Torgeir Fjeld

This essay investigates whether the term national signification may serve better than the more common national identity to describe how sports people variously enrol and reference the nation to position themselves and their practice. Taking the social theory of Pierre Bourdieu as a ground for analysis, this essay investigates four cases involving elite athletes from Norway to situate them within the field of sports culture and the larger fields of power and class relations. For Bourdieu actors’ ‘practical sense’ mediated between their subjective striving for autonomy and the objective weight of structured class relations. This essay shows how these athletes’ struggle for relative autonomy is differently expressed by the way they enlist the nation to position themselves within the field of power. An athlete’s positions within the larger, structured fields circumscribe their articulatory space, and realising this state of affairs can aid our understanding of how these elite practitioners differently enlist the national sign in their specific quest for cultural autonomy. The analysis shows athletes that are better placed in economic terms can afford to take greater risks when it comes to the national signifier. Conversely, a relative smaller access to economic gain appears to correlate with an increase in the importance granted to the national signifier. Thus, the nation becomes a sign that can be actively enlisted in an ongoing struggle for relative autonomy from the field of class relations, rather than an attribute that is passively endorsed by them. What this suggests is that a term such as national identity is less descriptive for the actual work of these elite players; instead, we propose that an active national signification more aptly describe how these cultural actors enlist a highly coveted sign to achieve their specific aim.

The present text shows that the prevailing view of Martin Heidegger's approach to society and technology is not only based on prejudice, but more importantly works to obscure a more relevant perception of reality. Heidegger's “phenomenological hermeneutic” sought to uncover technology's hidden truth, beyond the appearance of technology as framing our existence (Gestell). Even if we acknowledge that technology has now reached a planetary and all-encompassing dissemination – becoming, in effect, the leading figure of our time – we still need to remain vigilant to the metaphysical notions embedded in such a characteristic. We should seek other ways of living with and within technology. A radical critique should seek topologies and “orders” that are universal and preliminary, so that by potentially exceeding every demarcation we can be liberated to a way of listening – a “hearing” (Hören) – to a “constellation” of a different “essence of technology”.

This essay discusses how spectacular sports are framed in an national, epic world of fathers, firsts and bests, and put to use in regulating desire by narrating the fundamental fantasies that hold the subject together. Spectacular sports provide allegories of the excessive body, and these embodied narratives are meticulously produced through an individualizing training machine designed to deliver moments of excess. Sports produce phantasms of peak moments and phallic dominance, and symbolize a conquest of youth, women and the working population. We ask if the subject may experience a kind of subjective destitution by the loss of a fundamental fantasy from watching sports and what the effects of such an experience may be. Can televised football induce in the viewer a sense that these images are mistaken as objects of desire, and give rise to the truth effects of "full speech"?