Simon Blackburn

In this journal Andy Egan argued that, contrary to what I have claimed, quasi-realism is committed to a damaging asymmetry between the way a subject regards himself and the way he regards others. In particular, a subject must believe it to be a priori that if something is one of his stable or fundamental beliefs, then it is true. Whereas he will not hold that this is a priori true of other people. In this paper I rebut Egan's argument, and give further consideration to the correct way to think about our own fallibility.

Sinnott-Armstrong's paper principally defends our inability to justify, philosophically, normal moral claims. In particular, we cannot justify them against other claims, especially the claim of moral nihilism. Moral nihilism is the doctrine that there are no moral obligations. This thesis ‘does not lie in meta-ethics. It is a universally quantified substantive moral claim’. Sinnott-Annstrong makes it clear that he does not actually believe this doctrine, but he believes that it is coherent, and that a variety of strategies philosophers might attempt all fail to disprove it. And because of this, ordinary claims to obligation are philosophically unjustified

In this paper I am not so much concerned with movements of the mind, as movements of the will. But my question bears a similarity to that of the tortoise. I want to ask whether the will is under the control of fact and reason, combined. I shall try to show that there is always something else, something that is not under the control of fact and reason, which has to be given as a brute extra, if deliberation is ever to end by determining the will. This is, of course, a Humean conclusion, and the only novelty comes in the way I wish to argue for it. I believe that many philosophers think, erroneously, that Hume relies on a naive and outdated conception of facts, or on an even more naive and outdated conception of reason, in order to put passion on their throne. My tortoise defends Hume: what we do with our premises is not itself construed as acceptance of a premise. As it stands the project is only described metaphorically. Presumably everything, including movement of the will, is under the control of facts in some sense, for even if they are only facts about our physiology or chemistry, still, they make us move. I am interested only in cognitive control, or control by the apprehension of fact and reason.

Expressivism is the view that the function of normative sentences is not to represent a kind of fact, but to avow attitudes, prescribe behavior, or the like. The idea can be found in David Hume. In the 20th century, G.E. Moore’s Open Question Argument provided important support for the view. Elizabeth Anscombe introduced the notion of “direction of fit,” which helped distinguish expressivism from a kind of naive subjectivism. The central advantage of expressivism is that it easily explains the motivational force of moral conviction. Its chief problem is it has difficulty explaining the “realist surface” of moralizing. Quasi-realism is a strategy for explaining the realist surface without abandoning the underlying ideas of expressivism. It aims to explain moral error as well as deal with the so-called Frege-Geach problem. This chapter explains quasi-realism, and evaluates it by comparison with its chief rivals: Aristotelian approaches, Kantian approaches, realist moral naturalism, and fictionalism.

Simon Blackburn puts forward a compelling original philosophy of human motivation and morality. He maintains that we cannot get clear about ethics until we get clear about human nature. So these are the sorts of questions he addresses: Why do we behave as we do? Can we improve? Is our ethics at war with our passions, or is it an upshot of those passions? Blackburn seeks the answers in an exploration of guilt, shame, disgust, and other moral emotions; he draws also on game theory and cognitive science in his account of the structures of human motivation. Many philosophers have wanted a naturalistic ethics a theory that integrates our understanding of human morality with the rest of our understanding of the world we live in. What is special about Blackburn's naturalistic ethics is that it does not debunk the ethical by reducing it to the non-ethical. At the same time he banishes the spectres of scepticism and relativism that have haunted recent moral philosophy. Ruling Passions sets ethics in the context of human nature: it offers a solution to the puzzle of how ethics can maintain its authority even though it is rooted in the very emotions and motivations that it exists to control.