Daniel Dahlstrom

Challenging art historians' scientific pretensions as well as their neglect of theoretical questions, the author traces art history's development from the turn of the century by critically reviewing the early and lesser known writings of Erwin Panofsky, "the most influential art historian in the twentieth century." In a brief sketch of art history's nineteenth century roots, the first chapter reviews what is retained and what is discarded in Hegel's, Burckhardt's, and Dilthey's successive conceptions of historiography. The march of the Hegelian absolute through history may have been decried a fiction, but not the effort to construe history culturally and contextually.

The Metaphysical Foundations of Natural Science was conceived by Kant as an application of the positive conclusions or "general metaphysics" demonstrated in the Analytic of Principles of the Critique of Pure Reason to the specialized objects of knowledge that fall under the concept of matter. The application was meant to provide a metaphysical foundation for natural science, capable of explaining, among other things, how mathematics as an a priori discipline is necessarily applicable to the empirical objects encountered in nature. How to understand the precise meaning of this application has, however, been a recurring problem for students of Kant's thought. First published in 1965 as "an interpretation of the Preface of MF," Peter Plaass' Kants Theorie der Naturwissenschaft attempts to resolve this problem by clarifying the meaning of "metaphysical construction," Kant's term for the method introduced and employed in the MF alone. As Plaass construes it, the method consists in constructing the specific, pure concepts required to entertain the existence of a special kind of objects. More precisely, the metaphysical construction specifies the system of pure concepts of the understanding in terms of the content of the empirical concept of matter, namely, "the movable in space." That empirical character applies only to the objective reality of the concept, leaving the way open for the determination of the content of the concept insofar as it is thought in terms of the categories, a determination purportedly conducted in the MF and resulting in the a priori foundations of natural science.

This engaging work explores how Hegel's philosophy both entails and is entailed by a certain conception of Christianity. What distinguishes Burbidge's exploration is the emphasis that he places on an interpretation of Hegel's logic, in which a central role is assigned to the understanding. The first set of essays elaborates the operation of the understanding in relation to the operations of dialectic and speculative reason in Hegel's logic. The first essay concentrates on Hegel's attempt to display the universal movement of pure thought in terms of all three operations. Complementing his earlier work, On Hegel's Logic, Burbidge argues that, given the appropriate interpretation of these operations, the absolute difference between "being" and "nothing" can be said to be sustained, even as these concepts are held together in "becoming," which in turn disappears into "a being". Burbidge's second essay presents an interpretive sketch of Hegel's logic as a whole, based upon a consistent, thorough, and self-referential application of the understanding. The essay's title "Transition or Reflection" refers to the distinction, characteristic of dialectical development, between inherent and posited concepts. The movement of thought between members of the first set of concepts is immediate and hence a "transition," while that between members of the second set is mediated by "reflection." Burbidge argues that the logic of concepts in Part 3 of Hegel's logic, construed as the understanding applied to itself, specifies within itself these two contradictory moments. The same theme informs Burbidge's third essay as he identifies the understanding, not as the beginning, but as the culmination of Hegel's logic, holding together in the disjunctive judgment of the logic of concepts both the dialectic emphasized by the left wing of Hegel scholars and the speculation championed by the right wing. Burbidge argues for what might be called the ironic interpretation of Hegel's claim to an absolute method, namely, the understanding that "no immediate transition, no comprehensive vision, and no philosophical wisdom will ever be the last word". The final essay of this first part discussed the necessity of contingency in the context of Hegel's logic.

The work of the author's serious revisions of his earlier analyses of belief-locutions, this crisply argued essay has an impressive range and force, with important ramifications for ontology, epistemology, and theory of reference. Chisholm takes as the primary form of belief and reference the non-propositional belief expressed in the locution "he believes himself to be..." and explicates this basic sort of belief without recourse to such "impure" Platonic entities as indexical properties and singular propositions. In the opening chapter and appendix, Chisholm outlines his own "purified" Platonic ontology. In addition to individual things, their parts, aggregates, and boundaries, he countenances only properties and states of affairs. "Times," "possible worlds," and propositions are reducible to states of affairs.

Somewhat rambling and loosely structured in the manner of an essay about a subject matter with no fixed parameters, Modern German Philosophy succeeds in presenting a lively picture of the contemporary German philosophical scene, and not least because of the author's critical participation in it. The book's origin in a native German speaker is fairly evident despite the curiosity that the book was apparently intended, not for German publication, but solely for its English translation. The expositions of Germany's major thinkers in the past few decades are clear, succinct, and fairly accurate, given the author's avowed proclivities and presuppositions. Bubner has the good sense to intersperse his expositions with critical reflections, often open-ended, and even occasionally with a précis of his own systematic thinking. The result is a never dull, very engaging introduction to contemporary German philosophy that may surprise its English-speaking readers with the level of criticism and argumentation animating the latter. An additional boon to the reader is the fairly extensive and up-to-date references in the footnotes, especially to English translations when available.

This engaging work presents a persuasive argument for placing a morally populist and somatic pragmatism at the center, not only of aesthetics and art, but also of what the author calls "the aesthetic life." In the opening chapter the author begins by situating pragmatist aesthetics in its philosophical context, chiefly through a contrast with analytic aesthetics. Casting the contrast as a renewal of the quarrel between Kantians and Hegelians, the author elaborates the fundamental opposition of analytic aesthetics to Dewey's naturalistic, instrumental, and self-consciously evaluational view of aesthetics, his emphasis on the centrality of art and its profound continuity with science and life in all the historico-political and socio-economic richness of the latter, his refusal to countenance an undemocratic distinction between high and low art, and finally, his insistence on privileging the aesthetic experience over the material object identified as the work of art. The contrast is deepened in the second chapter as the author argues that the currently regnant and supposedly neutral definition of art as a distinct historical practice collapses into art history, naively leaving the question of value to the inner arbitration of the art world and thereby iterating the forced separation of practice and aesthetic experience. Though the author contends that pragmatist aesthetics overcomes these shortcomings, he acknowledges that the reconstructive definition of art as experience, at least as Dewey formulates it, seems "obscurely elusive" and its revisionary aims "too quixotically ambitious". The author attempts to counter these objections by stressing that the definition is meant, not to provide criteria for judgment and not to effect a sweeping reclassification of art, but to enhance and expedite experience. In this respect, however, the author emphasizes how his project "differs from its Deweyan source". Instead of trying to effect a change through a global redefinition of art, his aim is "to make a more specific case for widening art's borders to forms of popular culture and to the ethical art of fashioning one's life". The second chapter concludes with an effective rebuttal of the challenge that theory in general, including that of a nonfoundationalist pragmatist aesthetics, is impotent and impossible.

This paper addresses puzzling issues concerning the ontological status of dispositions. Following review of debates about a traditional conditional analysis as well as Lewis’s “reformed conditional analysis” of dispositions, the paper analyzes attempts to solve the problem of what makes the relevant conditional true. Reasons are presented for rejecting attempts to locate the relevant truth-maker in a causal basis that allegedly dispenses with dispositions or in properties that are universally dispositional. In this way the paper argues that neither “eliminativism” nor “pandispositionalism” provides a successful account of dispositions’ ontological status, and that ontology must find a way to countenance the reality of both dispositional and non-dispositional properties.

After reviewing basic features of language, this paper reviews a central debate among twentieth-century philosophers over the proper analysis of linguisticmeaning. While some center the analysis of meaning in language’s capacity to be true, others locate meaning in the communicative intentions of the users of thelanguage. As a means of addressing this impasse and suggesting its unfounded character, the paper draws on recent studies of language acquisition and relates them to existential dimensions of language.

: Whereas research on Moses Mendelssohn’s Morning Hours has largely focused on the proofs for the existence of God and the elaboration of a purified pantheism in the Second Part of the text, scholars have paid far less attention to the First Part where Mendelssohn details his mature epistemology and conceptions of truth. In an attempt to contribute to remedying this situation, the present article critically examines his account, in the First Part, of different types of truth, different types of knowledge, and the case against idealism. The examination stresses potential but overlooked strengths of his account, questions of ambiguity if not inconsistency in his concepts of existence and substance, and the potential import of these questions for the role he assigns to common sense.

This well-informed and perceptive study of Kant's theoretical philosophy aims at presenting "how Kant thought that transcendental philosophy can be established, and how he in fact tried to accomplish his task". After indicating the metaphilosophical motivations underlying the study, the author focuses primarily on the transcendental deduction as presented in the second edition of the Critique of Pure Reason. The study itself is divided into three parts. In the first part Kant's philosophical motives, assumptions, and method are unpacked. The author properly takes issue with the tendency to read the transcendental deduction as an answer to the sort of skepticism engendered by attributing primacy to mental states. As the author points out, Kant disavows any such attribution and his concern is rather with specifying what the necessary conditions of empirical cognition are and what follows from them.. Another anachronistic tendency to which the author rightly objects is that of construing Kant's assumptions about the analytic-synthetic distinction in terms of modern notions of analyticity and syntheticity. Relying heavily on the distinction Kant makes in the Methodology between mathematical and philosophical methods, the author also argues quite trenchantly that "deduction" does not signify any kind of deductive proof but rather a kind of nontechnical justification, and that the transcendental deduction is to not be equated with a transcendental proof but is, instead, only a preliminary step in accomplishing such a proof.

The aim of this paper is to revisit Heidegger’s phenomenological reading of Rilke with a view to eliciting its implications for our future and that of phenomenology. The paper focuses on how Heidegger, despite regarding Rilke as a much-needed poet in these destitute times, criticises the metaphysical and Nietzschean underpinnings of his poetic account of the open and animal existence within it. In addition to shedding considerable light on Heidegger’s own conception of the open and human existence within it, focusing on this criticism unde rscores how the sort of phenomenological thinking exemplified in Heidegger’s reading of Rilke essentially and uniquely provides an opening of the future

Hegel's Encyclopaedia Logic constitutes the foundation of the system of philosophy presented in his Encyclopaedia of the Philosophical Sciences. Together with his Science of Logic, it contains the most explicit formulation of his enduringly influential dialectical method and of the categorical system underlying his thought. It offers a more compact presentation of his dialectical method than is found elsewhere, and also incorporates changes that he would have made to the second edition of the Science of Logic if he had lived to do so. This volume presents it in a new translation with a helpful introduction and notes. It will be a valuable reference work for scholars and students of Hegel and German idealism, as well as for those who are interested in the post-Hegelian character of contemporary philosophy.

According to the author, Heidegger's understanding of the metaphysical roots of modern technology also indicates a way out of its life-threatening grip. Technik und Gelassenheit is an attempt to clear that alternative path according to and after Heidegger. Unaware of the extent of "die ökologische Katastrophe wie das atomäre Inferno," Heidegger was too generous to metaphysics and unable to hope that technology itself would be part of the turn from metaphysics. Schirmacher aims to cultivate that very hope, taking up where Heidegger left off, by developing a notion of the unity of Technik and Gelassenheit.