Ronnie de Sousa

In a colloquium on “lyric philosophy,” this contribution records the efforts of an analytic philosopher to come to grips with questions that Jan Zwicky, who is both a fine poet and a subtle philosopher, has raised about anglophone analytic philosophy. The essay situates Zwicky between the analytic and Continental traditions in philosophy: like the best analytic philosophers, it is argued, she is enamored of clarity, but, like what is best in the Continental tradition, she demands of philosophy a deeper sense of meaning than philosophical analysts tend to do. It is from this unusual position that Zwicky is said to challenge the dogmas of the analytic tradition. Notable among those treated in this article are the belief that attributing literal meaning to anything but linguistic items is futile, belief in the possibility of distinguishing literal from metaphorical meaning, belief in the supremacy of argument over aphorisms, and belief in the importance of the “reductionist” program, which seeks to understand wholes in terms of their parts.

Emotion Review, Volume 14, Issue 4, Page 257-261, October 2022. Müller argues that the perceptual or “Axiological Receptivity” model of emotions is incoherent, because it requires an emotion to apprehend and respond to its formal object at the same time. He defends a contrasting view of emotions as “Position-Takings" towards “formal objects”, aspects of an emotion's target pertinent to the subject's concerns. I first cast doubt on the cogency of Müller's attack on AR as begging questions about the temporal characteristics of perceptual events. I then argue that Müller's version of PT is not radical enough. On my attitudinal view, formal objects are not values but natural properties that justify specific affective or behavioral responses. Values are constituted only by a negotiated social aggregation of individual evaluative attitudes.

Emotions can be the subject of moral judgments; they can also constitute the basis for moral judgments. The apparent circularity which arises if we accept both of these claims is the central topic of this paper: how can emotions be both judge and party in the moral court? The answer I offer regards all emotions as potentially relevant to ethics, rather than singling out a privileged set of moral emotions. It relies on taking a moderate position both on the question of the naturalness of emotions and on that of their objectivity as revealers of value: emotions are neither simply natural nor socially constructed, and they apprehend objective values, but those values are multi-dimensional and relative to human realities. The "axiological" position I defend jettisons the usual foundations for ethical judgments, and grounds these judgments instead on a rationally informed reflective equilibrium of comprehensive emotional attitudes, tempered with a dose of irony.

Some wag reported the following story: Scholars have recently established that the Iliad and the Odyssey were not, after all, written by Homer. They were actually written by another author, of the same name.The majority of current theories of naming and reference, including ones as divergent in other respects as those of Russell and Searle, would rule this story impossible. They would do so on roughly these grounds: the sense and reference of the name ‘Homer’ is determined, given the absence of other reliable testimony, by the sole description: ‘Author of the Iliad and the Odyssey’. ‘Homer is the author of the Iliad and the Odyssey’ is therefore known a priori, hence necessarily true. There could not be another author of that name and claim to fame.In lectures delivered at Princeton in the Winter of 1970, Saul Kripke offered a lucid alternative to such theories.