects of technology/technologies can be divided into optimistic and critical forms. The optimistic variety, of which contemporary cyber-utopianism is an instance, holds that the development of technology shapes or at least facilitates ameliorative alterations in society. The critical variety, on the other hand, tends to problematise or condemn the positive narrative of technological impact on human existence. Whilst the optimistic form still retains some academic credibility, especially concerning digital technologies, the critical variety tends to be viewed as reductionist, essentialist and pessimistic. Furthermore, the fact that many of its leading proponents base their critiques on the analysis of industrial technology, reinforces the impression that critical technological determinism is outdated. I argue that focussing on the specific forms of technology analysed by classic technological determinists is to miss the key point of their arguments. Critical determinism warns that with the increasing integration of technology into everyday life, we run the risk of idealising technological organisation and making sociotechnical relations a model for all social relations. Drawing upon Rendueles’s (2017) analysis of the sociophobic tendencies of the online public sphere, I argue for the continuing relevance of so-called ‘Classic’ technological determinism. The danger posed by the ubiquity of the internet on this account is not that it possesses some innate quality that imposes a particular social pattern on humanity, but that the way in which we interact in cyberspace becomes the norm for social relations outside the cybersphere.

This paper addresses the generally neglected topic of Vandana Shiva’s ontology. It is argued that there is a significant ontological component to Shiva’s ecofeminist philosophy and that this ontology underpins her ecological and feminist views. Shiva’s ontology provides a standpoint from which she can critique dichotomous ontologies of domination and oppression, and from which she can identify life-sustaining modes of existence. It is argued that this ontology is implicit in most of her works and is best grasped through the analysis of her critique of Western scientific metaphysics. It is further argued that this implied ontology is a continuation of the Hindu-ecofeminist ontology of Prakriti explicitly set forth in Shiva’s Staying Alive (1989). Both forms of Shiva’s ontology, the explicit and the implicit, will be reconstructed and their points of continuity detailed.

It has been the better part of a century since the appearance of Dialectic of Enlightenment, and the technologies of mass communication that Adorno and Horkheimer placed at the centre of their analysis of mass culture have altered beyond recognition, and with them the culture itself. And this in turn raises the question of the continuing relevance of the ‘culture industry’ concept. Does the contemporary culture industry still operate along the same lines that Adorno and Horkheimer charted or has it evolved to a point at which their analysis no longer applies? This special issue gathers together a broad range of theoretical approaches that address the pressing need for the analysis of the contemporary culture industry in the Global South and beyond. Through the lenses of the history and theory of Critical Theory (and African critical theory traditions) and topics including digital culture, neoliberalism and its effects, and environmental praxis, the culture industry of Adorno and Horkheimer is revisited in the spirit of renewal and positive critique.

Dark Tourism represents the intersection of reflections on mortality with the commodification and consumption of death as a tourist experience. It is a complex and contested concept that has been approached from a variety of theoretical standpoints. In this paper, I suggest that a phenomenological analysis of the experiences of those who engage in dark tourism can provide a means of approaching the subject that can both accommodate the diversity of experiences sought by the dark tourist, and deepen our understanding of the nature and purpose of dark tourism. More specifically, I repurpose Cohen’s (Sociology 13(2):179–201, 1979) typology of tourist experience to suggest a phenomenological typology of dark tourist experiences. Following Cohen, I suggest that we can chart the dark tourist experience as a continuum ranging from a pleasure-seeking experience to a meaning-seeking experience, qualified by authenticity-seeking or alienation-avoiding motivations, and the individual tourist’s proximity to or distance from the “centre” of their worldview. Such an analysis allows us to differentiate between tourists whose motivations are more recreational in nature and those whose motivations are more existential. A phenomenological analysis also enables us to further differentiate amongst the different modes of existential experience sought by the “pure” dark tourist and to consider the conditions of possibility necessary for their realisation.

Most interpretations of Oswald Spengler’s _The Decline of the West_ offer a relativist or positivist reading of his philosophy of history, with the latter being the most common. This paper argues that any positivist account of Spengler’s philosophy of history is untenable, and that only a relativist interpretation is plausible. It differs from standard arguments for the relativist interpretation by arguing that Spengler’s philosophy be understood as a form of fictionalism. However, rather than dismissing the positivistic elements of his philosophy of history, it argues that they form a separate (albeit fictional) philosophy of history within his relativist philosophy designed to serve a heuristic purpose.

Daniel O’Shiel recently identified four categories of virtuality, which he terms “real virtualities”, that are perpetually present in human perception. These virtual horizons (Self, World, Others, and Values) continuously structure our experience without themselves being directly experienced. This essay argues that O’Shiel’s four categories of the virtual correspond strongly to the concept of the Fourfold found in the writings of the later Heidegger, and that Heidegger’s Fourfold can be fruitfully understood as a phenomenological framework of the virtual.

Haack classifies Spengler’s views on the end of science as what she terms annihilationist in that he forecasts the absolute termination of scientific activity as opposed to its completion or culmination. She also argues that in addition to his externalist argument that Western science, as cultural product, cannot survive the demise of Western Culture, Spengler also puts forward an internalist argument that science, regardless of the imminent demise of Western Culture, is in terminal decline as evidenced by its diminishing returns. I argue against Haack that Spengler’s argument for the diminishing returns of modern science is in fact an externalist one, in that he locates the sources of science’s current decline outside the discipline of science itself, attributing them to a change in cultural attitude towards scientific endeavours. I further argue that Spengler’s prediction of the imminent end of science was directed specifically at pure science, and that he in fact held that applied science would continue to develop. I also take issue with Haack’s suggestion that Spengler’s views on science were outmoded at the time that he wrote them.

This paper outlines the fundamental aspects of a Heideggerian-ecofeminist philosophy. It aims to be suggestive rather than definitive regarding the form and function of such a philosophy and will, consequently, be somewhat partial and incomplete. It is intended to highlight the enormous potential of such a hybrid philosophy. To this end it will provide a brief account of the philosophy of the later Heidegger, with particular emphasis on his analysis of technology and his account of the Greek concept of truth as aletheia, or unconcealment. It will also focus on Heidegger’s account of the connection between the Greek concept of nature as physis and his own ontology of Being, “letting-be” as the appropriate attitudinal stance to existence, and the bearing of all the above on contemporary ecological concerns.

Most commentators on Spengler's philosophy tend to focus on the details of his cyclical theory of world-history, according to which history should be understood in terms of the rise and fall of great cultures. I argue that Spengler's philosophy of history is itself an expression of his primary concern with philosophical analysis of the structures of human consciousness, and that an awareness of Spengler's account of the existential structures of subjective consciousness enables one to grasp the reasoning behind some of the key features of his philosophy of history, such as his cultural isolation hypothesis and critique of Eurocentric historiography. I further argue that the way to access Spengler's theory of consciousness, and the ways in which it informs his philosophy of history, is via his critical engagement with the Kant character that recurs in the first volume of The Decline of the West.

This paper explores the existential motivation for the formation of extremist echo chambers through a phenomenological analysis. We advance two claims. Firstly, following Ortega y Gasset, that virtuality is a constant framework for experience. And secondly, following Merleau-Ponty, that there is persistent embodiment in online spaces. On this account virtuality is a permanent feature of embodiment, existing prior to technological intervention while at the same time being modifiable by technological artefacts. Understanding virtuality in this way allows us to analyse the existential phenomenological characteristics of extremist echo chambers online. We argue that due to the persistence of embodiment throughout, and the restructuring of the virtual axes of experience, such online spaces can and do influence political praxis in offline spaces.

Recent years have seen the global emergence of populist political formations, leading certain scholars to term our present age the “age of populism” and some politicians, such as Hungary’s current prime minister Viktor Orbán, to proclaim that “the era of liberal democracy is over”. Contemporary forms of populism are characterized by ‘us’ (often ‘the people’ in an ethnic or communal sense) versus ‘them’ (usually liberal elites, the establishment, minorities, or immigrants) forms of binary thinking. For some, the rise of contemporary populism inherently represents the resurgence of forms of reactionary populist nationalism, ranging from the ‘radical’ to the ‘extreme’ right, and the revitalization of forms of ideology that may be termed ‘neo-fascist’. The great challenge for contemporary democracies is that, in contrast to dictators who seize power via coups, the aforementioned political movements come to power via the ballot box. In light of the revitalization of such political formations, the current special issue serves to critically investigate contemporary forms of far-right populism and fascism in the Global South. Many contributors cast a critical perspective upon the political dimensions of the current proliferation of extreme forms of reactionary politics and the social conditions that gave rise, and are in the process of giving rise, to such movements. Other contributors explore the historical and theoretical roots of current forms of far-right populism and fascism (FRP/F), critical engagement with present-day problems that are resultant of their preponderance, as well as analyses of the cultural forces and tendencies that have led to, and are leading to, their contemporary ascendance. Some contributors also consider the question of whether it is possible to develop a general theory of FRP/F in contemporary society, present inquiries into the future development of FRP/F, or investigate opportunities for opposition to FRP/F in the present context.

Abstract This paper argues that the concept of authenticity has evolved since the time of Adorno’s critique in The Jargon of Authenticity, and that an analysis of tourism offers a way of grasping the altered status of the concept of authenticity and its current ideological function in the contemporary capitalist system. It is suggested that authenticity no longer refers to an existential state, but instead to a purchased experiential moment. This paper traces the alterations in the understanding of existential authenticity from its origins in existential phenomenology to its current status as a key concept in tourism research. It suggests that, while Adorno’s critique of authenticity has become somewhat outdated due to changes in the social relations of modern capitalism, its central argument still holds true, in that contemporary notions of authenticity still play an ideological role in securing the socio-economic status quo by both expressing and concealing the sense of alienation caused by social relations under capitalism.

In The Decline of the West, Spengler argues that cultures have lifecycles. Although he warns that the end of Faustian (western) culture is nigh, Spengler suggests that the death of the culture might be forestalled if a rapprochement can be brought about between the technologized powers of Reason and the remains of cultural life. This portrayal of Reason as a salvific force seems to contradict Spengler’s typical depiction of Reason as a violent anti-cultural force. This paper reconstructs Spengler’s account of Reason as both killer and preserver of western culture and argues that in both roles it remains inherently violent.

This paper argues that histories of the Green Revolution are often underpinned by commitments to theoretical models of technology and science which shape the parameters of such narratives in politically normative ways. This paper explores the accounts of the Green Revolution in India given by Vandana Shiva and Govindan Parayil and demonstrates the ways in which these accounts are influenced by their models of technology and science. It is argued that Shiva and Parayil represent key theoretical positions in technological theory, determinist and instrumentalist, respectively, and that examination of their Green Revolution narratives clearly indicates the ways in which such theoretical commitments can determine the scope and content of analyses of technology-driven development, and thereby exclude political content necessary for the evaluation of the efficacy of such development and the validity of the theoretical model.

The outbreak of COVID-19 in early 2020 and the various measures taken subsequently, either by individual countries or by government and nongovernment bodies with a global reach, have had a profound effect on human lives on a number of levels, be it social, economic, legal, or political. The scramble to respond to the threat posed by the rapid spread of the virus has, in many cases, led to a suspension of ordinary politics whilst at the same time throwing into sharp relief the profoundly political nature of the pandemic. In addition to the new issues that have arisen regarding detection and treatment of the COVID-19 virus, perennial political issues regarding the limits of political authority, racial and gender justice, and populism and demagoguery have thrust themselves to the forefront of mainstream political discourse. This special issue, titled simply Pandemic politics, is a collection of papers that casts a critical perspective upon the political dimensions of the current pandemic. We have invited papers covering a broad spectrum of pandemic-related topics, especially with the focus on aspects of the pandemic in relation to the Southern hemisphere. The eight papers that made it to this volume are reflective of this broad approach and fall, roughly, into three categories, namely power and mistrust, disaster capitalism, and COVID-19: crisis or opportunity.

Oswald Spengler is best known as a philosopher of history. However, one can trace in volume one of his The Decline of the West a sustained consideration of philosophical issues pertaining to the nature and practice of science that I suggest can be considered to be a philosophy of science. Not only has Spengler’s philosophy of science been largely overlooked, so too has its peculiar fictionalist character. By elaborating on the fictionalist character of Spengler’s scientific views I shall consider his work in comparison with that of Hans Vaihinger, a contemporary of Spengler and noted fictionalist with regards to science. This comparison not only supports my interpretation of Spengler’s philosophy of science as fictionalist, it also throws into relief the numerous affinities between the thought of two philosophers who are not usually associated, in particular with regards to their accounts of the origins of science in the structures of human consciousness. This fictionalist affinity in turn suggests the need for a wholesale reappraisal of Spengler’s philosophical outlook.

The debate between instrumentalist and technological determinist positions on the nature of technology characterised the early history of the philosophy of technology. In recent years however technological determinism has ceased to be viewed as a credible philosophical position within the field. This paper uses Merleau-Ponty’s phenomenology to reconsider the technological determinist outlook in phenomenological terms as an experiential response to the encounter with the phenomenon of modern technology. Recasting the instrumentalist-determinist debate in a phenomenological manner enables one to reconcile the apparent dualism of the instrumentalist and determinist positions through Merleau-Ponty’s ontology of the flesh. This ontology has recently been used to ground accounts of virtual embodiment. We argue that in addition to explaining away the classical form of technological determinism, it can also phenomenologically ground a novel understanding of technological determinism. Namely, a technological determinism of virtual embodiment.

Philosophy of technology was not initially considered a consolidated field of inquiry. However, under the influence of sociology and pragmatist philosophy, something resembling a consensus has emerged in a field previously marked by a lack of agreement amongst its practitioners. This has given the field a greater sense of structure and yielded interesting research. However, the loss of the earlier “messy” state has resulted in a limitation of the field’s scope and methodology that precludes an encompassing view of the problematic issues inherent in the question of technology. It is argued that the heterodox disunity and diversity of earlier philosophy of technology was not a mark of theoretical immaturity but was necessitated by the field’s complex subject matter. It is further argued that philosophy of technology should return to its pluralistic role as a meta-analytical structure linking insights from different fields of research.