Douglas Lackey

This essay considers and rejects the hypothesis of Fackenheim, Wiesel and others that the Jewish Holocaust contains some qualitatively or quantitatively distinct moral evil. The Holocaust was not qualitatively distinct because the intentions and vices of the mass murderer are qualitatively indistinguishable from the intentions and vices of the common murderer. The Holocaust was not quantitatively distinct either because the sum of the evils of the Holocaust is quantitatively indistinguishable from six million randomly selected individual murders or because the notion of a ‘sum’ of moral evils is conceptually incoherent

This essay distinguishes personal from generic fame and accurate from inaccurate fame, and claims that only accurate personal fame could possess intrinsic value. Nevertheless, three common arguments why accurate personal fame might possess intrinsic value are shown to be unsound. After rejecting two Aristotelian arguments to the effect that no sort of fame possesses value, the author suggests that fame is valueless if one assumes a modern axiology in which the good life consists of self-regulation and self-expression.

Dominant in mid-century, the auteur theory of cinema elevated the director of a film to a position of artistic eminence. The theory was eroded by theoretical attacks and by the rise of big-budget computer-driven action films. This chapter explores the further decline in the auteur theory wrought by the contemporary rise of the television mini-series. Various twenty-first-century mini-series have been critically acclaimed, but in most cases, these mini-series have multiple directors. There remains an aesthetic problem: can there be an integrated work of art when there is no integrating artist?

This essay distinguishes personal from generic fame and accurate from inaccurate fame, and claims that only accurate personal fame could possess intrinsic value. Nevertheless, three common arguments why accurate personal fame might possess intrinsic value are shown to be unsound. After rejecting two Aristotelian arguments to the effect that no sort of fame possesses value, the author suggests that fame is valueless if one assumes a modern axiology in which the good life consists of self-regulation and self-expression.

This paper argues that there is a conflict between divine omniscience and the human right to privacy. The right to privacy derives from the right to moral autonomy, which human persons possess even against a divine being. It follows that if God exists and persists in knowing all things, his knowledge is a non-justifiable violation of a human right. On the other hand, if God exists and restricts his knowing in deference to human privacy, it follows that he cannot fulfill the traditional function of being the perfect and final judge of all things.

Nuclear War, edited by Fox and Groarke, is one of five recent anthologies containing new essays by philosophers on the subject of nuclear war. The Blake and Pole volumes, containing essays mainly by British philosophers, are distinguished by unrelenting and comprehensive opposition to British and American policy, and by the fame of the contributors, which include Anthony Kenny, Michael Dummett, and Bernard Williams. The Chicago volume contains a number of excellent papers by philosophers and the added bonus of nine papers by established specialists in national security issues; it attempts, with partial success, to cover the full range of strategic nuclear options. The Cohen and Lee and the Fox and Groarke volumes consist largely of papers by strategic outsiders far from the centres of political power; the debate in these volumes is not between the principal versions of nuclear deterrence but between nuclear deterrence in any form and some scheme that transcends the present arrangement of mutually deterring superpowers. Of these last two books, Cohen and Lee contains relatively longer and more detailed essays.