Ronnie de Sousa

Emotions can be the subject of moral judgments; they can also constitute the basis for moral judgments. The apparent circularity which arises if we accept both of these claims is the central topic of this paper: how can emotions be both judge and party in the moral court? The answer I offer regards all emotions as potentially relevant to ethics, rather than singling out a privileged set of moral emotions. It relies on taking a moderate position both on the question of the naturalness of emotions and on that of their objectivity as revealers of value: emotions are neither simply natural nor socially constructed, and they apprehend objective values, but those values are multi-dimensional and relative to human realities. The "axiological" position I defend jettisons the usual foundations for ethical judgments, and grounds these judgments instead on a rationally informed reflective equilibrium of comprehensive emotional attitudes, tempered with a dose of irony.

Some wag reported the following story: Scholars have recently established that the Iliad and the Odyssey were not, after all, written by Homer. They were actually written by another author, of the same name.The majority of current theories of naming and reference, including ones as divergent in other respects as those of Russell and Searle, would rule this story impossible. They would do so on roughly these grounds: the sense and reference of the name ‘Homer’ is determined, given the absence of other reliable testimony, by the sole description: ‘Author of the Iliad and the Odyssey’. ‘Homer is the author of the Iliad and the Odyssey’ is therefore known a priori, hence necessarily true. There could not be another author of that name and claim to fame.In lectures delivered at Princeton in the Winter of 1970, Saul Kripke offered a lucid alternative to such theories.