Jill Kraye

The Renaissance, known primarily for the art and literature that it produced, was also a period in which philosophical thought flourished. This two-volume anthology contains 40 new translations of important works on moral and political philosophy written during the Renaissance and hitherto unavailable in English. The anthology is designed to be used in conjunction with The Cambridge History of Renaissance Philosophy, in which all of these texts are discussed. The works, originally written in Latin, Italian, French, Spanish, and Greek, cover such topics as: concepts of man, Aristotelian, Platonic, Stoic, and Epicurean ethics, scholastic political philosophy, theories of princely and republican government in Italy and northern European political thought. Each text is supplied with an introduction and a guide to further reading.

The Renaissance, known primarily for the art and literature that it produced, was also a period in which philosophical thought flourished. This two-volume anthology, which was originally published in 1997, contains forty translations of important works on moral and political philosophy written during the Renaissance and hitherto unavailable in English. The anthology is designed to be used in conjunction with The Cambridge History of Renaissance Philosophy, in which all of these texts are discussed. The works, originally written in Latin, Italian, French, Spanish and Greek, cover such topics as: concepts of man, Aristotelian, Platonic, Stoic, and Epicurean ethics, scholastic political philosophy, theories of princely and republican government in Italy and northern European political thought. Each text is supplied with an introduction and a guide to further reading.

Jill Kraye - Giordano Bruno: Philosopher of the Renaissance - Journal of the History of Philosophy 43:3 Journal of the History of Philosophy 43.3 357-358 Hilary Gatti, editor. Giordano Bruno: Philosopher of the Renaissance. Aldershot, England: Ashgate, 2002. Pp. xxiv + 424. Cloth, $89.95. The Italian philosopher Giordano Bruno was burned at the stake on 17 February 1600 in the Campo de' Fiori in Rome. The four-hundredth anniversary of this dramatic event, which has come to symbolize the end of the High Renaissance, was a rather tepid and bland affair compared to the third centenary, which occurred at the height of "Brunomania," with all its attendant ideological fervor and political partisanship. In their struggle against the Church and other conservative elements in Italian society, nineteenth-century liberal and anti-clerical thinkers had transformed the renegade Dominican, whose radical ideas and heretical views were expressed in bombastic Italian prose and..