•  71
    Reviews (review)
    British Journal for the Philosophy of Science 38 (1): 180-182. 1987.
  •  102
    Realism of Character and the Value of Fiction
    In Jerrold Levinson (ed.), Aesthetics and Ethics: Essays at the Intersection, Cambridge University Press. pp. 161--81. 1998.
  •  33
    Reviews (review)
    British Journal for the Philosophy of Science 36 (4): 180-182. 1985.
  •  300
    Response to Jinhee Choi
    Journal of Aesthetics and Art Criticism 59 (3). 2001.
  •  101
    Pretence and pretending
    In Arts and Minds, Clarendon Press. 2004.
    Assesses the claim that metarepresentation — the mental representation of a mental representation — is a key notion in understanding the nature and development of our capacity to engage in pretence. Argues that the metarepresentational programme is unhelpful in explaining how pretence operates and, in particular, how agents distinguish pretence from reality. Sketches an alternative approach to the relations between pretending and believing.
  •  135
    Preserving the traces: An answer to noël Carroll
    Journal of Aesthetics and Art Criticism 58 (3): 306-308. 2000.
  • Popper and the Human Sciences
    with Alan Musgrave
    British Journal for the Philosophy of Science 38 (3): 414-418. 1987.
  •  39
    Plot Synopsis
    Philosophical Studies 89 (2/3): 319-321. 1998.
  •  60
    Argues that pretence is one clear indication of rationality. Makes a suggestion about the kind of evidence of pretence in animals we should be looking for. This suggestion makes claims about pretence hard to justify by comparison with, say, claims about imitation; Appeals to Morgan's canon in defence of this stance. Suggests that we can learn something about pretence by connecting it with the phenomenon of seeing‐in. Finally, offers a speculation on the evolutionary history of the capacity that …Read more
  •  73
    Q & a
    The Philosophers' Magazine 49 (49): 114-115. 2010.
  •  160
    Pretence, pretending, and metarepresenting
    Mind and Language 13 (1): 35-55. 1998.
    I assess the claim that metarepresentation is a key notion in understanding the nature and development of our capacity to engage in pretence. I argue that the metarepresentational programme is unhelpful in explaining how pretence operates and, in particular, how agents distinguish pretence from belief. I sketch an alternative approach to the relations between pretending and believing. This depends on a distinction between pretending and pretence, and upon the claim that pretence stands to preten…Read more
  •  348
    Photography, painting and perception
    Journal of Aesthetics and Art Criticism 49 (1): 23-29. 1991.
  •  63
    Narration, Imitation, and Point of View
    In Garry L. Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature, Wiley-blackwell. 2009.
    This chapter contains sections titled: Agency and Access to the World Speaking and Seeing Imitation Some Resources of Narration The Varieties of Narrative Imitation.
  •  168
    Narrative representation of causes
    Journal of Aesthetics and Art Criticism 64 (3). 2006.
  •  103
    This article discusses methods in the philosophy of literature and film. It begins by providing some background on PLF and how it differs from those philosophically influenced projects for understanding and interpreting literature and film most often undertaken by film and literary scholars. It then reviews the history of the study of literature and film before considering how particular filmic or literary works might function as evidence for, or as things to be explained by, general claims offe…Read more
  •  146
    Narrative and the Psychology of Character
    Journal of Aesthetics and Art Criticism 67 (1): 61-71. 2009.
  •  1
    Popper and the Human Sciences
    with Alan Musgrave
    Ethics 98 (3): 602-604. 1988.
  •  201
    On being fictional
    Journal of Aesthetics and Art Criticism 55 (4): 425-427. 1997.
  •  227
    Narratives and Narrators: A Philosophy of Stories
    Oxford University Press. 2010.
    This text offers a reflection on the nature and significance of narrative in human communication.
  •  86
    Interpreting the unreliable
    In Arts and Minds, Clarendon Press. 2004.
    Argues for a rethinking of the standard account of narrative unreliability. Works can be unreliable in many ways, and unreliable works do not, the author claims, always have unreliable narrators. Narrative theory needs to focus more on unreliable works, less on unreliable narrators. As an example of this, the author uses Ford's The Searchers.
  •  277
    Mental simulation and motor imagery
    Philosophy of Science 64 (1): 161-80. 1997.
    Motor imagery typically involves an experience as of moving a body part. Recent studies reveal close parallels between the constraints on motor imagery and those on actual motor performance. How are these parallels to be explained? We advance a simulative theory of motor imagery, modeled on the idea that we predict and explain the decisions of others by simulating their decision-making processes. By proposing that motor imagery is essentially off-line motor action, we explain the tendency of mot…Read more
  • Interpretation in Art
    In Jerrold Levinson (ed.), The Oxford handbook of aesthetics, Oxford University Press. 2003.
  •  61
    Mimesis: Metaphysics, Cognition, Pragmatics (edited book)
    with Petr Kot̓átko and Martin Pokorny
    College Publications. 2012.
    The concept of mimesis has been central to philosophical aesthetics from Aristotle to Kendall Walton: in plain terms, it highlights the links between a fictional world or a representational practice on the one hand and the real world on the other. The present collection of essays includes discussions of its general viability and pertinence and of its historical origins, as well as detailed analyses of various relevant issues regarding literature, film, theatre, images and computer games. The ind…Read more
  •  115
    Milne on the context principle
    Mind 96 (384): 543-544. 1987.
  •  1
    Methodological Individualism
    In Neil J. Smelser & Paul B. Baltes (eds.), International Encyclopedia of the Social and Behavioral Sciences, Elsevier. pp. 9755--60. 2001.
  •  200
    Narrative and coherence
    with Jon Jureidini
    Mind and Language 19 (4). 2004.
    We outline a theory of one puzzling aspect of human cognition: a tendency to exaggerate the degree to which agency is manifested in the world. We call this over‐coherent thinking. We use Pylyshyn's idea of cognitive penetrability to help characterize this notion. We argue that this kind of thinking is essentially narrative in form rather than theoretical. We develop a theory of the relation between the degree of narrativity in a representation and its aptness to represent, and to express, mind. …Read more
  •  1
    Image and Mind: Film, Philosophy, and Cognitive Science
    Philosophical Quarterly 48 (190): 127-129. 1998.
  •  93
    Interpretation and pragmatics
    In Arts and Minds, Clarendon Press. pp. 107-133. 2004.
    Argues for an approach to the interpretation of text‐based works within which the idea of a communicative intention is central. The communicative approach, apart from providing detailed, illuminating, and testable theories, transposes very well from conversational exchange to the interpretation of text‐based works, and promises to illuminate aesthetic aspects of our engagement with works. Examines the consequences of this approach for the issue of pluralism about interpretation.