•  13
    Professor Gass's transformations
    Journal of Philosophy 73 (19): 742-743. 1976.
  •  21
    Depiction, Vision, and Convention
    American Philosophical Quarterly 9 (3). 1972.
  •  3
    Form
    In The Grove Dictionary of Art, Macmillan. 1996.
    'Doing an Aristotle' on Form: a highly compressed attempt to explain what we mean by the ambiguous term "form" in visual arts.
  •  107
    The secular icon: Photography and the functions of images
    Journal of Aesthetics and Art Criticism 42 (2): 155-169. 1983.
    'Photo-credit: David Hume': a dialogue showing how application of Hume's three vivacity principles of resemblance, contiguity and causation--even his illustrations of them--not only immediately clarify the main sources of interest in photography, but locate photography in the broad and fascinating history of various functions that images serve us, thereby dispelling ongoing mystification about it. (In the dialogue, Veronica represents our contiguity and causal interests, Miranda [named for a Jap…Read more
  •  15
    On Art and the Mind
    Philosophical Review 86 (1): 125. 1977.
  • What's So Funny? Comic Content in Depiction
    In Roy Aaron Cook Meskin (ed.), The Art of Comics: A Philosophical Approach, Wiley-blackwell. 2012.
    This paper addresses standard questions regarding comics and the arts (comics and fine arts, image and word combinations), then poses and addresses the neglected, but deeper and wider--thus philosophical--question, of how depictions, not just words, can have mental contents at all, including light, funny, scathing, comic ones.
  • Review of Flint Schier, Deeper into Pictures (review)
    Word and Image 3 (4): 325-326. 1987.
  •  37
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 38.1 (2000) 1-26 [Access article in PDF] "What Will Surprise You Most": Self-Regulating Systems and Problems of Correct Use in Plato's Republic Patrick Maynard University of Western Ontario 1. Republic's Third Wave: "On Philosophers" The title of this paper is taken from a line in Book VI of Plato's Republic that appears to reject not only the accounts of moral justice and other virtues argued in …Read more
  •  1
    Can Seeing Be an Art, Really?
    Source (Belfast) 53 48-51. 2007.
    Joint interview, with Kendall Walton, by Richard West
  •  29
    Perspective's places
    Journal of Aesthetics and Art Criticism 54 (1): 23-40. 1996.
  •  20
    Introduction to Perspectives on the Arts and Technology
    Journal of Aesthetics and Art Criticism 55 (2): 95-106. 1997.
  •  2
    Combining ideas of perceptual psychologists J.J. Gibson and J.E. Cutting, moving on to answer the arguments of the "Naysayers" against autonomous and artistic meaning in photographs.
  •  1
    Images: Five Questions
    In Aud Sissel Hoel (ed.), Images: Five Questions, Vince Inc Press. 2015.
  •  62
    Talbot’S Technologies: Photographic Depiction, Detection, and Reproduction
    Journal of Aesthetics and Art Criticism 47 (3): 263-276. 1989.
    Philosophy's only celebration of photography's 150th, the long-neglected philosophical job of clarification: drawing basic distinctions and defining basic conceptions, including photographic depiction, photographic detection, 'photograph of', 'documentary'. More than a lexicon, it explains why photography is important, by historically characterizing it through its uses for depiction, detection, reproduction, all of which have shaped the modern world. By consideration of it as 'mechanical', the…Read more
  •  78
    Arts, Agents, Artifacts: Photography's Automatisms
    Critical Inquiry 38 (4): 727-745. 2012.
    Recent advances in paleoarchaeology show why nothing in the Tate Modern, where a conference on "Agency & Automatism" took place, challenges the roots of 'the idea of the fine arts' (Kristeller) as high levels of craft, aesthetics, mimesis and mental expression, as exemplifying cultures: it is by them that we define our species. This paper identifies and deals with resistances, early and late, to photographic fine art as based on concerns about automatism reducing human agency--that is, mental e…Read more
  •  3
    Photography
    In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2000.
  •  68
    Drawing and shooting: Causality in depiction
    Journal of Aesthetics and Art Criticism 44 (2): 115-129. 1985.
  •  16
  •  1
    Pictures of Perspective: Theory or Therapy?
    In Margaret Atherton Heiko Hecht & Robert Schwartz (eds.), Looking into Pictures, . 2003.
    From a perceptual psychology and philosophy conference on linear perspective: points out standard fallacies about perspective, then challenges psychology's and philosophy's widespread assumption that a satisfactory understanding of depiction in any medium can be reached via theories of spatial--or any other kind of--visual perception.
  •  61
    Working light
    Philosophy of Photography 1 (1): 29-34. 2010.
  •  73
    First and still only philosophy treatise on drawing, explaining the bases of meaning in all kinds of drawings, including technical and informational, design, child, and art drawings--depictive and nondepictive, East and West--engaging cognitive and developmental psychology, philosophy, art history and criticism. Ca 290 double-columned pp., 92 illus. Reviews include: Philosophy--David Hills, Journal of Aesthetics and Art Criticism 65, no. 2 (Spring 2007): 235-237. Aesthetics--Michael Podro, Br…Read more
  •  37
    Review of Hubert Damisch, The Origin of Perspective (review)
    Journal of Aesthetics and Art Criticism 55 (1). 1997.