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Patrick Maynard

University of Western Ontario
  •  Home
  •  Publications
    59
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  •  News and Updates
    40

 More details
  • University of Western Ontario
    Department of Philosophy
    Unknown
Cornell University
Sage School of Philosophy
PhD, 1970
London, Ontario, Canada
Areas of Interest
Aesthetics
Ancient Greek and Roman Philosophy
  • All publications (59)
  • A Legacy of Light: Review of Ansel Adams: An Autobiography; and Mark Klett, Travels in the Desert Southwest (review)
    Canadian Review of American Studies 18 (1): 127-131. 1987.
    PhotographyDepictionAesthetics of Nature
  •  91
    Professor Gass's transformations
    Journal of Philosophy 73 (19): 742-743. 1976.
    Philosophy of Physics, Miscellaneous
  •  47
    Depiction, Vision, and Convention
    American Philosophical Quarterly 9 (3). 1972.
    Depiction
  •  1
    Review of review of Marianne Hirsch, Family Frames: Photography, Narrative, and Postmemory
    Biography 22 (1): 118-121. 1999.
    Photography
  • Review of Barbara Savedoff, Transforming Images: How Photography Complicates the Picture (review)
    Modernism and Modernity 8 (2): 338-340. 2001.
    Photography
  •  241
    The secular icon: Photography and the functions of images
    Journal of Aesthetics and Art Criticism 42 (2): 155-169. 1983.
    'Photo-credit: David Hume': a dialogue showing how application of Hume's three vivacity principles of resemblance, contiguity and causation--even his illustrations of them--not only immediately clarify the main sources of interest in photography, but locate photography in the broad and fascinating history of various functions that images serve us, thereby dispelling ongoing mystification about it. (In the dialogue, Veronica represents our contiguity and causal interests, Miranda [named for a Jap…Read more
    'Photo-credit: David Hume': a dialogue showing how application of Hume's three vivacity principles of resemblance, contiguity and causation--even his illustrations of them--not only immediately clarify the main sources of interest in photography, but locate photography in the broad and fascinating history of various functions that images serve us, thereby dispelling ongoing mystification about it. (In the dialogue, Veronica represents our contiguity and causal interests, Miranda [named for a Japanese camera company] our depictive ('resemblance') interests, while Clara serves as philosophical moderator.)
    Photography
  • Drawing, Painting, and Print-Making
    In Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David Cooper (eds.), Blackwell Companion to Aesthetics, Wiley. 2009.
    A short encyclopedia article focused on drawing, stressing facture, the physicality of three media.
    DepictionPainting and DrawingAesthetic Qualities, Misc
  •  70
    On Art and the Mind
    Philosophical Review 86 (1): 125. 1977.
    Philosophy of Mind
  • What's So Funny? Comic Content in Depiction
    In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach, Wiley-blackwell. 2011.
    This paper addresses standard questions regarding comics and the arts (comics and fine arts, image and word combinations), then poses and addresses the neglected, but deeper and wider--thus philosophical--question, of how depictions, not just words, can have mental contents at all, including light, funny, scathing, comic ones.
    The Value of ArtDepictionPainting and Drawing
  • Review of Flint Schier, Deeper into Pictures (review)
    Word and Image 3 (4): 325-326. 1987.
  •  141
    "What Will Surprise You Most": Self-Regulating Systems and Problems of Correct Use in Plato's Republic
    Journal of the History of Philosophy 38 (1): 1-26. 2000.
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 38.1 (2000) 1-26 [Access article in PDF] "What Will Surprise You Most": Self-Regulating Systems and Problems of Correct Use in Plato's Republic Patrick Maynard University of Western Ontario 1. Republic's Third Wave: "On Philosophers" The title of this paper is taken from a line in Book VI of Plato's Republic that appears to reject not only the accounts of moral justice and other virtues argued in …Read more
    In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 38.1 (2000) 1-26 [Access article in PDF] "What Will Surprise You Most": Self-Regulating Systems and Problems of Correct Use in Plato's Republic Patrick Maynard University of Western Ontario 1. Republic's Third Wave: "On Philosophers" The title of this paper is taken from a line in Book VI of Plato's Republic that appears to reject not only the accounts of moral justice and other virtues argued in Book IV, but also an axiom of Plato's earlier dialogues: that the virtues are good and beneficial things. It reads: "What will surprise you most, when you hear it, is that each of the things we praised in that nature tends to corrupt the soul that has it and to drag it away from philosophy. I mean courage, moderation, and the other things we mentioned" (491b7-10). Although these other things specifically include justice, magnanimity, grace, love of truth, and a tendency to consider "the form [idea] of each thing that is" (486d10), for their part, commentators have never shown surprise at this passage; indeed they have tended either to neglect or minimize it.1 To recall the context of 491b7-10, it actually comes as a second surprise, hard on the heels of a remarkable admission by Socrates, in early Book VI. The admission came in response to Adeimantus' challenge to Socrates' attempt to show that 'Platonic' philosophers, in the famous Book V sense of those who believe in the [End Page 1] forms, will be just and virtuous people, capable of political leadership (484d8-487a5). Book VI's page 487 thus contains Adeimantus' blistering attack on Socratic method, and a counter-argument against the idea of philosopher-rulers, based on common opinions about philosophers—an argument that should give pause to those who say that Republic left elenctic method behind with Book I. It is Socrates who now faces a forceful elenchus: that is, an inconsistency between the philosopher-rulers position he has just argued and another view he himself accepts, for his reply to Adeimantus is that "they seem to speak the truth" (487d10, 489d5), and "what he says is true, that the best among the philosophers are useless to the majority" (489b2), but that "the greatest and more serious slander on philosophy... results from those who profess to follow the philosophic way of life," especially the "vicious" ones (489cd).Most commentators, teachers, readers, eager to join the account of forms at the end of Book V with that of the form of the good well into Book VI, bridge over this discussion of philosophers' reputations, perhaps noting such of its features as the true pilot, the tinker, the figure in the dust storm, etc., but with little attention to argument structure.2 However, low estimate of structure in Plato's writings is usually a mistake, especially with Republic, and some commentators do make space to shape this bit of text, before getting on to what really interests them. They usually bracket the whole philosophers' reputations discussion, including 491b, as an early part of the so-called "third and greatest wave" (472a, 473c) of objections and replies, regarding the feasibility of the earlier social proposals of Republic: specifically, the objection to the possibility of philosopher-rulers. Socrates' reply to the third wave is usually taken to conclude with the transition at 502c7-503d12, which begins: "now that this difficulty has been disposed of, we must deal with what remains"—that is, with how such rulers could come about, and how they would be educated, a transitional remark that makes the gateway to the scholars' great attractor of the form of the good, with its discussions of the sun, the divided line, the cave of shadows—and few readers ever look back. Thus one recent commentator who does discuss the early part of Book VI moves on to those topics as follows: "Now that the combination of traits required in a philosopher-king has been shown to be a natural possibility...
    History of Western PhilosophyPlato: Republic
  •  1
    Photo Mensura
    In Nicola Moeßner & Alfred Nordmann (eds.), The Epistemology of Measurement: Representational and Technological Dimensions., Chatto & Pickering. forthcoming.
    DepictionHistory of Science, MiscPhotography
  • Comments on Whitney Davis, "The Origins of Image-Making"
    Current Anthropology 27 (3): 206-207. 1986.
    DepictionPainting and Drawing
  •  134
    Perspective's places
    Journal of Aesthetics and Art Criticism 54 (1): 23-40. 1996.
    AestheticsDepiction
  •  81
    Introduction to Perspectives on the Arts and Technology
    Journal of Aesthetics and Art Criticism 55 (2): 95-106. 1997.
    AestheticsPhilosophy of Technology, Misc
  •  2
    Scales of Space and Time in Photography: Perception Points Two Ways
    In Scott Walden (ed.), Philosophy and Photography, . 2008.
    Combining ideas of perceptual psychologists J.J. Gibson and J.E. Cutting, moving on to answer the arguments of the "Naysayers" against autonomous and artistic meaning in photographs.
    PhotographyThe Value of ArtDepictionThe Definition of ArtScience of Perception, Misc
  •  136
    Review of Cynthia Freeland, Portraits and Persons: A Philosophical Inquiry (review)
    British Journal of Aesthetics 51 (4): 449-453. 2011.
    PhotographyDepictionPainting and DrawingAesthetics
  •  165
    Talbot’S Technologies: Photographic Depiction, Detection, and Reproduction
    Journal of Aesthetics and Art Criticism 47 (3): 263-276. 1989.
    Philosophy's only celebration of photography's 150th, the long-neglected philosophical job of clarification: drawing basic distinctions and defining basic conceptions, including photographic depiction, photographic detection, 'photograph of', 'documentary'. More than a lexicon, it explains why photography is important, by historically characterizing it through its uses for depiction, detection, reproduction, all of which have shaped the modern world. By consideration of it as 'mechanical', the…Read more
    Philosophy's only celebration of photography's 150th, the long-neglected philosophical job of clarification: drawing basic distinctions and defining basic conceptions, including photographic depiction, photographic detection, 'photograph of', 'documentary'. More than a lexicon, it explains why photography is important, by historically characterizing it through its uses for depiction, detection, reproduction, all of which have shaped the modern world. By consideration of it as 'mechanical', the paper explains photography's differences from practices with which it shares these functions. Happy birthday, photography.
    DepictionPhotography
  •  3
    Form
    In The Grove Dictionary of Art, Macmillan. 1996.
    'Doing an Aristotle' on Form: a highly compressed attempt to explain what we mean by the ambiguous term "form" in visual arts.
    BeautyPhilosophy of Visual Art, MiscAesthetic Evaluation
  •  3
    Photography
    In Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2013.
    PhotographyDepictionArtworks
  •  164
    Drawing and shooting: Causality in depiction
    Journal of Aesthetics and Art Criticism 44 (2): 115-129. 1985.
    DepictionPhotography
  •  109
    Review of J. Kirk Varnedoe, A Fine Disregard: What Makes Modern Art Modern
    Journal of Aesthetics and Art Criticism 49 (4): 390-392. 1991.
    The ArtworldPainting and Drawing
  •  120
    Working light
    Philosophy of Photography 1 (1): 29-34. 2010.
    Photography
  •  1
    Pictures of Perspective: Theory or Therapy?
    In Heiko Hecht, Robert Schwartz & Margaret Atherton (eds.), Looking into Pictures, Mit Press. 2003.
    From a perceptual psychology and philosophy conference on linear perspective: points out standard fallacies about perspective, then challenges psychology's and philosophy's widespread assumption that a satisfactory understanding of depiction in any medium can be reached via theories of spatial--or any other kind of--visual perception.
    DepictionModularity in Cognitive ScienceRepresentation in Cognitive ScienceExplanation in Cognitive …Read more
    DepictionModularity in Cognitive ScienceRepresentation in Cognitive ScienceExplanation in Cognitive Science
  •  1
    Can Seeing Be an Art, Really?
    Source (Belfast) 53 48-51. 2007.
    Joint interview, with Kendall Walton, by Richard West
  •  104
    Review of Hubert Damisch, The Origin of Perspective (review)
    Journal of Aesthetics and Art Criticism 55 (1). 1997.
    AestheticsDepiction
  •  133
    Review of James Cutting, Impressionism and its Canon
    Journal of Aesthetics and Art Criticism 65 (2). 2007.
    The Interpretation of ArtThe ArtworldPainting and Drawing
  •  128
    The Engine of Visualization: Thinking Through Photography
    Cornell University Press. 1997.
    First ever philosophy treatise on photography, analytic in approach but sensitive to photo-history, not confined to aesthetics or art (illus.), Walker Evans photo on cover. Papercover printing, Dec. 2000.
    DepictionThe Definition of ArtPhotographyArtworksPhilosophy of Technology, MiscAesthetic Qualities, …Read more
    DepictionThe Definition of ArtPhotographyArtworksPhilosophy of Technology, MiscAesthetic Qualities, Misc
  • Review of David Rosand, Drawing Acts: Studies in Graphic Expression and Representation (review)
    Journal of Aesthetics and Art Criticism 63 (1): 81-82. 2005.
    Painting and Drawing
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