Leonard Lawlor

After Husserl, the study of phenomenology took off in different directions. The ambiguity inherent in phenomenology - between conscious experience and structural conditions - lent itself to a range of interpretations. Many existentialists developed phenomenology as conscious experience to analyse ethics and religion. Other phenomenologists developed notions of structural conditions to explore questions of science, mathematics, and conceptualization. "Phenomenology: Responses and Developments" covers all the major innovators in phenomenology - notably Sartre, Merleau-Ponty, and the later Heidegger - and the major schools and issues. The volume also shows how phenomenological thinking encounters a limit, a limit most apparent in the aesthetical and hermeneutical development of phenomenology. The volume closes with an examination of the furthering of the division between analytic and continental philosophy

This essay is part of an attempt to determine a new mode of existence, an ethics, for humans. It consists in reversing the idea of the worst, which is unconditional “impassage”: “don’t let anyone in; don’t let anyone out!” As a reversal, the new mode of existence turns us into friends of passage, a people who love the world so much that they will let everyone without exception enter and let everyone without exception exit. They say, “Let’s tear down all the wall and open all the doors!” The reversal comes about by focusing on the transcendental experience of powerlessness

This essay pursues a double strategy to transform our human collective relation to animal life. On the one hand, and this strategy is due to Derrida’s thought, it attempts to criticize the belief that humans have a kind of subjectivity that is substantially different from that of animals, the belief that humans have in their self-relation (called auto-affection) a relation of pure self-presence. On the other hand, the essay attempts to enlarge the idea of auto-affection to include the voices and looks of animals in us. Being in us, the image of animal suffering changes who we are. Hence the subtitle. This second strategy is due to Deleuze’s (or more precisely Deleuze and Guattari’s) thought. In fact, a large portion of this essay is devoted to a conceptual reconstruction of Deleuze and Guattari’s important concept of becoming. I argue that there are two central features of this concept. First, the concept of becoming involves a process of desubjectification which allows for the image of animal suffering to inhabit our consciousness as a “feverish thought.” Second, the outcome of becoming is not only that, due to the feverish thought, we change, but also that we write about this experience in order to lead others to it. The essay ends therefore by invoking a kind of writing—folktales—as a way of calling for a “people to come” (Deleuze) or a “democracy to come” (Derrida).