Simon Blackburn

Professor geach's article criticized our earlier "analysis" paper on pages 48-50 of "on denoting." he took us to have offered an account of russell's earlier use of the expression "denoting phrase" which he regarded as inadequate. But we had not done so: we were interested solely in the denoting phrases which are perplexing russell on those pages, And we repeat our view that the problem which russell had found arises as much for frege's theory of reference as for russell's own earlier theory. The extension of "denoting phrase" as used in "principles of mathematics" is irrelevant, As was geach's subsequent discussion of the problem we tried to identify

Dreier’s sympathy with expressivism is welcome, and yet he comes upon an ‘uncomfortable surprise’, in a circularity or regress that he detects in my attempt to place ethical commitments in a natural world. The circularity is that the expressivist analysis of what is going on, when we invoke norms, identifies particular states of mind: valuings, or acceptance of norms, or complexes of attitude. But states of mind are themselves normatively tainted. Hence: ‘the kernel of expressivist analysis invokes normative concepts’.

Ruling Passions is about human nature. It is an invitation to see human nature a certain way. It defends this way of looking at ourselves against competitors, including rational choice theory, modern Kantianism, various applications of evolutionary psychology, views that enchant our natures, and those that disenchant them in the direction of relativism or nihilism. It is a story centred upon a view of human ethical nature, which it places amongst other facets of human nature, as just one of the elements which give us the manifold objects of our concerns and cares.

The idea behind expressivism as a philosophy of ethics faces a number of different challenges, and has a number of different choices to make as it tries to meet them. Perhaps the first is to specify what is the primitive of the theory, which will be something that is expressed, and is usually identified as a state of mind. Later in this paper, I shall suggest caution about this, but for the moment we can go along with it. Emotion was one suggestion, prescriptions are another, desires of various orders are candidates, but I prefer the less specific term ‘attitude’. One might ask why we should not go with the equally general term ‘belief’. The answer derives from the second challenge, which queries whether we have actually managed to locate a primitive suited to play its role in a substantive theory. This in turn depends on what exactly the substantive theory is trying to do, so we need to sketch an answer to that first. The need is more pressing since for some time now there have been theorists who have more or less explicitly turned their backs on the whole idea of ‘metaethics’ or theory of ethics, supposing that the only questions that should bother the philosopher come from within first-order practice, as we try to articulate our standards, to rank obligations and duties, or to relate those to utility and virtue.

Simon Blackburn puts forward a compelling original philosophy of human motivation and morality. He maintains that we cannot get clear about ethics until we get clear about human nature. So these are the sorts of questions he addresses: Why do we behave as we do? Can we improve? Is our ethics at war with our passions, or is it an upshot of those passions? Blackburn seeks the answers in an exploration of guilt, shame, disgust, and other moral emotions; he draws also on game theory and cognitive science in his account of the structures of human motivation. Many philosophers have wanted a naturalistic ethics a theory that integrates our understanding of human morality with the rest of our understanding of the world we live in. What is special about Blackburn's naturalistic ethics is that it does not debunk the ethical by reducing it to the non-ethical. At the same time he banishes the spectres of scepticism and relativism that have haunted recent moral philosophy. Ruling Passions sets ethics in the context of human nature: it offers a solution to the puzzle of how ethics can maintain its authority even though it is rooted in the very emotions and motivations that it exists to control.