Daniel Dahlstrom

The Metaphysical Foundations of Natural Science was conceived by Kant as an application of the positive conclusions or "general metaphysics" demonstrated in the Analytic of Principles of the Critique of Pure Reason to the specialized objects of knowledge that fall under the concept of matter. The application was meant to provide a metaphysical foundation for natural science, capable of explaining, among other things, how mathematics as an a priori discipline is necessarily applicable to the empirical objects encountered in nature. How to understand the precise meaning of this application has, however, been a recurring problem for students of Kant's thought. First published in 1965 as "an interpretation of the Preface of MF," Peter Plaass' Kants Theorie der Naturwissenschaft attempts to resolve this problem by clarifying the meaning of "metaphysical construction," Kant's term for the method introduced and employed in the MF alone. As Plaass construes it, the method consists in constructing the specific, pure concepts required to entertain the existence of a special kind of objects. More precisely, the metaphysical construction specifies the system of pure concepts of the understanding in terms of the content of the empirical concept of matter, namely, "the movable in space." That empirical character applies only to the objective reality of the concept, leaving the way open for the determination of the content of the concept insofar as it is thought in terms of the categories, a determination purportedly conducted in the MF and resulting in the a priori foundations of natural science.

This well-written, ambitious, and admirably condensed reconstruction of Kant's concept of God in relation to his theoretical and moral philosophy, from the precritical writings to the Opus Postumum, is by its very nature an uneven survey of the works and problems treated. The author strives for a new interpretation of Kant's moral theology by interpreting Kant's practical postulate of God as "eine qualitätive neue Metaphysik," making possible "subjektiven moralischen Glauben an einen wirklichen transzendenten Gott." The author faithfully exposits how Kant conceived divinity and man's relation to God. But beyond the exposition there is a paucity of elaboration or critical consideration. The author is more intent on articulating the consistency of Kant's conception than in entertaining the rationale, if any, of its critics.

From a phenomenological point of view, others present themselves as unities within my intentional life as a whole, constituted ‘for’ me even while maintaining a certain reserve. This ‘reserve’ is meant to indicate that the consciousness of alter egos involves the consciousness of a breach that does not obtain between consciousness and its other ‘objects’. Indeed, there is an obvious sense in which this very consciousness requires a considerable modification of the phenomenological understanding of the ego itself and the way in which intentional life is constituted. As a means of accounting for intersubjectivity without reducing it to the ego or vice versa, the author of this short, but densely written volume focuses on the body as the place in which the above mentioned breach is constituted and countenanced in tandem with a transformed conception of the ego. The rationale for this strategy is outlined in chapter one, “Alterity and Otherness: The Problem of the Body in the Cartesian Meditations,” where the author observes, to begin with, that “the reduced ownness” cannot be defined as ‘nonalien’ since it is embodied and, as such, includes its “own inescapable otherness... thus indicating that the ‘inside’ of the ‘I’ is ordered in such a way that the experience of alterity is possible.” While providing some important clues, this observation does not explain how alterity in fact is experienced. The beginning of an explanation, Dodd suggests, is to be found in the passive synthesis of my body and another’s and, on the basis of that pairing, the interpretation of the other’s body in analogy with the way the ego mundanely expresses itself in its body. Thus, the most basic answer to the question of how another ego-life can be constituted in its alterity yet in my consciousness is provided by “expression” as a mundane and mutual modification of my life and others, in short, by their encounter, not as transcendental subjects, but as living bodies. The remainder of the book accordingly focuses on the body as “the basic element of the encounter between two lives”, based upon Husserl’s account of the three essential features of a “physical thing”: extendedness, materiality, and temporality.

According to the author, Heidegger's understanding of the metaphysical roots of modern technology also indicates a way out of its life-threatening grip. Technik und Gelassenheit is an attempt to clear that alternative path according to and after Heidegger. Unaware of the extent of "die ökologische Katastrophe wie das atomäre Inferno," Heidegger was too generous to metaphysics and unable to hope that technology itself would be part of the turn from metaphysics. Schirmacher aims to cultivate that very hope, taking up where Heidegger left off, by developing a notion of the unity of Technik and Gelassenheit.

This engaging work presents a persuasive argument for placing a morally populist and somatic pragmatism at the center, not only of aesthetics and art, but also of what the author calls "the aesthetic life." In the opening chapter the author begins by situating pragmatist aesthetics in its philosophical context, chiefly through a contrast with analytic aesthetics. Casting the contrast as a renewal of the quarrel between Kantians and Hegelians, the author elaborates the fundamental opposition of analytic aesthetics to Dewey's naturalistic, instrumental, and self-consciously evaluational view of aesthetics, his emphasis on the centrality of art and its profound continuity with science and life in all the historico-political and socio-economic richness of the latter, his refusal to countenance an undemocratic distinction between high and low art, and finally, his insistence on privileging the aesthetic experience over the material object identified as the work of art. The contrast is deepened in the second chapter as the author argues that the currently regnant and supposedly neutral definition of art as a distinct historical practice collapses into art history, naively leaving the question of value to the inner arbitration of the art world and thereby iterating the forced separation of practice and aesthetic experience. Though the author contends that pragmatist aesthetics overcomes these shortcomings, he acknowledges that the reconstructive definition of art as experience, at least as Dewey formulates it, seems "obscurely elusive" and its revisionary aims "too quixotically ambitious". The author attempts to counter these objections by stressing that the definition is meant, not to provide criteria for judgment and not to effect a sweeping reclassification of art, but to enhance and expedite experience. In this respect, however, the author emphasizes how his project "differs from its Deweyan source". Instead of trying to effect a change through a global redefinition of art, his aim is "to make a more specific case for widening art's borders to forms of popular culture and to the ethical art of fashioning one's life". The second chapter concludes with an effective rebuttal of the challenge that theory in general, including that of a nonfoundationalist pragmatist aesthetics, is impotent and impossible.

This paper elaborates four asymmetrical, developmental stages of the phenomenon of human freedom, starting with a rudimentary sort of freedom, thebasic experience of a relatively unencumbered power to act in alternative ways. The paper argues that structural elements of this rudimentary form of freedomare demonstrable in three distinct, supervening forms of freedom: instrumental freedom, the experience of the self-reflective ability to pursue certain aims, perfectionist freedom, the experience of the capacity to master oneself according to some ideal, and, finally, interpersonal freedom, the experience of empowerment and alternatives only available through commitments to others.