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Murray Smith

University of Kent
  •  Home
  •  Publications
    51
    • Most Recent
    • Most Downloaded
    • Topics
  •  Events
    4
  •  News and Updates
    11

 More details
  • University of Kent
    School of Arts
    Professor
Homepage
Areas of Specialization
Aesthetics
Philosophy of Film
Philosophy of Mind
Philosophy of Cognitive Science
Philosophy of Psychology
Areas of Interest
Aesthetics
Philosophy of Film
Philosophy of Mind
Philosophy of Cognitive Science
Philosophy of Psychology
  • All publications (51)
  •  74
    Chatman, Seymour. Coming To Terms: The Rhetoric of Narrative in Fiction and Film
    Journal of Aesthetics and Art Criticism 50 (3): 253-253. 1992.
    Aesthetics
  •  42
    In and Out of Character
    Film and Philosophy 16 139-147. 2012.
    Philosophy of Film
  •  7
    Introduction: Film Theory and Philosophy
    with Richard Allen
    In Richard Allen & Murray Smith (eds.), Film theory and philosophy, Oxford University Press. 1997.
    The introduction discusses the influence of two kinds of philosophy to film theory. It describes and clarifies the characteristic methods and strategies of analytic philosophy and film theory, and continental philosophy and film theory. It is concerned with the description of methods, debates, and principles of analytic philosophy with reference to the contributions of philosophy to film theory. It informs and provides indication of issues, methods, and doctrines. It examines, criticizes, and de…Read more
    The introduction discusses the influence of two kinds of philosophy to film theory. It describes and clarifies the characteristic methods and strategies of analytic philosophy and film theory, and continental philosophy and film theory. It is concerned with the description of methods, debates, and principles of analytic philosophy with reference to the contributions of philosophy to film theory. It informs and provides indication of issues, methods, and doctrines. It examines, criticizes, and defends the use of exponents of analytic and continental philosophy. All throughout the introduction, it is noted that analytic philosophy is conceived as a pedantic, conservative discipline by scholars of film, media, and culture while continental philosophy is seen as having more imaginative richness and being more focused on moral and ideological issues. However, the aim of analysing film theory is not to stop the pursuit of any specific doctrine but to improve the rigor with its pursuit.
  •  2
    The Wartenberg-Smith Film as Philosophy Debate: A Response to Diana Neiva
    American Society for Aesthetics Graduate E-Journal 11 (1): 1-6. 2019.
  •  4
    Imagining from the Inside: POV, Imagining Seeing, and Empathy
    In Richard Allen & Murray Smith (eds.), Film theory and philosophy, Oxford University Press. pp. 412--30. 1997.
    Imagination
  •  349
    Engaging Characters: Fiction, Emotion, and the Cinema (review)
    Journal of Aesthetics and Art Criticism 57 (1): 88-89. 1999.
    Fictional Characters
  • Marx, the Video a Politics of Revolting Bodies
    with Rick Maxwell, Marilyn Wulff, Chuck France, and Yvonne Schofer
    Video Data Bank [Distributor]. 1990.
    Philosophy of Consciousness
  •  197
    The Aesthetics of Football
    with Steffen Borge and Margrethe Bruun Vaage
    Sport, Ethics and Philosophy 9 (2): 93-96. 2015.
    Philosophy of Sport
  •  76
    The Bad and the Beautiful
    Film-Philosophy 6 (1). 2002.
  •  44
    Review of Paisley Livingston, Cinema, Philosophy, Bergman: On Film as Philosophy (review)
    Notre Dame Philosophical Reviews 2010 (5). 2010.
    AestheticsPhilosophy of Film
  •  194
    Regarding film spectatorship: A reply to Richard Allen
    Journal of Aesthetics and Art Criticism 56 (1): 63-65. 1998.
    Cinema
  •  129
    Rhetoric and representation in non-fiction film
    British Journal of Aesthetics 41 (2): 222-225. 2001.
    AestheticsPhilosophy of Film
  •  145
    Film, Art, and the Third Culture: A Naturalized Aesthetics of Film
    Oxford University Press. 2017.
    Murray Smith presents an original approach to understanding film. He brings the arts, humanities, and sciences together to illuminate artistic creation and aesthetic experience. His 'third culture' approach roots itself in an appreciation of scientific innovation and how this has shaped the moving media.
    Cognitive Film TheoryThe Art of FilmMedium Specificity in Film
  •  257
    Film spectatorship and the institution of fiction
    Journal of Aesthetics and Art Criticism 53 (2): 113-127. 1995.
    AestheticsPhilosophy of Film
  •  1
    Film Theory Meets Analytic Philosophy; Or, Film Studies And L’affaire Sokal
    Cinema 111-117. 2010.
    Film Media
  •  213
    Film art, argument, and ambiguity
    Journal of Aesthetics and Art Criticism 64 (1). 2006.
    AestheticsFilm Media
  • Film
    In Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2013.
    Cinema
  •  43
    Aesthetic Pursuits: Essays in the Philosophy of Art By Jerrold Levinson Oxford: Oxford University Press, 2016, pp. 197, £35 ISBN-13: 978-0198767213 (review)
    Philosophy 93 (3): 464-470. 2018.
  • Film Theory and Philosophy
    with Unknown
    Philosophical Quarterly 51 (203): 277-280. 2001.
  •  119
    Introduction
    with Thomas E. Wartenberg
    Journal of Aesthetics and Art Criticism 64 (1): 1-9. 2006.
    Murray Smith, Thomas E. Wartenberg; Introduction, The Journal of Aesthetics and Art Criticism, Volume 64, Issue 1, 8 March 2005, Pages 1–10, https://doi.org/10.
    AestheticsPhilosophy Through FilmOntologyVagueness and Indeterminacy, Misc
  •  757
    Film theory and philosophy (edited book)
    with Richard Allen
    Oxford University Press. 1997.
    This volume of new essays energizes a growing movement in film theory which questions and seeks to overturn many of the assumptions that have governed film theory for the last twenty years. The book brings together film scholars and philosophers in a united commitment to the standards of argumentation that characterize analytic philosophy rather than a single doctrinal approach. The essays address such topics as authorship, emotion, ideology, representation, and expression in film.
    Cognitive Film Theory
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