Will D. Desmond

This is a relatively short book but its brevity is certainly no index of poverty of thought. Quite to the contrary, within its brief compass it offers us a finely concentrated philosophical essay. Its analytical style is economical and consistently clear-headed. It exhibits a sensitivity to necessary detail without loss of the larger picture. It also balances a certain austerity of conceptual discourse with a very discriminating sense of the concrete context of philosophical issues in human experience.

In modernity generally substantive conceptions of the good have been pervasively criticized, and not least in our own time. All values seem open to critique or question. Indeed, the claim is that they must be open to such critique if they are to pass muster — especially if we claim to live in an accountable, transparent, and democratic manner. Nevertheless, there seems to be one value that is accepted as basic in a widespread way. This is the value of freedom. The god who presides over the epoch of modernity seems to be named ‘Freedom.’Often, in fact, it is in the name of freedom that other substantives values are subject to critique. Over the centuries the suspicion has gathered pace that such values curtail or derail or railroad freedom: curtail its promise; derail its realization; railroad its forms into what is acceptable or not to one group or culture or sex or lobby. There is the slightly embarrassing problem that while we all seem to bow before ‘Freedom,’ this god retains something of an unknown character. It seems the more striven for the more it can become a deus absconditus.There are many forms of freedom and interpretations of its meaning, none indubitably selfevident. Freedom might be a substitute for the old Good or God, but it shares with them a similar problem: a plethora of pretenders to the throne. One of the pretenders that seems to have crowded out many rivals is the once princeling ‘Autonomy.’ This princeling has become sovereign monarch. The name ‘Autonomy’ is now so pervasively invoked, especially in Western societies, that it is often used as a synonym for freedom. Freedom as the one incontestable value has become autonomy as the dominant name for that absolute value.This dominance is not at all evident in early modernity, and Kant’s use of the word transposes it from the context of political self-governance to the self-legislation of the moral individual. This migration and transposition has passed into the general culture, such that, as I say, autonomy indiscriminately passes for freedom. The name is linked with the notion of self determination also, another term that is often without further thought identified with freedom. In the glory of this god there is much that falls into the shadows. We pay our respects at this shrine, but there is more implied in our worship than appears in the words of our rituals or spells.

William Desmond: It is a pleasure to welcome Professor Charles Griswold today. I thank him for his willingness to present us with an overview of his new book Adam Smith and the Virtues of Enlightenment , and to participate in a discussion. Professor Griswold is professor of philosophy at Boston University, where he is also the chair of the philosophy department. His new work on Adam Smith might seem like something of a departure from the concerns of many of his prior publications. In particular I mean his writings on Plato and Platonic themes generally. I refer especially to his book Self-Knowledge in Plato's Phaedrus, first published by Yale University Press, and recently reprinted by Pennsylvania State University Press.This book is a close reading and interpretation of the Phaedrus, and was awarded the Matchette prize by the American Philosophical Association in 1987. Needless to say, Professor Griswold has written extensively on classical philosophy. This, however, cannot be separated from a concern with pressing problems of more contemporary currency, especially the role of philosophy in society, and with respect to ethical and political considerations. Hence his concern with the moderns, by contrast with the ancients, implies no slighting of the former, though the question persists as to what both have to say to us today. So it is not surprising to find him engaged with a very influential modern, Adam Smith: an influential, but also complex modern, in that themes from ancient thought receive their own distinctive configuration in Smith's thought.Enlightenment is often marked by a certain turn from the past, oriented to a putatively better future, via a reformed or revolutionized present. But the contrast with the past is sometimes less stark. This one might guess perhaps from the subtitle to the book, emphasizing the virtues of enlightenment. While Smith now is often remembered first as an economist, Professor Griswold's interest is directed to his work as a philosopher, especially his moral and political thought. Many of the themes that Adam Smith explored, and to which Griswold draws our attention, are still very live issues: the virtues, ethical reasoning, sympathy, moral education, the importance of ordinary life and the role of philosophical theory, to name but a few issues.Let me then welcome Charles again, and ask him to first offer us an account of his new work, its purposes and its claims. After that we will begin the discussion with the other participants here

Much has been written on love and friendship, but not a lot on the nature of an enemy, in a manner analogous to the nature of love itself. To understand something about what it means to be an enemy is not at all self-evident. And if we do not know what an enemy is, do we really know what a friend or a lover is? An understanding of what it means to be an enemy might offer us something like the reverse negative of love or friendship. From holding the reversed negative to the light perhaps we can also gain some sight of the "unreversed" original. The article discusses the fact that we live life as something that offers us a certain affirmative delight in the "to be" as good. It explores how this is changed in relation to different forms of threat. It situated the nature of an enemy in terms of the equivocal constitution of the human being as passio essendi and conatus essendi. Different kinds of enemy are investigated by considering the "reversed negatives" of these four forms of love: self-affirming love, erotic love, philia, and agapeic love.

Readers of Gadamer will be familiar with his focus on the importance of art in his Truth and Method. There his concern with art does not stand on its own but is part of a larger philosophical purpose. Perhaps for this reason commentators have not adequately focussed on this aspect of his thought. The present collection of essays, entirely devoted to issues of art, will help place Gadamer's concerns in a much better light. Yet these essays are illuminating in their own right and should not be seen as mere supplements to Truth and Method. What we have here is not a systematic aesthetic but a collection of essays published on various occasions, and not all directed exclusively to the professional philosopher. The opening chapter, from which the book takes its title, is a long essay comprising almost a third of the book and its first part. The remainder of the book is made up of a selection of eleven shorter pieces, almost all from Kleine Schriften.

The writer of the below thought he would do something clever and out of the way. I tried to dissuade him, but without success. I told him that readers would prefer a more sober scholarly approach. I tried to appeal to his other work and his systematic proclivities. Why not try like Schelling to produce a system of freedom? He looked at me queerly. I was a bit taken aback when he burst out laughing in my face, and blurted out: “You must not have read Dostoevski’s Notes from the Underground!” I’m afraid he has spent too much time with the prodigals he has written about. He muttered something almost inaudible about Dostoevski’s double, but I said nothing.If I am not mistaken these pieces have to do with four great and very influential philosophers: Kant, Hegel, Marx, Nietzsche. To help the reader I have put the abbreviation K, H, M and N before each ‘monologue.’ In fact, I am not sure if the writer was mocking me: as if my sober efforts to talk of these four thinkers was being doubled with voices like and unlike; voices as if spoken from within, and yet said to have come from beyond; ego and alter; an odd twin of my scholastic sobriety.

I want to thank Professor Wang for a very interesting and informative paper. It is especially informative to one who is relatively ignorant of the complex history of China's involvement with notions of modernity, and the variety of its contacts with Western influences. On the whole, the paper offers much valuable information about significant historical landmarks, and the diversity of ways that Chinese intellectuals and leaders have responded to them. Overall, four phases or periods are differentiated for comment and elucidation.

Desmond: Talking to Richard on the way over, I proposed that our discussion would focus on the theme of autonomy and embeddedness or relatedness. This is a recurrent concern in all of Richard’s writing. I thought it would be a good idea to look at this issue of autonomy and embeddedness in a variety of different forms, in relation to different philosophers that have influenced the work of Richard, but also in a variety of different domains such as ethics, aesthetics or literature, romanticism.In the latter the question of the interplay between art and religion also comes up as a very important consideration. Another central theme in Richard’s work is the tension between aspiration and disappointment, between longing and the failure to reach a desired completion. Disappointment and the fact of failure are not, I would say, absolutized. Disappointment becomes the occasion of a possible renewal of striving or aspiration rather than marking a sceptical outcome in a merely negative sense.

There is a sense of doing justice prior to the juxtaposition of theory and practice, accounting for an ontological vulnerability prior to both social power andsocial vulnerability. Justice in the sense of “being true” involves fidelity to truth that we neither possess nor construct, preceding all efforts to enact justice. The charge to be just precedes any just act. There is a “patience of being,” or a receiving of being before acting, which we must then actively take up. All this has implications for the practices of philosophy, including transcending the will to power by not clinging to one’s own place in History. The philosopher stands back and enters the void space of the human soul which is vulnerable, both terrorized and capable of terrorizing. This void is a “porosity of the soul” rather than pure nothingness. Though it is no particular project or activity, it allows all openness, receiving, and self-transcendence, and out of it comes the practical energy that feeds activity. The poverty of philosophy means relinquishing meaningless activity of construction in a purposeless universe by a willingness to be nothing, understanding the patience of being before servility and sovereignty, and the justice beyond them.