Graham John Ward

The book sets out to address and answer three questions from the point of view of Christian theology. The first is, from where does theology speak? The second is, what are the mechanisms whereby cultures change? The third is, how might we conceive the relationship between the contemporary production of theological discourse and the transformation of cultures more generally? Drawing upon the work of standpoint epistemologists, cultural anthropologists and social scientists, the book argues that public acts of interpretation are involvements in renegotiating the future direction of cultural change. Though the enquiry is conducted from one particular standpoint - Christian theology - the observations and suggestions it makes regarding cultural transformation and the defense it makes of syncretism have more general application.

What I wish to argue for in this essay is the theological advantage of turning from the stasis of analogy and symbol to the dynamism and semiosis of allegory. The move from static, atemporal discussions of analogy and symbol to allegory will lend itself to a rather different model for the hermeneutical task. It is one that is founded upon narrative, mimesis and participation, and one that presents a more dynamic view of the relationship between revelation , disclosure , representation and knowledge. I begin by examining a constellation of inter‐related ideas—narrative, participation in an unfolding tradition, knowledge and discipleship—in what is often read as an appeal in the Lukan Preface to historical facts. I then return to Aristotle, to develop the rich association between mimesis and phronesis, rhetoric and knowledge, and to point out the ambiguous nature of analogy to ontology. The practice of living, for Aristotle, I suggest, is allegorical. It is with Gregory of Nyssa's work on allegory that I put together the Lukan emphasis upon participation and discipleship with an account of reading creation allegorically. With Gregory, we learn how to read the world in the light of its Christic watermark and in the power of a Trinitarian desire. In modernity such allegorical reading fell out of favour, and it is a recapitulation of that theologically informed, allegorical reading that this essay finally exhorts