Will D. Desmond

This book was originally published by Harper and Row in 1975, translated from the German version of 1971, and is now being reissued in paperback by the University of Chicago Press. It is worthy of reissue, for it offers an excellent introduction to Hegel's Phenomenology. Though widely acknowledged as a philosophical classic, one of the great difficulties with the Phenomenology is that one easily gets lost in the multifarious details of the text. It is not always easy to find a way through the labyrinth of its seemingly heterogeneous material, but Marx gives us an introduction which provides crucial keys to the work as a whole, an introduction that is not philosophically reductive but taxing.

If we compare scholarship in English on Schelling and Hegel, what is notable is the recent abundance of work on Hegel, an abundance continually increasing, and the relative meagreness of work on Schelling. This is partly due to the decline of interest in the philosophy of nature in the nineteenth century, and to Schelling's reputation as an irrationalist obsessed with some of the darker enigmas of religion. Hegel continues to overshadow Schelling as he had come to overshadow him in his own time. There are signs, however, of some stirrings of a wider interest in Schelling. We might note Alan White's recent effort to reconstruct Schelling's system, and Michael Vater's discussion in his translation of Schelling's Bruno. Werner Marx's study of Schelling is a further contribution to this renewal of interest. This book is to be welcomed not only for the way it sympathetically presents Schelling as a thinker to be taken with philosophical seriousness, but also for the illuminating light we gain if we look at Schelling and Hegel together, and if we see the continuity of themes between Schelling and more contemporary thinkers.

This book is a defense of speculative philosophy in the wake of Hegel. In a number of wide-ranging, meditative essays, Desmond deals with the criticism of speculative thought in post-Hegelian thinking. He covers the interpretation of Hegelian speculation in terms of the metataxological notion of being and the concept of philosophy that Desmond has developed in two previous works, Philosophy and Its Others, and Desire, Dialectic and Otherness. Though Hegel is Desmond’s primary interlocuter, there are references to Aristophanes, Socrates, Plato, Augustine, Aquinas, Descartes, Kant, Marx, Kierkegaard, Nietzsche, Heidegger, Levinas, and Derrida. Desmond is concerned with the limits of philosophy. The themes of the essays include speculation and historicism, speculation and cult, speculation and representation, evil and dialectic, logos and the comedy of failure

This is a reflection on the gift of beauty and the passion of being in light of the fact that today we often meet an ambiguous attitude to beauty. Beauty seems bland and lacks the more visceral thrill of the ugly, indeed the excremental. We crave what disrupts and provokes us. Bland beauty seems to be the death of originality. How then be open at all to beauty as gift? In fact, we often are disturbed paradoxically by beauty: both taken out of ourselves, hence disquieted, yet awakened to our being at home with beauty. Beauty arouses enigmatic joy in us, and we enjoy an elemental rapport with it as other. Surprised by beauty, our breath is taken away; we are more truly there with the beautiful yet taken outside of ourselves: both at home with ourselves and not at home, in being beyond ourselves. We are first receivers of the gift of surprise and only then perceivers and conceivers. My attention to the passion of being stresses a patience, a receptivity to what is other. What happens is not first our construction. Our being disarmed by the beautiful I hold to be in tune with our being as marked most deeply by what I call a primal ‘porosity’ to being. Beauty sensuously communicates in and through this awakened porosity. We are a patience of being before we are an endeavour to be. In modern aesthetics and culture, originating receptivity tends to be downplayed as a depreciation of our claims to creative power. The predominant stress often falls on human autonomy, such that we love only what we construct ourselves, not what we receive. By contrast, I argue there is something of the godsend in what is truly beautiful. This might not be a fashionable way of talking but the vocation of the philosopher is not to be fashionable but to be true.

Rather than abstracting Augustine’s exploration of time from the whole of the Confessions, as philosophers have been tempted to do, I take up his exploration in terms of what I call a ‘companioning relation’ between philosophy and theology. There is a porosity between religion/theology and philosophy in Augustine that need not be taken as a philosophical or theological deficiency. This reflection speaks of Augustine’s intentions and intuitions in terms of the theme: Wording Time. How might one word this wording, and how might Augustine’s approach to time be thus illuminated? I approach the question in different stages, dealing first with theological, ontological, and psychological considerations. Then I follow the breadth of Augustine’s concerns to a sense of sacred heterogeneities that yet are deeply intimate, and to a sense of time that is in communication with what is above time. In keeping with the musical motif that runs through this reflection, I offer some thoughts on agapē as not only an agapē sonans but an agapē personans. I will sometimes be transcribing Augustine’s themes, sometimes offering variations on them, and sometimes composing improvisations in tune with Augustinian themes.

An original work which rethinks the question of God in a constructive spirit, drawing its conclusions by considering ideas received from both philosophy and religion. Makes an important new contribution to the ongoing scholarly debates surrounding the intersection of philosophy and religion Suggests that this junction is not just dictated by religion having to prove its credentials to rational philosophy, but that it is also a matter of philosophy wondering if religion is the ultimate partner in dialogue Includes discussion of a wide range of significant thinkers, both traditional and contemporary, such as Plotinus, Spinoza, Kant, Hegel, and Nietzsche and his successors Completes a trilogy of works by William Desmond, complementing its companion volumes, _Being and the Between_ and _Ethics and the Between._

This article locates Hegel’s understanding of the nature of knowledge in various contexts (Hegel’s logical system, Kantian idealism, the Enlightenment ideal of encyclopaedia) and applies it specifically to his systematic classification of histories. Here Hegel labels Herodotus an “original” historian, and hence incapable of the broader vision and self-reflexive method of a “philosophical” historian like Hegel himself. This theoretical classification is not quite in accord with Hegel’s actual appropriation of material from Herodotus’s narrative for his own purposes. These appropriations point in complex ways to dimensions of the “Father of History” which are proto-Hegelian, as well as to other dimensions which are not.

Far from being pessimistic or nihilistic, as modern uses of the term "cynic" suggest, the ancient Cynics were astonishingly optimistic regarding human nature. They believed that if one simplified one's life—giving up all unnecessary possessions, desires, and ideas—and lived in the moment as much as possible, one could regain one's natural goodness and happiness. It was a life exemplified most famously by the eccentric Diogenes, nicknamed "the Dog," and his followers, called dog-philosophers, _kunikoi, _or Cynics. Rebellious, self-willed, and ornery but also witty and imaginative, these dog-philosophers are some of the most colorful personalities from antiquity. This engaging introduction to Cynicism considers both the fragmentary ancient evidence on the Cynics and the historical interpretations that have shaped the philosophy over the course of eight centuries—from Diogenes himself to Nietzsche and beyond. Approaching Cynicism from a variety of thematic perspectives as well—their critique of convention, praise of natural simplicity, advocacy of self-sufficiency, defiance of Fortune, and freedom—William Desmond offers a fascinating survey of a school of thought that has had a tremendous influence throughout history and is of continuing interest today. _Copub: Acumen Publishing Limited_

There is a sense of doing justice prior to the juxtaposition of theory and practice, accounting for an ontological vulnerability prior to both social power andsocial vulnerability. Justice in the sense of “being true” involves fidelity to truth that we neither possess nor construct, preceding all efforts to enact justice. The charge to be just precedes any just act. There is a “patience of being,” or a receiving of being before acting, which we must then actively take up. All this has implications for the practices of philosophy, including transcending the will to power by not clinging to one’s own place in History. The philosopher stands back and enters the void space of the human soul which is vulnerable, both terrorized and capable of terrorizing. This void is a “porosity of the soul” rather than pure nothingness. Though it is no particular project or activity, it allows all openness, receiving, and self-transcendence, and out of it comes the practical energy that feeds activity. The poverty of philosophy means relinquishing meaningless activity of construction in a purposeless universe by a willingness to be nothing, understanding the patience of being before servility and sovereignty, and the justice beyond them.

Godsends is William Desmond's newest addition to his masterwork on the borderlines between philosophy and theology. For many years, William Desmond has been patiently constructing a philosophical project-replete with its own terminology, idiom, grammar, dialectic, and its metaxological transformation-in an attempt to reopen certain boundaries: between metaphysics and phenomenology, between philosophy of religion and philosophical theology, between the apocalyptic and the speculative, and between religious passion and systematic reasoning. In Godsends, Desmond's newest addition to his ambitious masterwork, he presents an original reflection on what he calls the "companioning" of philosophy and religion. Throughout the book, he follows an itinerary that has something of an Augustinian likeness: from the exterior to the interior, from the inferior to the superior. The stations along the way include: a grappling with the default atheism prevalent in contemporary intellectual culture; an exploration of the middle space, the metaxu between the finite and the infinite; a dwelling with solitudes as thresholds between selving and the sacred; a meditation on idiot wisdom and transcendence in an East-West perspective; an exploration of the different stresses in the mysticisms of Aurobindo and the Arnhem Sermons; dream monologue of autonomy, a suite of Kantian and post-Kantian variations on the story of the prodigal son; a meditation on the beatitudes as exceeding virtue, in light of Aquinas's understanding; culminating in an exploration of Godsends as telling us something significant about the surprise of revelation, in word, idea, and story. Godsends is written for thoughtful persons and scholars perplexed about the place of religion in our time and hopeful for some illuminating companionship from relevant philosophers. It will also interest students of philosophy and religion, especially philosophical theology and philosophical metaphysics.