Amihud Gilead

Regardless or independent of any actuality or actualization and exempt from spatiotemporal and causal conditions, each individual possibility is pure. Actualism excludes the existence of individual pure possibilities, altogether or at least as existing independently of actual reality. In this paper, I demonstrate, on the grounds of my possibilist metaphysics—panenmentalism—how some of the most fascinating scientific discoveries in chemistry could not have been accomplished without relying on pure possibilities and the ways in which they relate to each other . The discoveries are the following: Dan Shechtman’s discovery of quasicrystals; Linus Pauling’s alpha helix; the discovery of F. Sherwood Rowland and Mario J. Molina concerning the destruction of the atmospheric ozone layer; and Neil Bartlett’s noble gas compounds. On the grounds of the analysis of these cases, actualism must fail, whereas panenmentalism gains support

In lieu of an abstract, here is a brief excerpt of the content:How Few Words Can the Shortest Story Have?Amihud GileadOf the best shortest story, we have only tales. According to one of them, Ernest Hemingway was proud of being the author of a story written in merely six words: "For sale: baby shoes, never worn." He considered this as his best story.1 Interviewing Gary Paulsen, Lori Atkins Goodson heard another version:Probably the best writing ever done was by Hemingway and several other writers—I think it was in North Africa. During a drunken discussion, somebody said that they should write the best and shortest story they could write. They all had stories. Hemingway came up with six words: "For sale: Baby shoes. Never used."... Isn't that great? That's all there is. Six words. There's a book, there's a movie, there's a short story, there's a poem—anything you want to do with those six words, you can do it. It's just amazing what you can do with your words.2I greatly prefer the first version to the second despite its musicality or semi-rhythm. The minor colon is better than the major full stop and the capital letters. The whole story is genuinely minor in tone, and its great power rests upon this tone. "Used" is much less evocative and more commercially practical than "worn." "Used" draws the attention to the shoes, whereas "worn" intimately relates to the dead baby. Yes indeed, these six words can initiate a book, a feature movie, and the like; yet, as you will see below, I prefer to think about a whole world centered around, or arising out of, Hemingway's six words. Whether his six-words story is the shortest ever written is quite a different question, which will not be discussed in this paper.A very short story may comprise more than six words, say, seventeen, [End Page 119] such as the following: "The last man on earth sat alone in a room. There was a knock on the door" ("Knock" by Fredric Brown).3Which of these two stories is the better? The shorter one, Hemingway's story in the first version. Why? Not only because there is not a single superfluous word or, even, a letter or punctuation mark; each word, each mark must be there, each is necessary for the story. Hemingway's six words create or initiate a whole story, actually a universe, of sorrow, bereavement, mourning, solitude, silence, untimely death, despair, loss, and tragedy.4 Thus, each word in this story gets the utmost meaningfulness or significance that a word may have. Hemingway's story shows us a tragic world of dread "in a handful of" six words, each of which is very simple. In contrast, although Brown's story bears a lot of tension and it is quite enigmatic (Who is knocking on the door? God, the Devil, an alien? Or is it simply a hallucination?), it conveys much less in seventeen words than do Hemingway's six. Brown's seventeen words do not create or reveal a world, let alone a universe. They create some tension, perhaps a thrill, possibly an enigma but not a world. There is certainly some puzzle that the reader may attempt to solve, but not much more.Even in this respect, Hemingway's story is more enigmatic: What is the purpose of the sale of this baby's shoes? Is there some hope that what cannot be used for the lost baby will be useful for another, living baby? Or is it the stinginess of the dead baby's parents or relatives? Or is it their poverty that forces them to sell even these little shoes? Or is it their wish not to possess these shoes any longer despite their great significance? Regarding this last possibility, it is more suitable to sell them than to throw them away. In any of these possibilities, the shoes have some value. And the enigma under discussion is certainly tragic in any of these possibilities.In contrast, Brown's story suggests merely a puzzle, not a tragic enigma. Such a puzzle may be found even in pulp fiction, not in fine writing, whereas...

Panenmentalist possibilities are individual pure possibilities existing independently of any mind, actual reality, and possible-world conception. These possibilities are a priori accessible to our intellect and imagination. In this paper, I attempt to shed some panenmentalist light on the discovery of chemical branched chain reactions and its implications on biology and cancer research. I also examine the case of the Belousov–Zhabotinsky reaction which, at first, was believed to be impossible. Finally, I proceed to examine through a panenmentalist lens Szilard’s discovery of the possibility of physical chain reactions and Mullis’s discovery of a polymerase chain reaction. All these major actual discoveries clearly depend on the discovery of the relevant panenmentalist possibilities and the ways in which they relate to one another.

As early as 1981, about 1 year before Shechtman’s discovery of an actual quasicrystal, Alan L. Mackay discussed, in a seminal paper, the first steps for the expansion of crystallography toward its modern phase. In this phase, new possibilities of structures and order, such as the structures of five-fold symmetry, for crystals have been discovered. Medieval Islamic decorators as well as Albrecht Dürer, Johannes Kepler, Roger Penrose, Mackay himself, and other pioneer crystallographers raised important contributions to the theoretical discovery of crystalline possibilities long before or independently of the discovery of their actual existence. In this paper, I discuss further the philosophical significance of Mackay’s theoretical discovery and his contribution to the expansion of pure geometrical crystallography, biological crystallography, and generalized crystallography.

I attempt to save akrasia from the skeptical doubt and denial as to its possibility in a new way. I argue that the akratic agent – the akrates – has unconscious reason(s) for the akratic action. Moreover, the akrates does not weigh and value the reasons for and against the akratic action in full awareness, including their emotive significance, consciously experienced as feelings. He follows his feelings favoring the akratic action (since he does not tolerate or resist them), and does not let his unconscious emotions, supporting the wanted, chosen action, play a causal role in impelling him to perform this action.

In discussing cruelty toward human beings, I argue that disregarding the singularity of any human being is necessary for treating her or him cruelly. The cruelty of Peter the Great, relying upon the intolerance of any human singular individuality, serves me as a paradigm-case to illustrate that. The cruelty of Procrustes and that of Stalin rely upon similar grounds. Relating to a person’s singularity is sufficient to prevent cruelty toward that person. In contrast, a liberal state of mind or solidarity is insufficient to prevent cruelty and, under some circumstances, may even cause it

PHILOSOPHERS MAY BE ARMED with valid and logically faultless arguments and yet remain entirely blind to meaningful possibilities whose philosophical significance is immense. Philosophical blindness may also concern physical or psychical phenomena as well as their meanings and significance. Some entirely valid arguments should be considered blind. Argumentatively and logically, such arguments are deemed faultless or good enough. Hence, in this respect, blind arguments should not be bad ones. Yet, they have greatly misled philosophers by shutting their eyes to realize, understand, and see deeply into crucial philosophical matters. The question is, what makes philosophers blind despite their valid, logically faultless, or even overwhelming arguments?

The Spinozistic essence is the factor of individuation of a particular or individual thing. Affects or emotions are properties of an essence, which, under the attribute of thought, is an idea, i.e., cognition. Such essence is the human mind, which is the idea of a particular actual body. Since our emotions are properties of our cognitions, whether adequate or not, concerning the state of our body, which reflects nature as a whole in a particular way, I entitle Spinoza’s theory of emotions "cognitivism." In light of Spinoza’s cognitivism, I attempt to explain what is precisely the significance of the intellectual love of God and how cognitive means serves Spinoza’s philosophical psychotherapy or theory of salvation. (edited)

Thomas Mann's 'The Magic Mountain' conveys some insights into the distinction between images and reality. Like a prisoner in the Platonic cave, Hans Castorp is enslaved to images. His fascination for the X-ray images of the 'interior portrait,' especially of Clawdia Chauchat, may anticipate the current illusion that brain imaging may allow access to the minds of other persons, may draw their mental portraits. In Mann's novel, Director Behrens, the ardent materialist, anticipates such an illusion. It is only the 'license of fiction,' however, that allows the narrator of this novel access to the minds of some of the characters. (AN PHL2239369) Subjects: BRAIN IMAGING; CINEMA; IDENTITY; IMAGE; METAPHYSICS; MIND; NARCISSISM; REALITY

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 436-443 [Access article in PDF] How Does Love Make the Ugly Beautiful? Amihud Gilead IT IS OBVIOUS TO SEE how greatly Gideon loves his wife, who is physically quite an ugly old lady. Nothing about her physical appearance or gait seems beautiful, at least to the extent of what meets your eye. Physically, she seems not to be considered beautiful at all. Still, Gideon is quite sure that his beloved wife is the most beautiful woman in the entire world. He cannot fathom why other people do not realize that obvious truth: Mira is a real, fascinating, unique beauty. "But, dear Gideon," says one of his friends, "you cannot deny a very simple fact, Mira is a most beautiful person, and it is a great fortune to know her, all the more to know her intimately. Still, physically judging, she is not beautiful at all. It is an undeniable, objective fact." Gideon's answer does not fail in its directness: "Well, those who are blind to her physical, actual beauty, should discover it. Like the Michelangeloean sculptors, who must reveal and disclose the sculpture hidden in the marble, those people should expose and realize her physical, actual beauty." For Gideon, beauty, physical or mental, is an objective matter, which should be discovered, not invented. For him, beauty is not just in the eye of the beholder, but it lies there waiting to be uncovered and revealed to the world. For Gideon, those whose eyes meet Mira's ugliness are not ready or fit to remove the superfluity that covers her beauty, whether mental or physical. Removing all that is superfluous in the marble is necessary to give birth to the sculpture. Like a midwife, the artistic gaze gives birth, and this gaze is not just the property of customary artists, but also of lovers. To love means to reveal, to create or discover beauty. [End Page 436]I believe that William Butler Yeats put this in the most adequate words: "All changed, changed utterly: / A terrible beauty is born." The lover's gaze exposes such a beauty, even as regards the husband of the woman that the poet loved for so many years but in vain: "This other man I had dreamed / A drunken, vainglorious lout. / He had done most bitter wrong / To some who are near my heart, / Yet I number him in the song; / He, too, has been changed in his turn, / Transformed utterly: / A terrible beauty is born" ("Easter, 1916"). The artistic, poetic gaze redeems the "direct object" of his love, but also redeems what is so ugly, like the "drunken, vainglorious lout," about her. After all, her decision to maintain her miserable marriage instead of accepting the poet's love, is quite ugly or contemptuous, to say the least, in the eyes of the poet-lover. But this is the strength of his poetic, artistic revelation: to give birth even to the hidden beauty of that vainglorious lout who, unfortunately, happened to be her husband. All the more so, to reveal the real beauty of the loved woman, "the loveliest woman born" ("A Prayer for my Daughter"). Another gaze, by those who do not love her or were indifferent to her, could not realize her beauty at all, physically as well as mentally.Yet others believe that we can love somebody who is physically ugly, even the "ugliest woman born"—as a person she may be considered "the loveliest woman born." I would like to challenge this commonplace. In the eyes of the artist-lover she is physically beautiful, no matter how ugly or lacking in beauty she may be in the eyes of others looking at her indifferently, as though nothing has happened, there is nothing to stay with, and nothing has left its impression. Indeed, Gideon's love reveals that Mira is physically beautiful no less than mentally. Her gaze, gait, even clumsiness, all her physical "flaws," and other attributes are considered beautiful in his eyes as a lover-artist. To be more precise, all of her traits are so considered. The...

From Mendeleev’s time on, the Periodic Table has been an attempt to exhaust all the chemical possibilities of the elements and their interactions, whether these elements are known as actual or are not known yet as such. These latter elements are called “eka-elements” and there are still some of them in the current state of the Table. There is no guarantee that they will be eventually discovered, synthesized, or isolated as actual. As long as the actual existence of eka-elements is predicted, they cannot be considered as actual but only as purely possible. Given that eka-elements are chemical pure possibilities, a possibilist approach, entitled “panenmentalism,” can gain support as well as an important implication.

Brain-imaging technologies have posed the problem of breaching our brain privacy. Until the invention of those technologies, many of us entertained the idea that nothing can threaten our mental privacy, as long as we kept it, for each of us has private access to his or her own mind but no access to any other. Yet, philosophically, the issue of private, mental accessibility appears to be quite unsettled, as there are still many philosophers who reject the idea of private, mental accessibility. I have attempted to refute such rejections and to establish this idea on firmer grounds. My arguments in this paper show that brain imaging allows no access to our mind and that mind privacy is quite different from brain privacy, as the latter can be breached by brain imaging, whereas the former cannot. A reduction of the mind to the body inescapably fails, as there is a categorial difference between mind and body or brain, which is compatible with their inseparability. Brain imaging cannot enable one to “read” the mind or to breach our mental privacy. There is no external access to one’s mind. Each of us has exclusive access to his or her own mind.

Considering various arguments in Hume’s Treatise, I reconstruct a Humean argument against personal identity or unity. According to this argument, each distinct perception is separable from the bundle of perceptions to which it belongs and is thus transferable either to the external, material reality or to another psychical reality, another bundle of perceptions. Nevertheless, such transference (Hume’s word!) is entirely illegitimate, otherwise Hume’s argument against causal inference would have failed; furthermore, it violates private, psychical accessibility. I suggest a Humean thought experiment clearly demonstrating that, to the extent that anything within a psychical reality is concerned, no distinction leads to separation or transference and that private, psychical accessibility has to be allowed in the Humean argument for personal identity or unity. Private accessibility and psychical untransferability secure personal identity and unity. Referring to the phenomenon of multiple personality along the lines of the Humean argument for personal identity or unity, I illustrate both private accessibility and a possible notion of one and the same person distinct from his/her alters or psychical parts. Finally, I show why Parfit’s Humean argument against personal identity must fail

Already in 1863, Jules Verne knew about Caselli's "pantelegraphy," which was what he described as a "photographic telegraphy, invented during the last century by Professor Giovanni Caselli of Florence."1 Following the mistaken belief that facsimile machines could not been invented until well after the nineteenth century, and wrongly assuming that Caselli was a fictional inventor, merely a figment of Verne's most productive fertile imagination (as such imaginative elements characterize his latter writings), some of Verne's readers mistakenly ascribed to him the discovery of the possibility of the fax machine. They thus committed what I will call soon "a reversed actualist fallacy."In challenging actualist mistakes ..